update

• JFK Library Launches Interactive Documentary
• Colorworks Grades The Man with the Iron Fists
• Coldplay Connects with ARRI
• Seven PsychopathsGets International Post Treatment
• On the Creative Planet Network | Lucy Cooke and the Sloth Citizen Kane
• On the Creative Planet Network | Video Artist Doug Aitken's Altered Earth
• Phosophene Heads Back to New Orleans for Treme
• Trending Online | Girl Walk // All Day, An Epic 71-Minute Dance Video
• Trending Online | Air New Zealand's Hobbit-Inspired Safety Demonstration
• Food Forward Hits the Road with Sachtler
• Red Bull Stratos Soars with Riedel
• Spotlight | Ken Burns, Director, The Dust Bowl, by Joy Zaccaria

feature

• Chasing Ice: Experimental Cameras and Time Lapse Recordings Chart Climate Change, by John Merli

look

• West of Memphis: Chronicling the Case in Amy Berg’s Cinematic Documentary, by Jennifer Wolfe

• The Bay: Combining Files and Formats for the “Found Footage” Thriller, by Jon Silberg

• Cloud Atlas: Editor Alexander Berner Weaves Together Six Strands and Stories, by Oliver Peters

• Sin City Retro-Fit: Encore VFX Revisits the 1960s for Vegas

lust

• Cameras, Codecs, Cards, CineAlta: A First Look at Sony’s Expanded and Evolved F Series, by Ned Soltz

• New and Improved: Apple Final Cut Pro X 10.0.6 Adds Some Serious Features, by Oliver Peters

• Emulsion Emulation: Creating a “Film Look” with FilmConvert and FilmConvert Pro, by Oliver Peters

• Focus on Your Fixtures: Accessing Data Stored in the SetLighting App, by Jay Holben

learn

• Camera Class | First Field Reports from the Blackmagic Cinema Camera, by Jay Ankeney

• Rethinking Raw: Postproduction Possibilities for the Blackmagic Cinema Camera, by Oliver Peters

• Tips to Clip: December 2012, by Dick Reizner

• Instant Expert | X Marks the Spot: New Plug-Ins and Tools for Final Cut Pro X 10.0.6, by Ned Soltz

• Licensing Learning Curve: When to Opt for Stock Footage

• The Next Level for Live Television: Multiplatform Production for Katie, by Claudia Kienzle

• DV101 | Atmospheric Conditions: Using Smoke and Fog for Your Shoot, by Jay Holben

• Austin City Limits: Avid Workflow Improves Production on the PBS Series

• Production Diary | Philippa Wets Her Pants and Other Scary Stories, by Stefan Sargent

• Editor's View | Frontline, by Cristina Clapp