Issue 6

Digital production studio HOAX Films provided visual effects services for “Work Bitch,” the new Britney Spears video directed by Ben Mor. The song is...

George Flores, CAS, is a top sound mixer for television with 16 years of experience working on such leading shows as Southland and Ringer....

Hula Post Production provided 3D editorial gear and space for Metallica: Through the Never, the new feature-length 3D concert film released worldwidelast month by...

To announce the release of a new box set of Sly & The Family Stone’s best-known music, Legacy Records (Sony Music) partnered with Shutterstock...

Cinematographer Lucas Lee Graham says that for the independent film Cold Turkey, he wanted “an intimate, personal look with a really shallow depth of...

Most of the fire seen in the NBC series Chicago Fire is real, only occasionally supplemented in post. To capture the intensity of the...

Company 3 in London used Blackmagic Design’s DaVinci Resolve to color grade Ron Howard’s F1 racing film Rush. Tracing the true story of drivers...

I can’t count the number of times I’ve needed to see the camera’s viewfinder and I was on the opposite end of a jib....

As a videographer specializing in wildlife photography, I often shoot alone. It’s up to me to shoot clean audio, not a boom operator or...

Script Security Scripts can be dropped, jumbled, revised, confused and otherwise mixed up—unless, of course, you follow these tips. The most important one is...

Teleprompters have always existed as a series of components. You had a source of text, whether it was a computer or simply paper scripts...

How I love American Cinematographer magazine. Next to Digital Video, it’s my all-time favorite. Every month I open it to the inside back cover,...

Starting in September at New York’s Whitney Museum of American Art is In the Air, a panoramic video installation created by artist T. J....