News Watch: First Impressions of the SIGMA fp By Sarv Kreindler Published: December 22, 2019 ⋅ Updated: June 25, 2020
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Edit A Timeline of Single-Take Cinematography By Sarv Kreindler Published: January 1, 2020 ⋅ Updated: May 19, 2020
How To “Togo:” New Technologies, 19th-Century Tones By Sarv Kreindler Published: January 2, 2020 ⋅ Updated: May 19, 2020
How To How “Joker” Was Inspired by the Memory of Gritty ’70s Cinema More Than the Films Themselves By Sarv Kreindler Published: November 26, 2019 ⋅ Updated: May 17, 2020
Edit How “Honey Boy” Was Rewritten in the Edit Room By Sarv Kreindler Published: November 27, 2019 ⋅ Updated: April 19, 2020
Expertise Understanding Color Gamut By Sarv Kreindler Published: December 7, 2019 ⋅ Updated: April 3, 2020
News Video Visionaries OK Go: Innovation Fueled by Creative Collaboration By Sarv Kreindler Published: February 29, 2012 ⋅ Updated: March 29, 2020
Edit Download a Free Beginner’s Guide to DaVinci Resolve 16 By Sarv Kreindler Published: December 8, 2019 ⋅ Updated: March 24, 2020
News How “Russian Ark” Takes Us Through History in a Continuous Shot By Sarv Kreindler Published: February 3, 2014 ⋅ Updated: March 10, 2020
Government Video NewTek Develops Next-Generation TriCaster Mini By Sarv Kreindler Published: November 20, 2019 ⋅ Updated: March 10, 2020
How To How DP Mihai Malaimare, Jr. Achieved the Vibrant Look of “Jojo Rabbit” By Sarv Kreindler Published: November 29, 2019 ⋅ Updated: March 10, 2020
Edit “Parasite” Editor Jinmo Yang Teaches Us How to Edit Without Coverage (No Film School) By Sarv Kreindler Published: December 29, 2019 ⋅ Updated: March 5, 2020
Creative Inspiration “Chernobyl” Cinematographer Jakob Ihre Talks Lighting an “Invisible Monster” and More on the Look of the Show By Sarv Kreindler Published: November 28, 2019 ⋅ Updated: March 2, 2020
Creative Inspiration Watch: “Parasite” Director Bong Joon-ho Breaks Down the Film’s Opening Scene By Sarv Kreindler Published: November 27, 2019 ⋅ Updated: February 29, 2020
Creative Inspiration Steve Yedlin, ASC, on Controlling the Look of Mystery Movie “Knives Out” (Studio Daily) By Sarv Kreindler Published: December 2, 2019 ⋅ Updated: February 26, 2020
How To “Parasite:” Shooting Bong Joon Ho’s Social Thriller Through the Lens of Class Divide (Indiewire) By Sarv Kreindler Published: November 27, 2019 ⋅ Updated: February 24, 2020
Augmented and Virtual Reality Bringing Martin Luther King, Jr.’s “I Have a Dream” Speech to Virtual Reality By Sarv Kreindler Published: January 7, 2020 ⋅ Updated: February 24, 2020
News Blackmagic Design Releases New ATEM Mini By Sarv Kreindler Published: November 20, 2019 ⋅ Updated: February 22, 2020
Distribute Blackmagic’s ATEM Mini Brings Broadcast Quality to Your YouTube and Twitch Streams (Engadget) By Sarv Kreindler Published: December 20, 2019 ⋅ Updated: February 22, 2020
Creative Inspiration “The Lighthouse” Cinematographer Jarin Blaschke on Natural Lighting and the Devolution of Film Language (The Film Stage) By Sarv Kreindler Published: November 25, 2019 ⋅ Updated: February 9, 2020
Creative Inspiration “Honey Boy” Director Alma Har’el on Working With Shia LaBeouf and Finding an Ending in the Editing Room (/Film) By Sarv Kreindler Published: December 2, 2019 ⋅ Updated: February 4, 2020
Creative Inspiration “Marriage Story” Editor Jennifer Lame on Her “Stacking” Method of Cutting Dialogue Scenes By Sarv Kreindler Published: November 26, 2019 ⋅ Updated: January 28, 2020
Creative Inspiration Noah Baumbach Breaks Down an Opening Scene of “Marriage Story” By Sarv Kreindler Published: December 10, 2019 ⋅ Updated: January 28, 2020
Creative Inspiration How Melina Matsoukas Went From Music Video Visionary to “Queen and Slim” (Rolling Stone) By Sarv Kreindler Published: November 29, 2019 ⋅ Updated: January 27, 2020
Creative Inspiration DP Mihai Malaimare Jr. on Capturing the Dark Comedy of “Jojo Rabbit” in Living Color (Studio Daily) By Sarv Kreindler Published: December 2, 2019 ⋅ Updated: January 20, 2020
How To Recreate the Look of “Joker” with These Two Free LUTs By Sarv Kreindler Published: December 4, 2019 ⋅ Updated: January 19, 2020
Creative Inspiration The Safdie Brothers’ Full-Immersion Filmmaking (The New Yorker) By Sarv Kreindler Published: December 11, 2019 ⋅ Updated: January 17, 2020
Creative Inspiration How the Safdie Brothers Shot Controlled Chaos in “Uncut Gems” (No Film School) By Sarv Kreindler Published: December 18, 2019 ⋅ Updated: January 17, 2020
News “Top Gun: Maverick” Puts Six Sony VENICE Cameras Inside a Cockpit (Y.M.Cinema) By Sarv Kreindler Published: January 8, 2020 ⋅ Updated: January 15, 2020
News Apple Introduces 16-Inch MacBook Pro By Sarv Kreindler Published: November 19, 2019 ⋅ Updated: January 15, 2020
Creative Inspiration Cinematographer Darius Khondji Leans Into Garish, Gritty ’80s Aesthetics For “Uncut Gems” (Deadline) By Sarv Kreindler Published: December 11, 2019 ⋅ Updated: January 14, 2020
Creative Inspiration How Cinematographer Mark Schwartzbard Scored the Scares for “Black Christmas” By Sarv Kreindler Published: December 17, 2019 ⋅ Updated: January 13, 2020
Creative Inspiration How Cinematographer Yorick Le Saux Brought Life and Movement to the Look of “Little Women” By Sarv Kreindler Published: December 22, 2019 ⋅ Updated: January 9, 2020
News Canon C500 Mark II: Sample Footage and Real-World Execution (Y.M.Cinema Magazine) By Sarv Kreindler Published: January 3, 2020 ⋅ Updated: January 8, 2020
Expertise B&H’s Video Gear Gift Guide By Sarv Kreindler Published: December 20, 2019 ⋅ Updated: January 8, 2020
Creative Inspiration The Year in Screens: The Defining Moving Image and Digital Works of 2019 (ARTnews) By Sarv Kreindler Published: December 26, 2019 ⋅ Updated: January 7, 2020
News How AI Helps Unlock the Secrets of Old Master and Modernist Paintings (Ars Technica) By Sarv Kreindler Published: January 2, 2020 ⋅ Updated: January 6, 2020
Creative Inspiration Here’s How “Watchmen” Made That Amazing Black and White Episode (No Film School) By Sarv Kreindler Published: December 2, 2019 ⋅ Updated: January 6, 2020
Creative Inspiration Listen: Seduce and Destroy with Josh Safdie, Benny Safdie and Paul Thomas Anderson (A24 Films) By Sarv Kreindler Published: December 23, 2019 ⋅ Updated: January 4, 2020
Expertise Color Correction for Beginners Using DaVinci Resolve 16 By Sarv Kreindler Published: December 16, 2019 ⋅ Updated: January 2, 2020
