How To Remote Post Workflows… or How I Learned to Stop Worrying and Love Edit Sessions from the Sofa By Robert J. Takata Published: March 18, 2020 ⋅ Updated: May 31, 2020
Creative Inspiration What You Can’t See: Negative Space and Cinematography for “The Invisible Man” By Robert J. Takata Published: March 20, 2020 ⋅ Updated: May 31, 2020
Creative Inspiration “The Plot Against America:” Philip Roth’s “What If..?” Is David Simon’s “What Now?” By Robert J. Takata Published: March 23, 2020 ⋅ Updated: May 29, 2020
Creative Inspiration “Tiger King:” Obviously, We’re Going to Talk About This Bonkers Production By Robert J. Takata Published: April 1, 2020 ⋅ Updated: May 3, 2020
Creative Inspiration How Alan Yang’s “Tigertail” is Both an Immigrant Story… and a Very American One By Robert J. Takata Published: April 29, 2020
Creative Inspiration “Crip Camp:” How to Make the Personal Political (and Political Personal) By Robert J. Takata Published: April 5, 2020 ⋅ Updated: April 27, 2020
Creative Inspiration “Blow the Man Down:” It’s a Maine Murder Mystery Mashup By Robert J. Takata Published: April 20, 2020 ⋅ Updated: April 24, 2020
Expertise Build the Real-Time Remote Editing Suite You Need Today By Robert J. Takata Published: March 19, 2020 ⋅ Updated: April 16, 2020
Creative Inspiration Night and the City: “21 Bridges” With Sony’s VENICE (the Why and the How) By Robert J. Takata Published: April 10, 2020 ⋅ Updated: April 12, 2020
News Mini But Mighty: Life With ARRI’s ALEXA Mini LF By Robert J. Takata Published: March 29, 2020 ⋅ Updated: April 4, 2020
News FX9: Philip Bloom Evaluates Sony’s Evolutionary Camera By Robert J. Takata Published: March 25, 2020 ⋅ Updated: March 30, 2020
Expertise Stay Indoors Education: Shane Hurlbut’s (Free!) Lighting Workshop By Robert J. Takata Published: March 27, 2020
Augmented and Virtual Reality KAWS and AcuteArt Develop and Deploy AR “Holiday” By Robert J. Takata Published: March 17, 2020
