The WireRenegade Animation Helps DairyPure and KBS Send a Message About Childhood InnocenceBy K.gayhartMay 10, 2018
The WireRising Sun Pictures Welcomes Australian Government’s Announced Increase to Location OffsetBy K.gayhartMay 6, 2018
The WirePeter Dietrich Hits the Bullseye with “Hole Maker” for Snack Food ChipitaBy K.gayhartApr 22, 2018
The WireMTI Film Provides Some Spark for Indie Thriller “How the Light Gets In”By K.gayhartApr 22, 2018
The WireEli Green Directs Campaign Touting Luxury-for-Less Air Travel with JetSuiteXBy K.gayhartApr 16, 2018
The WireSheldon Candis Directs Marsha Ambrosius for Lincoln’s “First Listen” SeriesBy K.gayhartMar 27, 2018
The WireHawk-Woods Reel Power Battery Approved for On-Board Use with ARRI ALEXA LFBy K.gayhartMar 26, 2018
The WireRising Sun Pictures Partners with UniSA to Develop Visual Effects Undergraduate ProgramBy K.gayhartMar 23, 2018
The WireDerby’s Josh Hayward Explores the Poetry and Brutality of Combat Sport in “Muay Thai”By K.gayhartMar 19, 2018
The WireSMPTE Hollywood Section to Explore the History of Moving Imagery with Lenny LiptonBy K.gayhartMar 6, 2018
The WirePatronus Helps Prevent Leaks of this Season’s Academy Award ScreenersBy K.gayhartFeb 27, 2018
The WireIstituto Luce–Cinecittà Selects WCPMedia’s Cloud Platform to Promote Its Historic Film Catalog GloballyBy K.gayhartFeb 5, 2018
The WireSherpas Cinema Takes Audi into Undiscovered Country with “Hokkaido Calling”By K.gayhartFeb 5, 2018
The WireSTORY’s John Komnenich Directs Mayhem (Dean Winters) in Spot for AllstateBy K.gayhartFeb 5, 2018
The WireHollywood Studios and Others Join in Celebrating the Craft of Sound as Sponsors of the 64th Annual Golden Reel AwardsBy K.gayhartFeb 5, 2018
The WireTechnicolor PostWorks Colors a Changing World for Nat Geo’s “Years of Living Dangerously” By K.gayhartFeb 5, 2018
