Creative Inspiration Hope is the Thing With Feathers: The Inspired Visuals in “Dickinson” By Jennifer Wolfe ⋅ 9 mins ago
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How To M. Night Shyamalan’s “Servant:” How to Master the Slow Burn in Storytelling By Jennifer Wolfe ⋅ Jan 22, 2020
Creative Inspiration Ladj Ly’s “Les Misérables” and the Fusion of Narrative and Nonfiction Footage By Jennifer Wolfe ⋅ Jan 20, 2020
Creative Inspiration Crafting a Literal Political Thriller: Alex Gibney’s Documentary “Citizen K” By Jennifer Wolfe ⋅ Jan 20, 2020
Creative Inspiration Just Your Basic Love Ghost Story: How Claire Mathon Captured the Visuals of “Atlantics” By Jennifer Wolfe ⋅ Jan 15, 2020
Creative Inspiration Follow the Light, Follow the Mood: Making Terrence Malick’s “A Hidden Life” By Jennifer Wolfe ⋅ Jan 14, 2020
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Creative Inspiration How Greta Gerwig Built Her “Little Women” (New York Times) By Jennifer Wolfe ⋅ Jan 10, 2020
Creative Inspiration A Paean To the Female Gaze: The Stunning Visuals for “Portrait of a Lady on Fire” By Jennifer Wolfe ⋅ Jan 1, 2020
Creative Inspiration Navigating “Dark Waters” With Todd Haynes and Ed Lachman’s “Observant Camera” By Jennifer Wolfe ⋅ Dec 26, 2019
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Creative Inspiration “The Camera Writes:” Cinematographers Discuss the Year’s Biggest Films By Jennifer Wolfe ⋅ Dec 17, 2019
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Creative Inspiration Cinematographer Robbie Ryan on the “Privileged Space” of “Marriage Story” (Deadline) By Jennifer Wolfe ⋅ Dec 12, 2019
Creative Inspiration How Filmmakers Lynn Novick and Sarah Botstein Gained Unprecedented Access for PBS Prison Documentary “College Behind Bars” By Jennifer Wolfe ⋅ Dec 10, 2019
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Video Edge Harmony Korine Taps Snapchat’s Spectacles 3 for Experimental 3D Film “Duck Duck” By Jennifer Wolfe ⋅ Dec 9, 2019
How To Dispelling Three Common Myths About Shooting Raw (Frame.io Insider) By Jennifer Wolfe ⋅ Dec 9, 2019
How To How “The Marvelous Mrs. Maisel” (and M. David Mullen) Locked Down the Long Take By Jennifer Wolfe ⋅ Dec 7, 2019
News and Features Face to Face: “Gemini Man” (American Cinematographer) By Jennifer Wolfe ⋅ Dec 5, 2019
How To How HBO’s “Watchmen” Is a Masterclass in Nonlinear Storytelling By Jennifer Wolfe ⋅ Dec 5, 2019
How To Lost in Time: How the Cinematography of “The Lighthouse” Evokes the 19th Century By Jennifer Wolfe ⋅ Dec 3, 2019
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How To How Jeff Hutchens Used Canon C300 Mark II for Showtime Docuseries “Murder in the Bayou” By Jennifer Wolfe ⋅ Nov 25, 2019
Video Edge Dawn of the MTV Era: Video Art Pioneer Nam June Paik’s Vision By Jennifer Wolfe ⋅ Nov 25, 2019
