2015 The Mini Makers: Production Successes with the Blackmagic URSA Mini By Jay Ankeney Published: December 26, 2015
2015 Cinematography with a Compact Form Factor: Assessing ARRI’s Alexa Mini Camera By Jay Ankeney Published: November 20, 2015
2015 A Cinematic Solution at a Sensible Price: How JVC’s GY-LS300 Expands Production Capabilities By Jay Ankeney Published: October 22, 2015
2015 Resolution, Recording Capabilities and Contrast Ratios: Monitoring a Range of Camera-Top Monitors By Jay Ankeney Published: June 23, 2015
2015 Evolution, Revolution or Both?: Considering AJA CION’s Capabilities By Jay Ankeney Published: June 23, 2015
2015 The Unexpected 4K Contender: Can Samsung’s NX1 Change Video Production? By Jay Ankeney Published: April 23, 2015
2015 High Altitude, Higher Expectations: The Deal with Drone Cinematography By Jay Ankeney Published: March 20, 2015
2015 Long Awaited, Much Anticipated: First Productions with the Panasonic VariCam 35 By Jay Ankeney Published: February 19, 2015
2014 Production with Blackmagic Design’s URSA: Integrated, Innovative and Intended for User Upgrades By Jay Ankeney Published: December 17, 2014
2014 Mirrorless and Powerful: How the Sony α7S Is Redefining DSLR Video By Jay Ankeney Published: August 27, 2014
2014 Preparing for the Next Wave of 4K: What’s Possible with the Blackmagic Production Camera 4K By Jay Ankeney Published: June 20, 2014
2014 Small Wonder: Production with Blackmagic’s Pocket Cinema Camera By Jay Ankeney Published: April 23, 2014
News Non-Stop Camera Movement on ‘Need for Speed’: How Cinematographer Shane Hurlbut Captured All the Action By Jay Ankeney Published: March 12, 2014
2013 Small Gets Big: Interest Grows in the Blackmagic Pocket Cinema Camera By Jay Ankeney Published: November 14, 2013
2013 Small Is the New Big: Shooting with Radiant Images’ Novo and Novo 2K By Jay Ankeney Published: August 19, 2013
2013 Slow Motion, Fast Processing: Shooting Up to 900 fps with FOR-A’s 4K FT-ONE By Jay Ankeney Published: July 25, 2013
