The Wire Company 3, Subsidiary of Deluxe Entertainment Services, Acquires Sixteen19 By Creative Planet Network Staff ⋅ Aug 23, 2019
Video Here Are the Companion Trailers for Noah Baumbach’s “Marriage Story” By Creative Planet Network Staff ⋅ Aug 21, 2019
The Wire MovieLabs and Hollywood Studios Publish White Paper Envisioning the Future of Media Creation in 2030 By Creative Planet Network Staff ⋅ Aug 20, 2019
Resource Center Anamorphic Lenses and Widescreen Cinematic Imagery (B&H) By Creative Planet Network Staff ⋅ Aug 19, 2019
Video Nikon Z6 Nocturne: Making Andy To’s “New York at Night” By Creative Planet Network Staff ⋅ Aug 15, 2019
News and Features “Parasite:” Bong Joon-ho’s New Film is a “Realistic Drama… a Crime Drama, a Comedy, a Sad Human Drama, or a Horrific Thriller” By Creative Planet Network Staff ⋅ Aug 14, 2019
News and Features Gravitational Pull: Designing the “Euphoria” Rotating Room By Creative Planet Network Staff ⋅ Aug 13, 2019
News and Features Don’t They Know It’s the End of the World? Opening “Good Omens” By Creative Planet Network Staff ⋅ Aug 13, 2019
News and Features “Los Espookys” Cinematography: The Hilariousness of Horror By Creative Planet Network Staff ⋅ Aug 1, 2019
News and Features Watch: Travis Scott’s Black-and-White, Floating, Freaky Video for “Wake Up” By Creative Planet Network Staff ⋅ Jul 31, 2019
News and Features Listen: “Stranger Things” Cinematographer Tim Ives By Creative Planet Network Staff ⋅ Jul 30, 2019
Distribution How Art Can Beautifully Fuse With Augmented Reality By Creative Planet Network Staff ⋅ Jul 30, 2019
News “Mike Wallace is Here” and Why Those Tough Questions Really Matter By Creative Planet Network Staff ⋅ Jul 29, 2019
Distribution AI Powers New “Dali Lives Exhibit” at Dali Museum By Creative Planet Network Staff ⋅ Jul 29, 2019
Product News Magewell Unwraps New Features and New Model in Ultra Stream Encoder Family By Creative Planet Network Staff ⋅ Jul 29, 2019
Resource Center Blockchain in Media and Entertainment: The Future Calls By Creative Planet Network Staff ⋅ Jul 29, 2019
Resource Center Vizrt/NewTek: Creating Significant Change By Creative Planet Network Staff ⋅ Jul 29, 2019
News Articles “Traveling While Black:” The (Virtual) Reality of Race Relations in America By Creative Planet Network Staff ⋅ Jul 23, 2019
News and Features “On Her Shoulders:” Enacting Social Change and Where a Filmmaker Fits in That Process By Creative Planet Network Staff ⋅ Jul 9, 2019
News and Features The Video Show: We’re Looking for Awesome Speakers, Sessions and Suggestions By Creative Planet Network Staff ⋅ Jul 9, 2019
News and Features “Gemini Man:” 3D, 120 fps, 2 Will Smiths By Creative Planet Network Staff ⋅ Jun 23, 2019
News and Features The Creative Planet Forums Are Back, Baby! By Creative Planet Network Staff ⋅ Jun 6, 2019
Produce ‘I Am Easy to Find:’ Mike Mills Reimagines the Music Video By Creative Planet Network Staff ⋅ May 15, 2019
News and Features Giant Steps Are What You Take: Managing the Amazing Material in “Apollo 11” By Creative Planet Network Staff ⋅ Apr 27, 2019
Produce Piecing Together the Puzzle of ‘Under the Silver Lake’ By Creative Planet Network Staff ⋅ Apr 23, 2019
News and Features ‘High Life:’ Claire Denis Made a Film Set in Space That Explores the Meaning of Existence (But Isn’t Science Fiction) By Creative Planet Network Staff ⋅ Apr 23, 2019
News and Features The Illusory (and Insanely Innovative) ‘Long Day’s Journey Into Night’ By Creative Planet Network Staff ⋅ Apr 23, 2019
News and Features ‘Life Underground,’ Aboveground and Online By Creative Planet Network Staff ⋅ Mar 21, 2019
News and Features We Live in Public: The Sociology of ‘Social Animals’ By Creative Planet Network Staff ⋅ Mar 21, 2019
Produce Spike Jonze Directs a Live (Like, Very Live) Music Video for Karen O By Creative Planet Network Staff ⋅ Mar 20, 2019
News and Features ‘After Life:’ Capturing Comedic Moments for the Ricky Gervais Series By Creative Planet Network Staff ⋅ Mar 11, 2019
Shoot The Periodically Insane, Graphic Novel-Inspired Look of Jonas Åkerlund’s ‘Polar’ By Creative Planet Network Staff ⋅ Mar 4, 2019
Video Edge Eminem Takes Viewers on a VR Tour Through Detroit By Creative Planet Network Staff ⋅ Feb 27, 2019
Video A Scene in One Shot: Capturing the Visual Magic of ‘Cold War’ By Creative Planet Network Staff ⋅ Feb 27, 2019
Produce ‘Minding the Gap:’ From Mini-DV Skate Videos to a Mindful, Affecting Documentary By Creative Planet Network Staff ⋅ Feb 19, 2019
Produce Black Metal, Murder and Mayhem: ‘Lords of Chaos’ By Creative Planet Network Staff ⋅ Feb 7, 2019
News and Features How ‘Hale County This Morning, This Evening’ Redefines the Documentary By Creative Planet Network Staff ⋅ Feb 7, 2019
News and Features Methodology and Madness: Editing ‘The Favourite’ By Creative Planet Network Staff ⋅ Jan 24, 2019
News and Features Charlie Brooker: Branching Narratives and ‘Black Mirror: Bandersnatch’ By Creative Planet Network Staff ⋅ Jan 16, 2019
Shoot Unforgiven: How ‘Sunshine Noir’ Defines ‘Destroyer’ By Creative Planet Network Staff ⋅ Jan 16, 2019
News and Features Chaos and Cinema: Editing ‘The Image Book,’ Godard’s Visceral Video Essay By Creative Planet Network Staff ⋅ Jan 16, 2019
Produce ‘Charm City:’ Three Years, Three Crews, Three Baltimore Communities, and A Lot of Questions By Creative Planet Network Staff ⋅ Dec 19, 2018
Produce Forest Creatures: ‘Border’ and How to Make a Modern Fairytale By Creative Planet Network Staff ⋅ Dec 18, 2018
Produce ‘Roma:’ Alfonso Cuarón and the Meaning of Memory By Creative Planet Network Staff ⋅ Nov 23, 2018
Produce ’22 July’ and the True Story Translated by Paul Greengrass By Creative Planet Network Staff ⋅ Oct 16, 2018
