Distribution Directions: Mapping the Route of a Content Delivery Network
You've seen articles about the growing ranks of cord-cutters and the boom in OTT video delivery. While the demand increases, infrastructure is not necessarily...
When Broadcast Meets the Enterprise: Solving the Enterprise Video Challenge
As consumers of programming content, we have been trained to accept varying levels of video quality depending on the situation or the device we're...
Cost-Effective Content Streaming: Maintaining Delivery Quality While Managing Expenses
As consumers, we are addicted to video.
Sound Mixer Chris Duesterdiek Brings Sound Design to ‘The Mountains Between Us’
Sound mixer Chris Duesterdiek's first introduction to Sound Devices was when he used a 664 mixer/recorder on the film 'The Revenant.'
Diary of a Madman, Part 3: Tra La, My Ship Is Being Launched
Two days before the launch and the Bigge crew has taken over. All the volunteers are told to get off the ship and keep...
On-Site, Cloud or a Combination? Considering Hybrid Storage Structures
The concept of moving data to the cloud has long been a talking point, with the majority of media content providers realizing the value...
Cut to the Chase: Editing the Action on Set for ‘Baby Driver’
An in-depth discussion with editor Paul Machliss, ACE, about his work on director Edgar Wright's 'Baby Driver.'
Immersion Learning: Advances in Virtual Reality and 360° Video
There's an unfortunate tendency these days to combine virtual reality and 360° video into a single category.
International Jazz Day Concert Goes Live with NewTek
Following thousands of events taking place in more than 190 countries, International Jazz Day 2017 culminated with a concert streamed worldwide from Havana, Cuba.
Interactive Documentary ‘Zero Days VR’ Explores Cyberwar
Based on Alex Gibney's documentary 'Zero Days,' the 'Zero Days VR' experience allows users to explore the covert world of classified cyberweapons and intelligent...
Gorgeous Lighting for Gorgeous Ladies: Revisiting (and Referencing) the 1980s for Netflix’s ‘GLOW’
A little-known, low-budget female wrestling television show from the 1980s might not seem the most likely premise for Netflix's next breakout hit.
Human Compassion vs. Corporate Greed: Creating the Complex Layers of Netflix’s ‘Okja’
Probably not since the film 'Babe' have general audiences been confronted, even indirectly, with ethical dilemmas relating to food choices in mass-market storytelling.
AXS TV Adds FS4 to Boost Capabilities of Broadcast Truck
AJA has been a trusted technology partner to AXS TV and its predecessor, HDNET, since the inception of the television network. For 15 years,...
Promar TV Relies on Blackmagic Tech for Divina Pastora Celebration
The Divina Pastora Procession is a 24-hour religious tradition celebrated in Venezuela every January that can draw as many as four million attendees and...
Imagine Products PrimeTranscoder Delivers Reliability at Oh Seven Films
PrimeTranscoder has been my go-to app to get the postproduction process moving, whether the project is a documentary or an advertising piece I am...
ATK Audiotek Installs Roland M-5000 OHRCA Console at ‘Conan’
Music has always been a factor in the success of Conan, the TBS talk show created and hosted by comedian Conan O’Brien.
Chris Giles Mixes ‘Moonlight’ Audio with Aaton Cantar X3
Production sound mixer Chris Giles is rightly proud to have mixed audio for 'Moonlight,' the winner of the Academy Award for Best Picture in...