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Shot by series director of photography Jonathan Furmanski, the 22-minute sketch has been heralded as an excellent re-creation of its source material.
Shortly before his death, the late, legendary filmmaker spoke to us about his final completed film.
When color grading Paper Towns, director Jake Schreier wanted the visual feel of the coming-of-age film about a mysterious girl’s disappearance to walk the...
In this Buyer’s Guide we examine a number of video recording devices that allow you to ingest, manage, store, play back and output your...
In this Buyer’s Guide we examine a number of options for portable storage—products engineered to let you move and manage your media, whether you’re...
This month’s Buyer’s Guide showcases some of the latest advances in optics and imaging technologies. Canon U.S.A. Compact-Servo 18-80mm Zoom The Compact-Servo 18-80mm zoom...
Chad Bonanno has an unparalleled passion for filmmaking. He came up the ranks of parkour and freerunning, athletic disciplines that require both speed and...
The iconic Billie Holliday is brought to life in HBO’s broadcast production of the Broadway musical Lady Day at Emerson’s Bar and Grill. The...
“In order to be able to smoothly adjust the aperture, you had to send the lenses to specialists, who would then reconstruct them.” Aside...
Director/cinematographer Andrew David Watson has traveled the world, following his passion for interesting and challenging documentaries. Watson was recently called on to profile chef...
I have been using the Manfrotto Digital Director for the Apple iPad Air 2 for the last three months and have found it to...
“We’re shooting 1979, and everything had to work in the period—every sign, building and car," says the DP.
I chose to shoot the action thriller Stratton anamorphic partly for the aspect ratio, but also because I like the look of anamorphic lenses...
Sam Nuttmann was the DP/operator behind many of the hottest videos for the launch announcement of the Freefly MoVI gimbal. He’s since gone on...
Hula Post provided editorial systems, facilities and support to editor Melissa Kent for her work on the Paramount Pictures feature Captive. Kent spent six...
How did you achieve the look and style of the film? Reed Morano: I knew with the Alexa I could get the look I...
EFILM recently completed color grading on the 2D, 3D and Dolby Vision versions of The Hunger Games: Mockingjay Part 2. Colorist Mitch Paulson worked...
Unlike most commercial still photography work, video relies more on the ability to work with existing light. Typically, these are lower-light situations where your...
For the new sitcom Zoe Ever After, we decided to shoot in a style that harkens back to the sitcoms of the 1980s and...
For the title sequence of Marvel’s Ant-Man, created by Sarofsky, a camera descends through a dark universe, moving from one field of luminescent shapes...
Carol is a love story between two people from different backgrounds set in a society in the midst of a cultural shift. Read our...
Christian Sebaldt, ASC, cinematographer on the CBS cop drama Rush Hour, is using the Blackmagic Cinema Camera PL to shoot selected action, stunt and...
Sony’s PXW-FS5 is light and ready to fight.
The Sony Catalyst Production Suite consists of two applications: Catalyst Prepare and Catalyst Edit. The applications may be used independently or together to streamline...
These four applications just might have room in your toolbox in the new year.
More on Cable Ties Our thanks and a Tipster Tool Tote go out to John Wetmore for sharing this adventure. John says, “I have...
Here’s My First Acceptance Congratulations! Your New Media submission, “We Built A Ship” (17-minute version), has been officially selected into the 7th Annual New...
Absolutely the only way to start a new year is with inspiration. (You can’t dwell on mistakes you made, opportunities you missed or cookies...
URSA Mini offers the features of a full-size production camera miniaturized into a lightweight, compact design that makes it easier for small crews and...
Sicario is an emotional and suspenseful look into the dark side of the war on drugs as told by Canadian director Denis Villeneuve (Enemy,...
"I enjoyed that vérité style for this series. It was very liberating—but I think only possible with the Alexa," says DP Terry Stacey.
"We knew the information would come fast and we didn't want the audience to feel pummeled," says editor Elliot Graham.
The Revenant was shot in remote forests, at 9,000-foot elevation and in -30° F temperatures. Read our full story here.
"Our biggest challenge was having to material very quickly due to talent availability, the budget, the weather and the use of various facilities,”...
Territory, represented by ODD (Office of Development & Design), partnered with specialists at NASA to design the user interface (UI) technologies featured in the...
Warm Springs Productions is currently at work on the second season of the Fox News Channel docudrama series Legends and Lies, using a pair...
Director of photography John W. Rutland employed a combination of Sony cameras—PMW-200, NEX-FS700 and a7S—for Paranormal Activity: The Ghost Dimension, the sixth installment in...
FotoKem performed grading and online editing services on the pilot episode of Starz’ Ash vs Evil Dead television series, the long-awaited follow-up to the...
Mount Meru in northern India rises 21,000 feet above the Ganges River, nowhere near as high as Mount Everest, the peak that gets all...
A beautiful woman, with no memories of her past, is found naked in Times Square with her body fully covered in tattoos. Her discovery...
“We needed to make this story as real to life as possible," says sound designer/sound editor Glenn Freemantle.