Natural Beauty: Color Collective’s Work on the Landscapes of ‘Land Ho!’
Land Ho! tells the story of two former brothers-in-law who go on a holiday to reconnect, find adventure and liven up after facing several...
Mustache Agency Powers Production with ProMAX Platform
Mustache Agency creates web series and large-scale video campaigns, often deploying teams on location to cover events with intense delivery schedules. While researching setting...
Proxy-Based Editing, Plug-Ins & iPad Compatibility: Putting Sony Vegas Pro 13 Through Its Paces
Vegas Pro 13 is an easy-to-use, fast and efficient editing tool that includes Blu-ray Disc authoring.
Mirrorless and Powerful: How the Sony α7S Is Redefining DSLR Video
Three cinematographers delve into their experiences with the ultra-sensitive camera.
Castles, Candlelight & Digital Cinematography: The Realities of Producing Fantasy Series ‘Outlander’
Starz’s lushly photographed Outlander follows Claire (Caitriona Balfe), a married British combat nurse from 1945 who mysteriously falls back in time to 1743 Scotland....
Going Wild: Capturing African Landscapes and Life for ‘One Planet’
Director/producer Chadden Hunter and cinematographer Susan Gibson recently headed to the savanna grasslands of Kenya with the ARRI Amira.
‘The Zero Theorem’: Inside Terry Gilliam’s Imaginative, Involved Post Process
Editor Mick Audsley describes the process of bringing Gilliam’s singular, dystopian world to life in the cutting room. Read our full story here.
Spotlight: Madeleine Sackler, Director, ‘Dangerous Acts Starring the Unstable Elements of Belarus’
The director used smuggled footage and secret interviews to tell the story of a theater troupe creating uncensored art that is illegal in their...
‘Hunter of Invisible Game’ Achieves Haunting Visuals
Bruce Springsteen's hybrid music video/short film tells an impressionistic story of a lone traveler making his way through a postapocalyptic wasteland.
Alma Mater Creates (Endless) End Credits for ’22 Jump Street’
Alma Mater collaborated with directors Phil Lord and Christopher Miller on the closing credits for 22 Jump Street. The sequence features an elaborate concept:...
Hey, Ladies!: Achieving the Delightful, Dreamy Look on ‘Garfunkel and Oates’
Cinematographer Jay Hunter shoots the new web series turned IFC show Garfunkel and Oates on the ARRI Alexa which he calls his “go-to camera...