BBC’s ‘Quirke’ Posted with Quantel Pablo Rio
London post facility The Look completed postproduction for BBC’s three-part drama series Quirke on its Quantel Pablo Rio system. “Each of the three 90-minute...
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London post facility The Look completed postproduction for BBC’s three-part drama series Quirke on its Quantel Pablo Rio system. “Each of the three 90-minute...
Encore handled postproduction for the second season of Netflix’s House of Cards, with lead colorist Laura Jans-Fazio grading in uncompressed 4K using a FilmLight...
Director of photography Ben Richardson shot The Fault in Our Stars using ARRI’s Alexa XT camera and ARRI/Zeiss Master Prime lenses from ARRI CSC....
Director Derek Yee purchased a Blackmagic Production Camera 4K for his film I Am Somebody, which tells the story of small-time actors working as...
DIVE contributed the visual effects for all 10 episodes of The Leftovers on HBO. The company’s creative contributions included set extensions, character animation, seasonal...
AKiTiO Thunder2 Quad The Thunder2 Quad is a four-bay Thunderbolt 2 product with the capacity and throughput to support 4K video editing. The unit...
For the second season of BBC’s In the Flesh, director of photography Dale McCready turned to Rotolight’s Anova Bi-Color v2 LED floodlights. McCready considers...
When faced with a 20-day shooting schedule for the independent film Kelly & Cal, which stars Juliette Lewis and Cybill Shepherd, director of photography...
A trained paramedic, Thaddeus Setla travels the world visiting health care providers to produce Code STEMI, an online documentary series. With his industry knowledge,...
Directed by Matt Mercer, the independent film You or a Loved One was shot by cinematographer Patrick McGinley, who relied solely Fiilex P360 lights....
For Mariah Carey’s recent performance on NBC’s Today, lighting designer Peter Greenbaum experimented for the first time with CHAUVET Professional’s Nexus 4×4 LED panels....
When I was tasked with lighting my new production studio, I looked at offerings from Dracast, which claimed to have 95 CRI LED lights...
Paired with the unexpected $2000 price tag is the camera’s surprising technical capability.
Red Giant Software recently launched Red Giant Universe.
In this month’s Buyer’s Guide we focus on lighting and the range of products available for video productions. There’s a lighting option for you...
ABC Family’s The Fosters is a popular drama about a multi-ethnic family of foster and biological kids being raised by two moms. The show’s...
Cruise Coverage I recently met a guy with probably the best job in our industry. Brian Thomas is the official videographer aboard Princess Cruise...
“Hi, Alan, glad you made it. Hope you didn’t park outside. Our neighbors, they think they own the road. They’ll put a note under...
The most amazing aspect of Boyhood (and there are many amazing aspects) is simply the fact that it happened at all. Twelve years in...
Richard Linklater’s Boyhood, which follows the life of a boy from first grade to high school graduation, was shot and edited over a 12-year...
Michel Gondry brings Boris Vian’s beloved surreal love story to life in his latest whimsical film, ‘Mood Indigo.’
Colorist Shane Harris has worked on high-profile commercials, music videos and the indie features The Signal and Celeste and Jesse Forever, but Dawn of...
Created by Mother with MJZ director Juan Cabral, Ikea’s “Bed” commercial combines breathtaking landscapes and vivid realism with the surreal concept of mattresses suspended...
For the FOX series event "24: Live Another Day," Encore provided on-site dailies and postproduction services for all 12 episodes.
Once inseparable BFFs Lilly (Dakota Fanning) and Gerry (Elizabeth Olsen) fight over the moody, mysterious David (Boyd Holbrook) in the coming-of-age story 'Very Good...
Director Scott Derrickson harnessed the low-light capabilities of Sony’s F55 and F65 4K cameras to take viewers into dark places in the horror/thriller Deliver...
'Korengal' picks up where the award-winning documentary 'Restrepo' left off, exploring the complicated feelings of soldiers.
'Once' director John Carney returns to the world of struggling musicians, but on a larger scale and with considerably more crew and equipment.