Ben Richardson Moves to Alexa for ‘The Fault in Our Stars’
Director of photography Ben Richardson shot The Fault in Our Stars using ARRI’s Alexa XT camera and ARRI/Zeiss Master Prime lenses from ARRI CSC....
4K for Everybody: Sony’s FDR-AX100 Brings Ultra HD Capture to the Handycam
Paired with the unexpected $2000 price tag is the camera’s surprising technical capability.
The Expanding Universe: Working Within Red Giant’s Editing and Effects Environment
Red Giant Software recently launched Red Giant Universe.
Welcome to the Man Cave: Where There’s Always Beer and Popcorn
“Hi, Alan, glad you made it. Hope you didn’t park outside. Our neighbors, they think they own the road. They’ll put a note under...
The Beautiful Reality of ‘Boyhood’: Why Richard Linklater Took 12 Years to Make This Film
Richard Linklater’s Boyhood, which follows the life of a boy from first grade to high school graduation, was shot and edited over a 12-year...
Company 3’s Shane Harris Grades ‘Dawn of the Planet of the Apes’ with Blackmagic DaVinci Resolve
Colorist Shane Harris has worked on high-profile commercials, music videos and the indie features The Signal and Celeste and Jesse Forever, but Dawn of...
Going Global on ’24: Live Another Day’: The Inner Workings of Encore’s International Workflow
For the FOX series event "24: Live Another Day," Encore provided on-site dailies and postproduction services for all 12 episodes.