Ben Richardson Moves to Alexa for ‘The Fault in Our Stars’
Director of photography Ben Richardson shot The Fault in Our Stars using ARRI’s Alexa XT camera and ARRI/Zeiss Master Prime lenses from ARRI CSC....
4K for Everybody: Sony’s FDR-AX100 Brings Ultra HD Capture to the Handycam
Paired with the unexpected $2000 price tag is the camera’s surprising technical capability.
The Expanding Universe: Working Within Red Giant’s Editing and Effects Environment
Red Giant Software recently launched Red Giant Universe.
Welcome to the Man Cave: Where There’s Always Beer and Popcorn
“Hi, Alan, glad you made it. Hope you didn’t park outside. Our neighbors, they think they own the road. They’ll put a note under...
The Beautiful Reality of ‘Boyhood’: Why Richard Linklater Took 12 Years to Make This Film
Richard Linklater’s Boyhood, which follows the life of a boy from first grade to high school graduation, was shot and edited over a 12-year...
Company 3’s Shane Harris Grades ‘Dawn of the Planet of the Apes’ with Blackmagic DaVinci Resolve
Colorist Shane Harris has worked on high-profile commercials, music videos and the indie features The Signal and Celeste and Jesse Forever, but Dawn of...
Going Global on ’24: Live Another Day’: The Inner Workings of Encore’s International Workflow
For the FOX series event "24: Live Another Day," Encore provided on-site dailies and postproduction services for all 12 episodes.
Summer in the City: ‘Very Good Girls’ Captures Youth and Yearning in New York
Once inseparable BFFs Lilly (Dakota Fanning) and Gerry (Elizabeth Olsen) fight over the moody, mysterious David (Boyd Holbrook) in the coming-of-age story 'Very Good...
Low Light, High Anxiety: Deconstructing the Visual Style of ‘Deliver Us from Evil’
Director Scott Derrickson harnessed the low-light capabilities of Sony’s F55 and F65 4K cameras to take viewers into dark places in the horror/thriller Deliver...
‘Korengal’: Inside Sebastian Junger’s Intense, Immersive War Documentary
'Korengal' picks up where the award-winning documentary 'Restrepo' left off, exploring the complicated feelings of soldiers.