'The Guilty:' A One-Room, Real-Time Thriller
"The feeling should be persistent and focused. I especially wanted the cinematography to create a pressure on the main character."
'Kidding:' Mr. Pickles, Puppets and Peak Michel Gondry
Things fall apart in Jim Carrey's new Showtime series
AR as Public Art: Times Square Submerged
Mel Chin's "Unmoored" is used to "trigger a conversation about the fragile future of our planet with the hundreds of thousands of people that visit this area every day."
Going Wild: National Geographic's Four Night, Multiplatform Event 'Yellowstone Live'
"With 'Yellowstone Live,' we hope to leave no stone unturned as cameras film more than 22 million acres across three states and five national forests."
Nothing Can Prepare You for the Terror That Is... 'Eighth Grade'
"It looks like everything eighth grade was for you: Funny, horrifying, and weird as hell."
Home Is Where the Horror Is: Creating a Sense of Place for 'Castle Rock'
"'Castle Rock' makes its central locale feel real and imbues it with the kind of dread and fractured humanity exhibited in pop culture's most famously weird small towns."
The Dark, Twisted Fantasies of 'McQueen'
Explains the documentary's co-director Ian Bonhôte, designer Alexander McQueen was "an obsessive genius running on raw energy and instinct."
This Time It's Personal: Lauren Greenfield and 'Generation Wealth'
"It's part photographic journey of an artist, part historical essay, part character-driven narrative and part personal film."
Stair Cars and Handheld Cameras (Watch Out for Hop Ons)
Imaging Innovations on Season 5 of 'Arrested Development'
'Kidding:' Mr. Pickles, Puppets and Peak Michel Gondry
Things fall apart in Jim Carrey's new Showtime series