Press Releases For : May 20, 2013

Small Tree Shared Storage Plays Vital Role in Boutique Post-Production Company’s Rapid Growth

Originally founded in 2012 to handle post-production on two feature film projects, Prodigi House in Jakarta soon acquired additional clients – including Samsung and Honda – seeking support with TV commercials. With additional projects and tighter deadlines, the company installed a Titanium16 shared storage system from Small Tree, the leader in simple, affordable and powerful Ethernet-based shared storage solutions for professionals engaging in the creation, management and delivery of electronic media and entertainment content.

Featuring suites for offline and online editing, color grading and motion graphics, Prodigi House needed a centralized storage system with enough capacity, to allow the editing team to work on feature films and TV commercial projects simultaneously. Using Small Tree’s Titanium16, featuring 32TB of storage, and six 10GbE cards, Prodigi House’s editors are able to access media files quickly and easily from anywhere in the facility without experiencing the typical delays associated with multiple users accessing the storage server at the same time.

As a startup company, one of the greatest benefits of using Small Tree’s robust shared storage technology for Prodigi House was affordability.

“Titanium gives us a solid, dependable and affordable system that we can trust without sacrificing performance,” said Tijoe Yauw Leng (a.k.a. Oleng), technical director for the Indonesia-based company. “Given the short time and tight budget we had, Small Tree’s easy-to-install, cost-friendly system was the ideal solution for Prodigi House.”

Utilizing popular industry applications such as Final Cut Pro, Final Cut Studio 3, Adobe Creative Suite 6, FilmLight Baselight and Smoke Advanced Linux across the studio’s Mac Pro and iMac workstations, Prodigi House looked to Small Tree for its expertise with Mac 10Gb Ethernet networks. With an eye toward the future, the company was interested in a scalable storage solution that would grow along with them.

“With the immediate growth we experienced, we needed to know that we could upgrade the storage and add more workstations to handle more projects,” Oleng continued. “The ease in which storage can be added to the Titanium system played a substantial part in our decision to move forward with Small Tree. We know that we can add drives at any time to the Titanium to provide our editors with the storage capacity they need to complete client projects.”

For more information about Small Tree and its growing line of shared storage and networking products, visit www.small-tree.com. Follow Small Tree on Facebook at www.facebook.com/SmallTreeComm or on Twitter @SmallTreeComm.

Alice In Chains Locks Up Clay Paky Sharpy Washes for National Tour

Grunge rockers Alice In Chains are in the midst of a five-week national tour, and Clay Paky Sharpy Washes are shedding light on 22 dates coast-to-coast as the band plays festivals, theaters and small clubs.

The band began their spring tour in Miami and will finish in San Antonio, TX to generate buzz for their upcoming studio album The Devil Put Dinosaurs Here due out May 28th – their first since 2009.

Main Light provided 14 Sharpy Wash units to lighting designer and director Marty Postma. “They’re part of the floor package for effects,” says Randy Mullican at Main Light. “We compared the Sharpy Wash to 1000-watt units and found the Sharpy’s intensity, size and feature set to be better. They’re a beautiful light in the right size package. This was the first rental the Sharpy Washes went out on for us, and A.C.T has been fabulous; their service and support has been stellar.”

Lighting Designer Marty Postma notes that “the whole show goes into one truck – everything. The tour is a lean and mean promo run. So I needed something that could work in all of the venues and not take up truck space. I can put four Sharpy Washes in a case and stack the cases, which is a huge advantage.” But it wasn’t just size that mattered to him. “I needed smaller gear with a big presence,” he emphasizes.

Postma likes how the Sharpy Wash lights “respond quickly and are easy to set up. I can walk across the stage with one in each hand – and they don’t take a lot of power.” He also cites the fixtures’ brightness and famous Clay Paky color mixing capabilities.

According to Postma, the tour started with 10 Sharpy Washes and “the band liked them so much that we got four more. They’re working great!”

A.C.T Lighting is the exclusive North American distributor for Clay Paky.

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, adds, “The Sharpy Wash units have taken this summer touring schedule by storm. We’re glad that Marty and Randy are pleased with the lights and we look forward to supporting them throughout the tour.”

Press Releases For : May 17, 2013

Turn Your Computer Screen Into a Movie Set With iStopMotion 3.1

iStopMotion 3.1 Announcement Highlights:

  • Stop motion animation is the easiest way to tell a story in a movie
  • Screen Capture allows users to create stop motion animations or timelapse movies using screen content in programs such as Photoshop
  • Export to Apple ProRes video format if codec is installed, allowing for direct import in Final Cut Pro® X without the need to transcode
  • Bug fixes continue to improve overall functionality
  •  
    Puchheim, Germany – May 17, 2013 – iStopMotion 3.1, the latest upgrade to Boinx Software’s award-winning stop motion animation software, now includes a Screen Capture feature, requested by many users. Artists can easily capture frames from the screen to create stop motion animations or timelapse movies by pairing the software with illustration programs such as Photoshop or InDesign, or any other app, for example, to document the creation of a drawing. They can then export movies in Apple® ProRes format (if the codec is installed), and import directly into Final Cut Pro® X for further editing, without the need to transcode. iStopMotion 3.1 continues to be perfected with bug fixes for better functionality.
     
    The iStopMotion screen capture feature is exceptional. It is a real pleasure to watch the application in action,” comments Cody Creed, an art teacher from Manitoba, Canada who tested out the new screen capture capability in iStopMotion 3.1. “As an artist, I wish to share my process. This feature makes it easy to show how I create images from scratch in a dynamic and interesting way. I also find it works great in spaces. That way you can capture without the visual clutter of two applications at once. It has a great deal of potential, which will be realized when the art community gets their hands on it.”
     
    Creed has been using both the Mac and iPad versions of iStopMotion in the classroom for years and has students animate things like scientific processes and current events. He says the interactivity and ability to see certain processes sped up in a stop motion animation helps students better understand certain concepts.
     
    Watch “lunar oculus,” a timelapse of a drawing Creed illustrated in Photoshop, recorded with iStopMotion 3.1.
     
    Investing in new features for iStopMotion always yields great returns in the form of incredible, new, creative stop motion movies or timelapse videos created by the users,” says Oliver Breidenbach, CEO, Boinx Software. “I remember when I went to school, we were shown a timelapse of Picasso drawing, which was mesmerizing to watch. I am looking forward to seeing many other clever ways to use this new feature of iStopMotion for Mac.
     
    Charlie Collier, a 20-year-old Texas native, also uses iStopMotion for all of his stop motion animation needs. Most recently, he created a music video for singer/songwriter Lincoln Durham’s song “Ballad of a Prodigal Son,” using iStopMotion to animate handmade props and scenery perfectly to the music.
     
    I really like iStopMotion. It’s really helpful and that’s what I like about it – it’s not overly complicated, allows you to do some editing, and is effective without trying to be something it’s not,” says Collier. “You can import the audio track and see the waveform in the timeline. That was an awesome feature to have when I was animating Lincoln’s character to play along with the guitar. If it wasn’t for that feature, I’d be really angry.
     
    Watch “Ballad of a Prodigal Son,” and read more about Charlie’s creative process here.

    Ballad of a Prodigal Son

    Charlie Collier uses iStopMotion to bring his Lincoln Durham character to life.

     
    iStopMotion 3.1 Pricing and Availability
    iStopMotion 3.1 is now available both from the Mac App Store and the Boinx website for 49.99 USD or as a free update for existing v3 customers. iStopMotion 3.1 requires OS X 10.7.4 Lion or newer.
     
    Members of the media are invited to review iStopMotion 3.1. For more information, please contact Anya Oskolkova at anya@zazilmediagroup.com.
     
    Download iStopMotion press images here.
     
    About iStopMotion
    Boinx iStopMotion is the leading solution for stop motion animation and timelapse capture, used by many thousands of parents, kids, teachers, brickfilmers, pro animators and anyone with an interest in this fascinating movie making technique. From tilt shift and color correction to creating high quality HD movies, iStopMotion is a comprehensive application for the Mac that makes it possible for users of all skill levels to create exciting stop motion animations. In 2011, Boinx Software added iStopMotion for iPad to its family of stop motion animation products. Whether you just want to spend a magical weekend with your kids or are a serious animator, now it’s time to tell your story, frame by frame with iStopMotion.
     
    About Boinx Software
    Boinx Software Ltd. is located in Puchheim, near Munich, Germany. Boinx Software develops award-winning animation, video production and photography software for the Mac® platform and iOS devices including the iPhone, iPad and iPod. Boinx iStopMotion is the leading solution for stop motion animation and timelapse capture, used by many thousands of enthusiastic animators at home, in schools, in advertising agencies and professional animation studios. Boinx FotoMagico, winner of two Apple Design Awards – “Best Mac OS X Leopard Graphics and Media Application Runner-up 2008” and “Best Mac OS X User Experience Runner-up 2006” – is a presentation tool for professional photographers. BoinxTV, winner of the “Apple Design Award 2009,” is revolutionary live production software that turns any Mac into a TV studio. Boinx PhotoPresenter, winner of the Apple Design Award 2005 “Best Mac OS X Student Product,” is a quick slideshow tool with a variety of pre?built templates. Boinx Mouseposé is the indispensable mouse pointer-highlighting tool for users developing presentations, training or demos. You Gotta See This! is Boinx’s iPhone 4 app that works off of 4th generation gyroscope technology to create amazing 360-degree photo collages. LightLoupe for the iPad provides photographers with an on-the-spot analysis of the technical quality of their photos and VGA connection capabilities for viewing photos on the big screen.
     
    Follow @boinxsoftware on Twitter and Facebook. For more information, please visit the Boinx Software website.
     
    Press Contacts
    Zazil Media Group
    Anya Oskolkova
    Anya@zazilmediagroup.com
    (cell) +1 617.817.6559
    (fax) +1 617.812.7683
    (skype) anya.oskolkova
     
    Zazil Media Group
    Megan Linebarger
    Megan@zazilmediagroup.com
    (cell) +1 617.480.3674
    (fax) +1 617.812.7683
    (skype) megan.zazil
     
    ###

    Christie Inspires Creativity at Museum Expo 2013

    Multi-touch Interactivity for Any Large Format Display, Indoor and Outdoor LCD Panels, and Imaginative Projection Mapping Deliver Picture-Perfect Displays
    .
    Christie® presents a diverse collection of visual display solutions at the American Alliance of Museums (AAM) MuseumExpo, taking place May 20-22 at the Baltimore Convention Center. The Christie booth is showing projection display products that can be works of art in themselves, and serve as versatile tools for museums to enhance the visitor experience – including interactive displays where patrons can curate their own tours.
    .
    Among the display solutions is 11 feet wide by 6 feet tall Christie® MicroTiles® video wall featuring Christie Interactivity Kit in an educational space that will captivate visitors.
    .

    Christie MicroTiles and Interactivity Kit in Action


    Christie Interactivity Kit – A Touch of Brilliance
    .
    The Christie Interactivity Kit is a modular solution that transforms nearly any large-format display into a multi-touch surface. The field-installable kit simply attaches around the display wall perimeter and plugs into a computer USB port without the need for drivers. Windows® 7 automatically recognizes the Christie Interactivity Kit as a multi-touch device and no manual calibration of sensors or cameras is required. Using breakthrough Baanto™ ShadowSense™ technology, Christie Interactivity Kit offers excellent performance with high touch accuracy and fast response times that support up to 18 touches on a large-format display.
    .
    Configurable into 84 different sizes, the kit accommodates practically any video wall up to 21.4 feet wide and 6 feet high, or a 16-units wide by 6-units high Christie MicroTiles array. The kit is part of a special display at the celebrated Cleveland Museum of Art, which features a 40-foot wide multi-touch screen comprising two 15-units wide by 5-units tall Christie MicroTiles video walls using Christie Interactivity Kit and a smaller interactive ‘Line and Shape’ Christie MicroTiles display for children to engage with that also uses Christie Interactivity Kit.
    .
    Christie Fills Customer Needs With Both Indoor and Outdoor Flat Panels
    .
    Also on display is the Christie FHD551-X. This full HD 55-inch indoor LCD flat-panel features a super narrow bezel width of 5.5 mm, LED backlighting, high pixel density and a wide viewing angle. With the Christie FHD551-X, images on the nearly seamless tiled video wall look sharp at any distance allowing you to convey your information with controlled brightness that’s suited for a variety of indoor environments.
    .
    Christie recently introduced the Christie WeatherAll FHD551-W. The outdoor LCD flat panel is a sleek, weatherproof digital signage solution (IP56/NEMA 4 rated) featuring optically bonded glass for increased protection against harsh impacts and scratches in public display environments while enhancing viewability in outdoor venues by reducing reflection. It is designed to provide high contrast ratio, rich vibrant colors, and superior brightness to overcome high ambient light — making it perfect for outdoor use.
    .
    Christie Projection Mapping – Radiant and Vibrant Images on any Surface, any Shape
    .
    Christie is demonstrating projection mapping featuring colorful and exciting images thrown on a mini-pyramid; illustrating the wide range of complex artistic displays made possible using blending and warping technology. The mapping demonstration will utilize a Christie HD14K-M.
    .
    Projection mapping is an exciting technique using specialized software and other technologies to warp and blend projected images so they fit perfectly on irregularly-shaped buildings, interior spaces and natural landscapes. It delivers the ‘wow factor’ and is a cost-effective way to transform virtually any surface or structure into a breathtaking canvas where size, scope and content are limited only by the artist’s imagination.
    .
    Christie’s projection mapping technology helped transform Ottawa’s famed Parliament Hill with a rich and engaging display that attracts more than 250,000 visitors annually with the gripping narrative of Canadian history via the National Capital Commission’s sound and light show, “Mosaika – Canada Through the Eyes of Its People.”

    HARMAN’s Lexicon Offers Mail-In Rebate With Purchase of MX200 Stereo Reverb/Effects Processor Through June 30, 2013

    SALT LAKE CITY, Utah – HARMAN’s Lexicon today announced it is offering a mail-in rebate program for its MX200 Stereo Reverb/Effects Processor with USB “Hardware Plug-In” Capability. Customers who purchase the MX200 from a participating Lexicon dealer can receive a $75 rebate from Lexicon. The program is in effect from now through June 30, 2013. Please see www.lexiconpro.com for redemption details

    Designed for both live sound and recording, combined with raw processing power and instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb/Effects Processor.

    The MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx® dynamics. Each of the 32 stunning reverbs and effects – and their parameters – are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus.

    “The MX200 already delivers remarkable performance for its price, and our mail-in rebate offers customers a chance to purchase an MX200 at an exceptional value,” said Noel Larson, Market Manager, Portable PA, Tour, Recording at HARMAN Signal Processing. “The MX200 is ideal for enhancing the sound of a live mix or making a recording sound like a finished professional production.”

    HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

    Clay Paky Sharpy Washes Join Fleetwood Mac on Tour

    Fleetwood Mac is back on the road and Clay Paky Sharpy Wash 330 fixtures have joined the iconic band on the Fleetwood Mac Live 2013 World Tour.

    The new tour, which began in Columbus on April 4 and will wrap in Scandinavia in October, marks the first for the band since 2009′s sold-out Unleashed tour. This year is also the 35th anniversary of their “Rumours” album, one of the most successful in recording history with sales in excess of 40 copies. It remained on top of the pop charts for more than 31 weeks and produced four Top Ten singles.

    Lighting designer Paul “Arlo” Guthrie of Minneapolis-based Toss Film + Design is Fleetwood Mac’s long-time lighting designer. “I have to cater to four different personalities (Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks) and bring them together as one team,” he explains. “For this show we have four big LCD panels and 32 Sharpy Washes on curved lighting pipes, some of them on the floor, some on the rigs and some in pods that come out. They hang on weird angles and move during the show – some are on 45, 90 and 120º angles. They’re well featured – the main workhorse washlight of the rig.”

    Clay Paky’s Sharpy Wash 330 is a compact, lightweight 330W washlight, with the luminous efficiency, graphic and optical performance of a 1000W fixture. It is extremely silent and quick and is fitted with a complete CMY color system, special colors, 6.5°-48° zoom, mechanical dimmer, beam shaping filter and motorized top-hat. It is an eco-friendly light, allowing considerable running and consumption cost savings.

    Guthrie says that he “tried to design a rig that moves and has dynamic elements so I can change the look of the show. I chose the Sharpy Washes because I needed something small and bright. I was curious to see if I could use them as a beam effect without any haze – the band doesn’t like to work in haze.”

    He discovered that “the beam reads really well in just the atmosphere. With their great wash capability they’re equally good as a tuning light that adds to the theatricality of the show.”

    According to Guthrie the Sharpy washes are “working great – exactly as promised. They’re just fantastic. I think I’ll keep them! George Masek at A.C.T Lighting was awesome with his support.”

    George Masek, A.C.T Lighting’s Vice President, Automated Lighting, adds, ” “I always enjoy providing Arlo with new equipment choices, as his designs are always creative and interesting. The small size and large output of the Sharpy Wash fits perfectly into what he was trying to do and he’s always been a brave early adopter and embraces taking new technology on the road! It’s an honor to be associated with Fleetwood Mac and we’re very proud that their show represents the touring debut of the Sharpy Wash 330 in the US.”"

    A.C.T Lighting is the exclusive North American distributor for Clay Paky.

    Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, adds, “Our new Sharpy Wash units have been embraced by a lot of important lighting designers on this season’s major tours. Arlo and Fleetwood Mac are among the most distinguished and we’re proud to support them.”

    DATATON BRINGS ART AND PHOTOGRAPHY TO LIFE AT SWEDEN’S FOTOGRAFISKA

    Fotografiska building, Stockholm © Max Plunger

    Fotografiska building, Stockholm © Max Plunger

    Founded by brothers Jan and Per Broman, Fotografiska is Stockholm’s pioneering centre for the appreciation and advancement of the art of photography. Far more than simply a photographers’ gallery, Fotografiska is a cultural space that hosts lectures and workshops, inviting visitors to take a fresh look at the diversity and complexity of the photographed image.

    Through the Fotografiska Academy, the venue also acts as a location for educational courses aimed at those wanting to improve their knowledge of photography and their work as photographers.

    To round out its offering, Fotografiska acts as a social hub, offering indoor and outdoor cafés, hosting live-music events, and renting out a variety of event and conference spaces to third-party organisations.

    As part of its innovative approach to its subject, Fotografiska uses both of Dataton’s key product lines: the PICKUP audio guide system and WATCHOUT multi-display presentation software.

    “We’re always thinking about what makes a great experience, and ways in which we can complete that experience for the end user,” comments Jan Broman. “We want to offer people not just a space that gives them a chance to look at great photos, but which fulfils the needs of people who want to do more than simply be a visitor to a museum; of people who want to learn. That is really what Fotografiska is all about.”

    Daniel Bodenfors, Digital Editor at Fotografiska, works with both the PICKUP and WATCHOUT systems, and has witnessed the way in which they have enhanced the venue’s offering at first-hand. Explaining the use of PICKUP, he says:

    “As well as guided tours of Fotografiska, we also offer tours of our temporary exhibitions. For these, we give each photo a PICKUP microtag located next to the photo. If a visitor wants to know more about a particular photograph, they simply point their individual PICKUP at the photo, press the button, and the audio guide for that item begins playing through their headphones.

    “Recently we have been lucky enough to have some photographers record conversations with exhibition curators which we have then uploaded to the PICKUP system, so that visitors actually hear the creative background behind some of the images directly from the artist’s mouth, as it were, as they view each one.

    “The PICKUP system is incredibly intuitive to use, and its ability to store up to 100 hours of audio means we are never short of space for more information!”

    As well as conventional gallery spaces, Fotografiska also has a variety of conference and event spaces, of which the centrepiece is the Eventhallen or ‘F1’ as it is now known. Since January this year, the walls of this room have been used as a giant immersive projection screen. Using WATCHOUT, the images from the room’s projectors are seamlessly blended together and warped to correct for the geometry of the corners of the room.

    “With the help of WATCHOUT, this room can have just about any visual backdrop we choose,” says Bodenfors. “It can be something as simple as images of disco light-bulbs, or as complex as multiple images from one of our exhibitions being merged together and replayed in a pre-programmed, fully synchronised sequence.

    “Since we dressed the room in WATCHOUT we’ve used it for countless events, and the effects have been breathtaking. WATCHOUT is an excellent event tool that allows us to change the whole character of the room in seconds.”

    Fredrik Svahnberg, Marketing Director, Dataton, says that while the Fotografiska project is only the latest in a long line of visitor attractions to make good use of the company’s technology, it is one of the most inspiring:

    “To be able to listen directly to a photographer’s description of the image they have taken while viewing that image, and to be immersed in those images in new and exciting ways, both under the same roof, is really quite something. Fotografiska is at the forefront of enhancing our appreciation of photography and graphic art, and we are delighted that Dataton has been able to provide two different yet complementary product lines to assist the facility in achieving its creative goals.”

    For all its pioneering work with new technology, however, Fotografiska is continuing its journey with Dataton. Bodenfors concludes: “Our next step will be to integrate the two systems together, bringing PICKUP into the WATCHOUT event space so that we can have some truly interactive experiences.

    Press Releases For : May 16, 2013

    Light Iron Chooses Christie Solaria Projection For Postproduction Needs

    Light Iron, a leading postproduction house based in Los Angeles, has expanded its use of Christie Solaria® Series digital cinema projectors offering rich, saturated color, high brightness and sharp, 4K resolution to its ever growing clientele.

    A Christie CP4230 digital cinema projector was installed at Light Iron's new facility in New York City


    “We’ve used other manufacturer’s 4K projectors when 4K projectors first hit the streets, but the fact of the matter is it’s more important to be the best at something than the first. And the best 4K solution is exactly what Christie brings to the market. With its reliable and proven name, it was an easy decision to make Christie the standard for our screening rooms in both Los Angeles and New York City, with Christie Solaria 2K and 4K projectors in operation at both locations, including a Christie Solaria CP4230, which will be highlighted at the official unveiling of our new facility in New York City tonight,” said Michael Cioni, CEO, Light Iron.
    .
    “Christie’s all-in-one design allows us to view 4K content without an external cinema server. This allows us to stream uncompressed 4K content from our DI color systems directly to Christie projectors in our LA and New York facilities. This makes the integration of 4K into our technical pipeline nearly identical to our 2K pipeline, and that’s one of the reasons it’s the best projection solution on the market,” added Cioni.
    .
    Christie DLP Cinema® Projectors a Hit with Postproduction Houses
    “Our product flexibility is gaining us a lot of converts in the postproduction space. One of our key differentiators here is that the user doesn’t have to swap input cards when switching between uncompressed and packaged cinema content, as two slots are standard on the Solaria 4K projectors,” said Don Shaw, senior director, Product Management with Christie’s Entertainment Solutions group. “And as one of these connections is a professional-grade quad 3G-SDI connect, Christie can ensure that post facilities have a robust and convenient digital interface for flawless viewing of 4K digital cinema or alternative content.”
    .
    After four years in Los Angeles, Light Iron has expanded into New York to help serve the postproduction community there. A pioneer in 4K postproduction projection, Light Iron hopes to demonstrate to the NYC cinema and postproduction community the solid workflows that 4K enables and how easy, cost-effective and quick it is to implement a 4K workflow as an alternative to 2K workflows, which don’t facilitate 4K digital content as well. Light Iron’s New York screening room has a 35-foot throw and a Microperf screen 16 feet wide by 9 feet. The 4K content is played out of a Quantel Pablo Rio with AJA Corvid Ultra video card, while 4K content is fed via 4 by 3G-SDI. The facility at 580 Broadway will be unveiled to a broad cross-section of the industry at its grand opening tonight.
    .
    “Ours is the only post facility designed for 4K from the ground up. While working with 4K files is becoming common, viewing pixel-for-pixel results is not. The Christie CP4230 expands Light Iron’s creative freedom by enabling real-time 4K monitoring in a calibrated DCI space. Since that’s where the cinema is headed, that’s where Light Iron needs to be. There’s really no one else on either coast that feels as strongly about this as we do,” said Cioni.
    .
    About Light Iron
    Light Iron is a postproduction company specializing in on-site dailies, digital intermediate, archival, and data services for projects originated on file-based motion cameras. With facilities in Hollywood and New York City, Light Iron serves feature film, episodic television, commercial, and web-bound projects at both the independent and studio level. The company distinguishes itself by providing clients state-of-the-art hardware and software solutions configured to enhance the creative process. More specifically, Light Iron delivers post production workflows that minimize time, maximize image fidelity, and increase filmmakers’ creative control over their projects.

    GeoBroadcast Solutions Names Jampro Antennas as Exclusive Supplier for MaxxCasting, ZoneCasting Networks

    CHICAGO — Terrestrial radio innovators GeoBroadcast Solutions (GBS) announce Jampro Antennas as a technology partner to advance its vision of helping radio broadcasters maximize over-the-air signals and grow revenues.

    Jampro joins Harris Broadcast as exclusive technology suppliers for GBS MaxxCasting and ZoneCasting networks. MaxxCasting expands FM signal coverage areas, allowing broadcasters to take full advantage of their FCC-allotted spectrum. ZoneCasting, pending FCC approval, brings hyper-localization to radio through targeted over-the-air content delivery.

    Jampro will supply all antennas, combiners and support equipment related to installation of these components. The custom antennas are specially designed for these networks, providing the advanced directivity required to ensure both maximized market coverage and highly-specific regional targeting.

    Peter Handy, CEO of GeoBroadcast Systems, notes that Jampro brought a flexible approach to its antenna designs that uniquely fit requirements for MaxxCasting and ZoneCasting deployments. That flexibility extends to custom designs that meet the needs of each broadcaster — highly important as coverage patterns and targeting requirements will differ for each market.

    “One critical concern is to minimize conflicts created between transmitting multiple signals across the same market,” said Handy. “Jampro clearly addresses these challenges with custom designs that can increase or decrease directionality. This is perfect for ZoneCasting, where we are geographically targeting content across multiple zones in a single market. Furthermore, it is ideal for spreading coverage into areas of a broadcast market that is lacking a clear over-the-air signal.”

    The business benefit of integrating Jampro antennas therefore becomes very clear: A larger audience receives the signal due to their exceptional directionality, which means advertisers reach more listeners. This potentially translates to more advertising dollars for the broadcaster by opening new revenue streams.

    Handy adds that GBS representatives had a number of conversations with broadcasters at the 2013 NAB Show that recognize the game-changing capability of ZoneCasting, but in the meantime are very interested in the opportunity to increase the distribution of their over-the-air programming through MaxxCasting. This is a perception that Jampro Antennas President Alex Perchevitch echoes.

    “As an industry we have always accepted the fact that the legal signal coverage of a radio station is one model, while the actual signal coverage often falls considerably short of what a broadcasters is allowed to service,” said Perchevitch. “A solution like MaxxCasting that allows you to bridge that gap is not only unique, but very compelling.”

    Harris Broadcast and Jampro often collaborate on radio and television transmission projects, bringing proven compatibility to GBS for out-of-the-box reliability. Harris Broadcast will integrate Jampro antennas and combiners across its single-frequency FM transmission networks, which incorporate multiple Flexiva™ transmitters and Intraplex® synchronizers as well as special GBS control software.

    About Jampro
    Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. Additional information on JAMPRO can be obtained at www.jampro.com

    About GeoBroadcast Solutions
    GeoBroadcast Solutions, LLC (“GBS”) was formed in 2009 by founders who collectively have hundreds of years in the radio business. Peter Handy of GBS, Rich Redmond of Harris Broadcast and Alex Perchevitch of Jampro Antenna are amongst the architects and helped develop and test the GBS ZoneCasting technology, currently filed as a petition for rulemaking with the Federal Communications Commission. In 2012, GBS identified and launched MaxxCasting, the technology that helps broadcasters cover more of their signal coverage area. Both technologies are innovative, exciting and revenue generating. Visit http://www.geobroadcastsolutions.com for more information.

    # # #

    Contact Information:
    Brian Galante
    Dimension PR
    brian@dimensionpronline.com
    570-425-2315

    Jampro contact:
    Sonia Del Castillo
    mailto:Sonia@jampro.com
    916-383-1177

    Jampro Press Contact:
    Harriet Diener
    Desert Moon Communications
    harriet@desertmooncomm.com
    845-512-8283

    FSR Teams With NSCA and WAVE to Sponsor Networking Reception at InfoComm 2013

    Woodland Park, NJ – FSR, along with co-sponsors NSCA and Women in AV (WAVE), will host an informal reception on Wednesday, June 12, from 5 to 6:30 p.m. at The Peabody Hotel in Orlando, Florida. The event coincides with opening day of the InfoComm, the premiere trade show for the commercial audiovisual industry. Women are encouraged to attend the unique reception where they can network with colleagues, share success stories, industry tips and ideas.

    “It’s an honor to sponsor this reception,” said Jan Sandri, FSR president. “It’s important to provide opportunities that allow women from all industry segments to mingle with their peers, share knowledge, and benefit from one another’s successes. We’re pleased to join NSCA and WAVE in this initiative. “

    Register today for the reception at www.womeninav.com

    About FSR – www.fsrinc.com
    FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions. The Flex LT control systems and IT-AS411 Series Audio Switcher/Amplifiers are 100% made in the USA.

    All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives.

    About NSCA
    The National Systems Contractors Association (NSCA) is the leading not-for-profit association representing the commercial low-voltage electronic systems industry. NSCA is a powerful advocate for all who work within the low-voltage industry, including systems contractors/ integrators, product manufacturers, consultants, sales representatives, architects, specifying engineers and other allied professionals. NSCA is dedicated to serving its contractor members and all channel stakeholders through advocacy, education, member services and networking designed to improve business performance. For more information, visit: www.nsca.org

    About WAVE
    WAVE’s mission is to support women within the AV industry through collaborating, mentoring and networking opportunities. The popular Twitter group, !Womenin AV was formed to encourage women to become involved in both technical and management roles within the electronic systems industry.

    # # #
    FSR Contact: Jan Sandri, President
    973-785-4347 • sales@fsrinc.com

    FSR Press Contact: Desert Moon Communications
    Harriet Diener
    845-512-8283 • harriet@desertmooncomm.com

    NSCA Contact: Cathy Mrosko
    Senior Director of Government Affairs and Industry Outreach
    571-263-9800 • cmrosko@nsca.org

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