Press Releases For : April 22, 2014

Sci-fi Epic “Valiant” to Premiere at Newport Beach Film Festival

LOS ANGELES—Valiant, a swashbuckling sci-fi thriller about a trio of fugitive air pirates, will make its world theatrical premiere at the Newport Beach Film Festival on April 28th. Directed by Robin Phillips and starring Gil Darnell, Jason Hice and Andrew Varenhorst, the 23-minute film, shot and finished in 4K and featuring more than 130 visual effects shots, is the precursor to a planned feature-length epic in the spirit of Star Wars and Indiana Jones.

Set in a dystopian future, Valiant delivers the rip-roaring adventure of three wanted men, known as the Valiant Three, pirates of the skies and thorns in the side of the Evil Royal Crown. These daring outlaws soar above a dying world in a tilt-rotor cargo plane while robbing from the rich and giving to themselves.

more…

Video wall controller boards, H.264 encoders/decoders, fiber-optic KVM extenders, video streaming and recording appliance and quad HD capture card to be showcased

 
Matrox® Graphics Inc. and Matrox Video will be sharing booth N2247 at InfoComm 2014 (Las Vegas, June 18-20). Matrox Graphics Inc. will demonstrate the field-proven Mura™ MPX video wall controller boards, Maevex™ Full HD over IP H.264 encoders/decoders and zero-latency Avio™ fiber-optic KVM extenders. Matrox Video will showcase the award-winning Monarch HD™ video streaming and recording appliance and the VS4™ quad HD capture card for multi-camera recording and streaming.

 
Video Wall Controller Boards
Matrox Mura MPX Series capture and display boards feature flexible inputs and high-quality outputs allowing AV integrators, system builders and equipment manufacturers to easily and cost-effectively build high-density video wall controller systems supporting custom video walls of almost any size. Exceptional-quality scaling, switching, and compositing of source content including HDCP feeds are easily managed through intuitive software control options including Matrox MuraControl™, third-party software and simple integration with existing AV control systems. The recently released Matrox MuraControl 3.0 for Windows video wall management software will be demonstrated for the first time at InfoComm 2014. Mura capabilities will also be showcased through rich transitions and eye-catching effects applied to both recorded and live content using the latest Mura Network API — a platform that software developers have used to build their own powerful video wall control solutions for Mura-based video walls.

 
AV-over-IP H.264 Encoders/Decoders
Matrox Maevex H.264 encoders and decoders deliver exceptional quality AV streaming at low bandwidth over standard IP networks for display or for storage anywhere on the LAN. Maevex encoders, priced at only $999 US (MSRP), can be combined with Maevex decoders or a third-party software decoder to stream up to Full HD digital signage, education and training materials, camera footage, desktop screen capture and other AV content to one or more displays and to collaborative video walls. New at InfoComm this year, Matrox will demonstrate how Maevex encoders can record live AV content to network-attached storage (NAS) or network-shared drives at resolutions up to 1080p60. The zero-latency pass through allows realtime monitoring or connection of another device to stream at the same time as recording. Maevex units come bundled with Matrox PowerStream™ software, allowing for easy remote device management, stream switching and streaming/recording parameter adjustment, including user-definable bitrates between 100Kbps and 25Mbps. An API is also available for software developers who want to add Maevex device control to third-party applications.

 
Fiber-optic KVM Extender
Matrox Avio F125 fiber-optic KVM extenders separate dual HD or single 4K Ultra HD video, keyboard, mouse, stereo analog audio and USB 2.0 devices from a computer, providing real-time control of high-performance workstations located up to 6 miles away. The transmitter/receiver pair extends two single-link DVI (2x1920x1200) or one dual-link DVI (2560×1600 or 4096×2160) video, and multiple high-speed USB 2.0 compliant devices from the host computer by up to 1312 ft (400 m) over multimode cable and 6.2 mi (10 km) over single-mode cable. Avio F125 stands out for its ability to transmit all signals with zero compression and zero latency on a single duplex LC-LC fiber-optic cable.

 
Video Streaming and Recording Appliance
Matrox Monarch HD is a small, easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. Priced at just $995 US, it provides these two independent modes in an integrated unit. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser. The new Monarch SDK, an HTTP-based API, includes documentation and sample code that let AV and broadcast equipment developers write applications to configure and control Monarch HD streaming capabilities, giving them a very straightforward way to include a high-quality webcasting service as part of their overall product offerings.

 
Quad HD Capture Card for Multi-Camera Recording and Streaming
Matrox VS4 is a quad HD capture card that comes bundled with VS4Recorder™,a multi-camera recording app that gives live event producers complete synchronized control over capture of the four inputs connected to the VS4 to create high-quality MOV, MP4, or AVI files for use with popular editing apps, for immediate upload to the internet or for archiving. VS4 is also ideal for multi-camera live production streaming with Telestream Wirecast for Windows or StudioCoast vMix software. It not only sends video feeds for streaming, it also facilitates ISO recording to disk of all the original video and audio feeds for post event editing via a Matrox plug-in for Wirecast or Matrox Video for Windows (VfW) codecs for vMix MultiCoder software..

 
About Matrox
Matrox is a world leader in graphics, imaging, and video technology providing an extensive array of real-world relevant OEM and end-user solutions to businesses and individuals across a diverse range of professional markets, including media and entertainment, finance, digital signage, medical imaging, manufacturing, factory automation, security, government, and enterprise computing. For more information, visit www.matrox.com.

Digital Nirvana Joins Forces with EMEA Gateway to Expand International Sales

Fremont, CA – Digital Nirvana, an industry leader in broadcast monitoring and content delivery solutions, is pleased to announce its partnership with EMEA Gateway for global sales and marketing operations. Founded by industry veteran Guy Elliott, EMEA Gateway has over 25 years of experience selling hardware and software products in the broadcast industry throughout the Europe, Middle East and Africa (EMEA) region.

With more than a hundred countries, each with a unique business culture, the EMEA region presents both challenges and opportunities. “EMEA is a key
component in Digital Nirvana’s global business expansion plan. By joining forces with EMEA Gateway, we benefit from their expertise in this diverse

Guy Elliott, Managing Director, EMEA Gateway Ltd
amarketplace,” said Arco Groenenberg, director of sales and marketing for Broadcast Products, Digital Nirvana. “This gives us instant traction to penetrate the market, increase brand awareness, expand our reseller networks, and manage the sales pipeline. Guy Elliott and his company are ideally suited to give us the local presence that will help us grow our business and better serve our customers throughout the region.”

Elliott said, “EMEA Gateway offers a deep understanding of broadcast technology as well as the complex challenges of both traditional and emerging markets. Most importantly, we provide unmatched access to contacts formed over decades in the EMEA broadcast arena, including close relationships with the local resellers in the region. We know what works to jumpstart sales and marketing efforts, and we deliver ‘feet on the street’ to make that happen. We’re excited to partner with Digital Nirvana, allowing them to focus on developing their unique technology solutions while we drive the sales channel and expand the company’s EMEA market share.”

About Digital Nirvana
Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

Yes Planet Cinema in Rishon LeZion Enters the 3D Sound Sphere with HARMAN’s JBL and Crown

RISHON LEZION, Israel – As if vibrating chairs, gusts of wind, thunder and lightning was not enough, the Israel Theaters Group which owns Cinema City International, recently added a Barco Auro-3D advanced sound system to the three largest theaters at the Yes Planet complexes in Rishon LeZion. This next-generation multi-dimensional sound system features HARMAN’s JBL loudspeakers and Crown DSi 2000 amplifiers.

“We are using JBL loudspeakers in the movie theaters we set up in Israel and abroad, and this time we chose to upgrade and work with Crown’s new DSi Series amplifiers, which turned out to be a perfect combination and a winning formula for reliability and uncompromising sound. The combination of Crown and JBL gives perfect results,” said Ilan Schor, Cinema City International’s technical manager.

By implementing loudspeakers in the ceiling as well as the sides of the theater, the Barco Auro-3D system effectively immerses the viewer in an omnidirectional aural experience. The JBL loudspeakers installed were: 21 JBL ScreenArray 3732 loudspeakers, 36 JBL 4670D loudspeakers, 12 JBL 3678 loudspeakers, 30 JBL 4645C subwoofers, 114 JBL 8340A Surround loudspeakers, 124 JBL 8320 Surround loudspeakers and 18 JBL 8350 Surround loudspeakers.

Schor added, “This time we chose Crown’s DSi series of amplifiers with built-in DSP, which includes perfect compatibility with every loudspeaker and enables simple and easy control of each component in the system. Also, the DSi-8M projection booth monitors also enable us to fully monitor the system during the screening.” A total of 126 Crown DSi 2000 amplifiers were installed in conjunction with 24 Crown DSi-8m state-of-the-art monitors.

As sound is an inseparable part of the movie-viewing experience, this upgrade not only offers the viewers a new and exciting sound quality, but makes it easy for the staff to operate and monitor the system as well. Rarely can one find a cinema system with a more streamlined integration as the one between JBL and Crown.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Email This Post Email This Post

Related Topics: News

Quantic Dream doubles its investment in Vicon to deliver ‘outstanding’ performance capture

T-Series upgrade increases full performance capture space by over 200% helping Quantic Dream achieve more with less technology

OXFORD, UK 22 April 2014 – Vicon, the motion capture technology specialist for the entertainment, life science and engineering industries, today announced that Quantic Dream, the world renowned games studio, has invested in 38 additional T-Series T160 cameras. Having previously enlisted Vicon technology for PS3 exclusive titles, Beyond: Two Souls and Heavy Rain, the recent investment will enable Quantic Dream to execute future high-profile projects in a larger full performance capture (FPC) space than ever before.

The upgrade more than doubles the available FPC volume, increasing the space from 3x4x3m, to 6l x 4w x 3h. Guillaume de Fondaumière, co-CEO at Quantic Dream said: “For any project, we usually require a mix of body mocap and full performance capture. Previously, this would mean having to create a new wall of trussing to mount the cameras into a smaller volume and re-configuring the system. This could take anywhere up to five days every time we needed to switch between the two set-ups. Our new system enables us to keep all the cameras on the same rig, meaning we can quickly and easily switch between body and full performance capture saving days of production time.”

The newly equipped studio is now capable of both full performance capture for at least eight people and body capture at any time, providing Quantic Dream with a flexible and cost-effective solution. Vicon’s extensive pre-consultation work at the site ensured that the new studio fulfilled all of the requirements laid out by Quantic Dream in maximising the full potential of the space and providing industry proven, production ready data through the integration of Vicon’s data processing and capture tool, Blade 2.

Fondaumière continues: “The challenge for us was guaranteeing a quality full performance capture rig for our studio space. The Vicon team used their knowledge and expertise to design the studio and delivered over and above what we expected to achieve with fewer cameras than we thought possible. We are truly amazed at the results.”

Imogen Moorhouse, CEO at Vicon commented: “Quantic Dream are a longstanding and innovative customer; so it was exciting to be challenged by them to deliver increased efficiency. We’re delighted to have provided them with a studio that fits all requested purposes and exceeded their expectations. Quantic Dream’s further investment in the T160, in combination with Blade 2, is testament to the camera’s data quality and power and the software’s reliability and production ready toolset.”

Technical breakdown:
New system
Camera count: 76 T160s
New body capture volume: 11m x 6m x 3m
New Performance capture volume: 6m x 4m x 3m
Talent count for PC stage: at least eight actors

Previous system
Camera count: 64 – 36 T160s and 28 MX40s
Previous body capture volume: 11m x 6m x 3m
Previous performance capture volume: 3m x 4m x 3m
Talent count for PC stage: four actors

About Vicon
Academy Award®-winning Vicon is the world’s largest supplier of precision motion tracking systems and match-moving software. It serves customers in CG animation, film, visual effects, computer games, broadcast television, as well as engineering and life sciences industries.

Vicon is a subsidiary of OMG (Oxford Metrics Group – LSE: OMG), plc., a group of technology companies that produces image understanding solutions for the entertainment, defence, life sciences and engineering markets. Other holdings include: 2d3, a manufacturer of specialised image understanding software for defence applications; Yotta a provider of software and services for infrastructure asset management; and OMG Life, a new consumer subsidiary.

Among many others, Vicon and OMG global clients include:
• Entertainment: Audiomotion, The Imaginarium, Quantic Dream, SEGA, Konami, Activision, Sony, Dreamworks, ILM and USC
• Life Sciences: Nuffield Orthopaedic Centre – Oxford, Headley Court, University of Western Australia, Adidas, Digital Human Research Centre – Japan, Gillette Children’s Specialty Healthcare, Shriners, Marquette, UMich and Red Bull
• Engineering: European Space Agency, BMW, Council for Scientific and Industrial Research – South Africa, ETH Zurich, Korea Institute of Ocean Science and Technology, NRL, UPENN GRASP, MIT, Ford and General Motors

For more information about OMG and its subsidiaries, visit: www.omgplc.com, www.vicon.com, www.vicon.com/boujou, www.moves.com, www.2d3sensing.com, www.yotta.co.uk or www.autographer.com.

Media contacts
For more information, images, or to arrange an interview, please contact:
Red Lorry Yellow Lorry – www.rlyl.com
UK enquiries: Rebecca Edwards, +44 (0) 20 7403 8878, rebeccae@rlyl.com
USA enquiries: Kim Willsher, (+1) 310 569 2603, kimw@rlyl.com

Email This Post Email This Post

Related Topics: News

Press Releases For : April 21, 2014

New PESA Xstream Live Wins NewBay Media Best of Show Award at NAB 2014

Huntsville, Alabama – PESA, a leading designer and manufacturer of professional audio and video distribution solutions, today announced the PESA Xstream Live streaming mobile solution received the NewBay Media Best of Show Award presented by Digital Video magazine at the 2014 NAB Show in Las Vegas, Nev.

Developed for iOS and Android smart devices, PESA Xstream Live integrates the PESA Xstream with a downloadable mobile app to produce a unique viewingexperience. With access to four independent viewing choices and synchronized audio sources, the user controls a personalized viewing experience. Social networking is tightly integrated into PESA Xstream Live, allowing users to interact real time during an event. The solution also includes revenue generating ad insertion capabilities for targeted advertising and messaging.

PESA Xstream Live can be fully managed either locally or remotely. A built-in Web server utilizes a management console for complete control. Streaming distribution can implemented thru PESA Xstream Live – or for large venues, content can be distributed through a content delivery network (CDN).

NewBay Media’s Best of Show Awards were evaluated by a panel of engineers and industry experts, and were based on innovation, feature set, cost efficiency and performance in serving the industry. Only a small number of products were chosen for the award from among hundreds of new products in competition.

“We received a lot of interest from potential customers at our booth when we introduced PESA Xstream Live at NAB, and we are very pleased it was recognized as a Best of Show product by NewBay Media,” said Chris Thomas, PESA CTO. “PESA Xstream Live is a great way to enhance the attendee experience, and its ad insertion capabilities allow stadiums and other venues to see immediate ROI.”

PESA Xstream Live will ship this summer, and venues are encouraged to contact PESA to sign up for the early install program.

About PESA

As a leading provider of audio/video (A/V) Baseband and IP connectivity products, PESA offers a wide selection of multi-path streaming products, routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, medical, broadcast, and mobile truck applications. >From large to small-scale A/V routing and extender products to multiple IP streaming appliances, PESA offers a diverse suite of AV products, all of which are supported by 24/7 technical support. PESA is located in Huntsville, Ala., with regional sales offices throughout North America and China. Our cost effective solutions are available around the world through our industry leading team of Channel Partners offering local support and installation. All products mentioned herein are trademarked property. Learn more about us at www.pesa.com and www.pesaxstream.com. Follow us on Twitter: @PESA_ONLINE.

DNA Partners with Hilly Reps for Midwest Representation

Visit DNA
View Media

Production house DNA is pleased to announce its partnership with Hilly Reps for commercial representation in the Midwest. Hilly Reps will drive DNA sales initiatives by pairing the studio’s all-star list of directors with a wide range of top-tier creative projects.


“Working with Hilly Reps offers a huge advantage for our sales team. Their executives come from varied backgrounds and bring a real diversity of experience” notes DNA Executive Producer Patricia Judice. “We’re excited to work with people who not only understand our needs, but who also have a solid understanding of what happens on the content creation and direction side.”


The Hilly Reps team is led by Hillary Herbst, who started the firm in 1981. Herbst’s extensive production knowledge provides her with unique insight when working with her clients. Her partner, Sonia Blum, brings her advertising expertise to the company as a former agency account director both at FCB and Euro RSCG, and previously served as Director of Business Development for a local production company.


DNA has garnered a reputation as a premier production house through industry-leading work with an array of major brands, artists and organizations including Sony, Lexus, Target, Budweiser, and Verizon, to name a few. Recently, DNA debuted a thrilling :30 for USPS and The Amazing Spider-Man 2 by Directors Marc Webb and Rich Lee.

About DNA:

David Naylor and Associates have set the standard in both the music video and commercial production arenas, forging one of the most innovative production houses in the entertainment world.

More info: TRUST 646 452 3388 (NY) 310 451 5153 (LA) trustcollective.com

Email This Post Email This Post

Related Topics: News

Gasket Studios Welcomes Executive Producer Eric Mueller



Gasket Studios, a design, animation and VFX company, is pleased to welcome Eric Mueller as Executive Producer. Mueller has already hit the ground running, working on spots for General Mills & Cheerios, McDonald’s, Sony PlayStation and Mayo Clinic, as well as an underground-style branded film for Subaru, and an upcoming project for the Provincetown International Film Festival.

“Eric is someone who can bring a stronger voice to the design side of Gasket,” says Greg Shultz, Founder/Executive Creative Director of Gasket Studios. “He’s confident, articulate, and has a solid background in photography, writing and film. He’s also a great storyteller, which will be extremely important in capturing our distinct point of view as a company.”

“One of Gasket’s strengths is character animation, which I’m excited to learn about,” adds Mueller. “It’s a different skillset and pipeline than what I’m used to working in motion graphics and VFX. The team brings an incredible level of artistry and passion to what they do – and I am fascinated by the creative freedom that comes with working in animation.”

Eric Mueller


Most recently, Mueller was Executive Producer at motion504. During his six-year tenure at the broadcast design and animation studio, he worked with such clients as Target, Deloitte, Greenpeace, Syfy, BBC and National Geographic, among others. He was previously Executive Producer at Splice Here, where he not only helped the company flourish from three to 25 people, but also produced a range of projects, from commercials and indie films to corporate videos for clients including Best Buy, Little & Co. and Twin Cities Public Television.

Mueller got his start as a filmmaker, contributing his production talents to TV, features and commercials. As Director of Production at the Minnesota Film Board from 1999 – 2001, he was the primary liaison between production companies and the Minnesota film community. Prior to this role, he was a producer at postproduction house HDMG for five years. Other experience includes Producer at Paisley Park, where he worked on several Prince projects (during the “symbol” years), including “The Most Beautiful Girl in the World,” “3 Chains o’ Gold,” “The Undertaker,” and “The Sacrifice of Victor.”

An avid Instagram user (@ericmueller) with more than 33,000 followers, Mueller enjoys staying in touch with his creative side outside of work by sharing his photography, as well as staying active within the local arts community. He looks forward to extending his passion for fostering creativity to Gasket’s in-house talent by encouraging junior staffers to realize their full potential.

“The people here are very loyal,” concludes Mueller. “Greg [Shultz] is very committed to improving everyone’s skills, always striving to make Gasket a better place to work, and, ultimately, attracting better work to repay that loyalty. It’s a virtuous circle.”

About Gasket Studios:
Gasket is a Minneapolis-based design, animation and VFX company working with clients in the commercial, interactive and integrated markets. Recent clients include Target, Activision, Google, Best Buy, AMC, Time Warner, and E! Entertainment.

http://gasket.tv/

Enhance Your AES 136th International Convention Experience with Free “AES Mobile Convention – AES Berlin 2014” Mobile App

— App for handheld devices provides helpful tools for navigating this weeks 136th AES Convention —

New York, NY, April 21, 2014 — The schedule of events and exhibitors at 136th Audio Engineering Society International Convention, being held in Berlin, Germany, on April 26 – 29, 2014, at the Estrel Hotel and Convention Center, is just around the corner, and the free “AES Mobile Convention – AES Berlin 2014” app is here to help attendees make the most of their convention experience.

Available for iOS devices (iPhone, iPad and iPod Touch) as well as Android devices, the app provides the following tools to enhance your event experience:

The Dashboard keeps you organized with up-to-the-minute Exhibitor, Speaker and Event information
My Schedule organizes your schedule with one click
Alerts allow you to receive important real-time communications from the AES
Keep up with industry news on LinkedIn and Facebook groups
Built-in Twitter feed to follow and join in on the show chatter
Rate the sessions you attend and comment on them, too
Connect with your colleagues using the Friends feature

To download the app for free, please visit http://www.aes.org/mobile/. For further information on the 136th AES International Convention, and to register for your free Exhibits-Plus badge or the premium All-Access badge, please visit http://www.aes.org/events/136/.

Email This Post Email This Post

Related Topics: News

Chris Lord-Alge Moves Forward with His Focusrite RedNet-Enabled Workflow

Acclaimed producer-mixer uses RedNet hardware for Springsteen’s recent High Hopes LP and other projects

Los Angeles, CA, April 18, 2014 – In recent months, multi-GRAMMY® Award-winning producer and mixer Chris Lord-Alge has adopted Focusrite’s RedNet Ethernet-networked converters as the interface of choice between his Avid Pro Tools system and his classic SSL 4000 E/G+ mixing console. For more than 20 years, Lord-Alge has brought digital multitrack sessions into his analog console via the Sony 48-track DASH tape machine format, but with tape supplies dwindling, he made the transition to RedNet 2 digital-to-analog converters and other RedNet hardware in late 2013.

Lord-Alge knew that he had found a replacement for the Sony converters after auditioning the RedNet system, consisting of a pair of 32-channel RedNet 5 HD Bridges with three RedNet 2 16-channel A-D/D-A converters, at his Mix LA studio. “When they put the RedNet rig up I said, did you patch it or not? It sounded like what I like, what I’m used to and what works for me.”

While the switchover to an all-digital nonlinear workflow will obviously be beneficial, Lord-Alge says he would not have made the transition unless the Focusrite system offered the sound character with which he has become so familiar. “I want the sound of my old D-to-A, which is a bit more analog, in some ways a bit more lo-fi. It’s got a bit more glue in there,” he explains.

As the music production process becomes increasingly hard disc-based, the RedNet system was the logical step to take after spending so many years with “Bessie” and “Bertha,” his two vintage Sony PCM-3348 digital tape machines, he says. “I liked the 3348 D-As because they’re hard hitting. The RedNet has a harder impact, like I’m used to. I want it hard hitting—that’s my personal taste. I don’t want hype, and with RedNet I’m not getting hype, I’m getting impact.”

Not that Lord-Alge had any reason to doubt Focusrite’s RedNet before he tried it; over the years he has used a Focusrite Red 3 Classic Dual-Channel Compressor/Limiter across his stereo bus on 10,000 mixes, by his estimation, racking up credits along the way with artists such as Green Day, Muse, Daughtry, My Chemical Romance, Rise Against and many, many others.

Recently, with the new RedNet set-up, he has added another Bruce Springsteen project to that extensive list. High Hopes is an album of previously unfinished material that was completed in stages over the course of the past several years and released in early 2014. “The last round of tweaks that I did with Bruce, we had the rig up, so when it came time to print we went Red, baby! It shows that our transition is working,” says Lord-Alge. The High Hopes album topped the charts worldwide in January and features three tracks – “American Skin (41 Shots),” “The Ghost of Tom Joad” and the title track – that Lord-Alge mixed using his Focusrite RedNet system.

“New things I’m working on are going the same route,” he continues. “The transition is definitely fully under way.” Upcoming mix projects include Adelitas Way, Gloriana, Grizfolk, O.A.R. and his fourth album with Rise Against, he reports.

Lord-Alge admits to a sense of relief that he has found a replacement for a key piece of equipment on which he has come to rely and that has served him well for over two decades. “I’ll be able to continue with what I like, transitioning from format to format. It’s not a compromise. That was a big concern to me,” he confides.

“You’ve got options for your D-to-A: blonde, brunette, redhead, whatever—I picked the red one,” he says. “People have a choice, and Focusrite makes the choice easy.”

Email This Post Email This Post

Related Topics: News

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

April 2014
M T W T F S S
« Mar    
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication