Archive of the Videos Category

Ron Arad’s Curtain Call at the Roundhouse


Internationally renowned artist, architect and designer, Ron Arad, has invited his favourite artists, musicians and friends to create unique works for a 360 degree video projection installation at the Roundhouse, London. Bloomberg are the primary sponsor.

Blitz Communications Ltd has been commissioned to provide the technology to bring Ron’s design concept to fruition. The installation takes the form of a curtain made from 5,600 silicon rods, 8.1m high, creating an 18m diameter 360 degree canvas for film, live performance and audience interaction.

Blitz installed twelve Barco RLM W8 projectors which are mounted on the truss ring above the silicon rod curtain. Each of these projects a portrait image 8.1m high by 5m wide, overlapped to produce a seamless 360 degree display at 13,520 by 1,920 pixels. Media delivery and control is implemented using twelve Dataton WATCHOUT display PCs networked to a Watchout control server. Whilst the artist’s more

‘Das Werk’ chooses projectiondesign® cineo32

New investment enhances facility’s colour grading flexibility

In another demonstration of it’s technology’s increasing acceptance in the world of broadcast and movie post production, projectiondesign®’s cineo32 DLP® has been chosen by Berlin post house Pictorian Das Werk.

Moritz Peters and his team recently completed colour grading for the German movie ‘Vorstadtkrokodile 3’ at their Munich studio using the cineo32, and Peters is full of praise for the projector.

“The cineo32 was designed to offer absolute colour and calibration accuracy, which means the colours we see when we are grading with it are exactly as they are in the original shoot. The results so far have been very impressive and we are looking forward to working with the cineo32 on a number of other prestigious projects in TV, film, and advertising.”

Anders Løkke, projectiondesign’s Marketing Director, adds: “At projectiondesign, our passion for colour accuracy and ensuring more

GENSON ENTERTAINMENT ANNOUNCES PARTNERSHIP WITH IDENTITY STUDIOS FOR FLYING TIGERS EPIC

Hollywood, CA August 24, 2011 • Genson Entertainment, helmed by veteran producer Bob Larson (“Coal Miner’s Daughter”, “Continental Divide”, “Gorky Park”, “Play Misty For Me”) announced today it has entered into a partnership with Identity Studios to begin production on Chennault, the maverick story of General Claire Lee Chennault’s Flying Tigers in China during World War II.

The two companies are currently in high-level talks with several industry icons for their participation in the film, from legendary directors to A-List talent, and expect to reach additional agreements in the coming weeks.

The partnership has taken up the torch first ignited sixty plus years ago when General Chennault accepted the daunting task of defending half a billion Chinese from the invading Japanese Air Force. General Chennault died in 1958, but not before collaborating with his fellow China Campaign Veteran, Captain J. Gen Genovese (Gen Genson) on his Flying more

Master Photographer Mikkel Aaland Leverages the Power of FotoMagico in New Video Training Course

”Creating Dynamic Slideshows with FotoMagico and Photoshop” helps photographers break the mold of simple sequenced images; now available at video2brain.com

Puchheim, Germany – August 23, 2011Boinx Software and world famous photographer Mikkel Aaland have teamed up to bring photographers a brand new video training course, “Creating Dynamic Slideshows with FotoMagico and Photoshop.” Mikkel’s tool of choice, Boinx’s FotoMagico, is the star of this brand new training aimed at introducing photographers to the basics of mastering slideshow production and presentation. An award-winning American photographer known for his work in the early days of digital photography, Mikkel’s documentary photographs have been exhibited in major institutions around the world, including the Bibliothéque nationale de France and the former Lenin Museum in Prague. “Slideshows are as much a part of a photographer’s vernacular as camera and lens,” says Mikkel. “As long as I’ve been in photography – which is a more

NEW HANDHELD 3D RIG ADVANCES 3D PRODUCTION

3D Film Factory debuts new handheld 3D Rig

The Bullet & Bullet Lite Rig from the 3D Film Factory. See www.3DFilmFactory.com

San Diego, CA – Next week the 3D Film Factory, the leader in professional, affordable 3D camera rigs, will introduce two, new, handheld 3D rigs that are already making waves in the stereoscopic production community. Loaded with professional features, these ultra-light, cost-effective systems – the 3D BULLET RIG and 3D BULLET LITE RIG – are unshakable for handheld or steadicam 3D productions.

Designed to “load and shoot” these remarkable, compact beam-splitter rigs are the perfect solution for location, reality, or action 3D filmmaking. For more information on the 3D Bullet Rig visit www(dot)3DFilmFactory(dot)com

“The 3D Bullet Rig is going to take 3D production to a whole new level. I love this rig. It’s incredibly more

BoinxTV Gears Up for Back to School Season: Turning Classrooms into Live TV Studios

Educators all over the country are including BoinxTV in their upcoming fall 2011 curricula; Students learn to master video production and create their very own school news shows and TV broadcasts with cost-effective ease

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Puchheim, Germany – August 18, 2011Boinx Software’s Apple Design Award winning live video production “broadcast truck without the truck” software is gearing up for the 2011 back to school season with classrooms and schools all over the country. As more and more educators strive to integrate technology into the classroom, BoinxTV has quickly become a fan favorite among students and teachers alike for its user-friendly workflow and engaging video production capabilities. From creating a school news show, to broadcasting school events, conducting live interviews, or even making a full documentary, BoinxTV makes classroom projects more vivid and exciting, resulting in higher retention rates and more

CRASH+SUES Goes Off-Road With A High Octane Spot For Polaris That Showcases The Color Correction Expertise of SUE And Her New Digital Vision-Based Color Suite

CRASH+SUES colorist SUE demonstrated her expertise in the company’s new color suite with a rugged outdoors spot for Polaris Industries, the number one maker of ATVs and side-by-sides.

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The vignette-style commercial showcases the “Breadth of Product” Polaris offers and highlights several models in the environments they were designed for. The spot opens with the company’s trail-dominating legend, the Sportsman XP 850, cutting through a path in the woods to join other Polaris off-road vehicles in a high-country clearing. Next, the voiceover spotlights the new Ranger 500 EFI, driving into a barn, busy with farm chores, that launches a new group of value-minded Polaris workhorses. It closes with hunters in camouflage driving a Ranger XP 800, the vehicle that heads up a new team of hard-working hunting machines. The tag line, “Polaris: Hardest working, smoothest riding,” brings home the commercial’s message.

“Breadth more

Leviathan and VSL Help Amon Tobin Mesmerize with ISAM Live Tour

Phenomenal Performances Leverage Custom Content Creation and Bleeding-Edge Projection Mapping from Leviathan and VSL

ISAM

ISAM

CHICAGO – Leviathan chief scientist Matt Daly and his colleagues at the design-focused, Chicago-based production studio are very proud to detail their artistry in conjunction with V Squared Labs (VSL) which is contributing to the acclaim of Amon Tobin’s live tour supporting his new Ninja Tune Records release entitled “ISAM.” The tour has recently added new dates and venues, to include upcoming stops in the Netherlands and Poland this month, before returning to many major cities in North America for a dozen performances to occur in September and October. The latest information is available online at http://www.amontobin.com/tour.

As described in countless high-profile media articles and reviews, Tobin’s breathtaking set for his ISAM performances features an array of interconnected boxes, including one central cube that acts as the artist’s own cockpit. The use of real-time projection mapping and generative, audio-reactive graphics, mixed with traditionally rendered media creates one-of-a-kind experiences for each audience.

Daly and Leviathan are pleased to have built upon their longstanding working relationship with VSL’s VJ, producer and director Vello Virkhaus to form the engineering and production team behind this groundbreaking project. more

ANTON/BAUER KEEPS DOC AJAY JOHNSON FILM AND VIDEO IN ACTION

BEVERLY HILLS, CA, AUGUST 2, 2011—Whether working with media moguls like Donald Trump or shooting a meet-and-greet with NBA Hall of Famer Magic Johnson, Doc Ajay Johnson Film and Video is a turnkey production company that understands the value of having a reliable power source on-hand for the company’s varied projects. In order to keep his productions moving, Ajay Johnson, CEO and production manager of Doc Ajay Johnson Film and Video, depends on Anton/Bauer®, a brand of The Vitec Group, and the world’s premier provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries and the company’s DIONIC® 90 batteries and QR-EX1 under-camera Gold Mount®. more

Manhattan Edit Workshop Alumni Land Topnotch Filmmaking and Editing Industry Positions

Six-week students take to the streets with concrete skills and a savvy approach to editing: From NBC Universal and BET to feature films, Mewshop alumni find great success in editing world

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New York, New York – July 28, 2011Manhattan Edit Workshop (Mewshop), the cutting-edge authorized digital-training destination, prides itself on its unique and hands-on approach to teaching the art and craft of editing. From Mewshop’s signature Six-Week Intensive course on the art and technique of editing to their Artist-in-Residence Program, Mewshop students receive an advanced editing education like none other on the market. “I landed a job the day after I graduated from Manhattan Edit Workshop’s Six Week Intensive,” says Kevin Moore, Editor, Hybrid Films. “The class prepares you for working within a professional post-production environment, so when started working at Hybrid Films I had a strong understanding more

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