Archive of the News Category

Mike Poirier Joins PRECO as East Coast Manager, Distributed Products

Burbank, CA – PRECO, Inc., a well-established distributor of advanced technology equipment, has added Mike Poirier its sales team as east coast manager, distributed products. Kent McGuire, PRECO’s president, made the announcement from Company headquarters in Burbank, CA.

“The east coast is naturally an important market for us,” stated McGuire. “Mike’s extensive regional knowledge coupled with his technical experience will be a tremendous benefit to our customers. We’re delighted to add Mike to our staff and we look forward to strengthening our local support with his help.”

Mike joins PRECO with over 25 years of experience in sales, marketing, and product management with electronic manufacturers, ranging from startups to publicly traded companies. Prior to joining PRECO, Poirier served as vice president and general manager of Teranex for six years. He previously held leadership positions with Algolith, Miranda Technologies (TSE:MT) and Syncom.

A former Electronic Engineering Teacher at CEGEP du Vieux Montréal, Poirier holds an Electronic Engineering Degree from Dawson College of Montreal.

Poirier is based in Orlando, Florida and will focus primarily on PRECO’s TVLogic and Avocent lines.

About PRECO
PRECO, Inc. is a Stocking Distributor and System Integrator of High Definition Video, Switching, Routing, Conversion, Test & Measurement, Video & Data Walls and Video Wall Controllers. For further information: www.preco.net

PRECO contact: Wes Donahue
Tel: 818-842-4632 /wes@preco.net

“Headhunters” Director Morten Tyldum Joins Bully Pictures

International award-winning feature film and commercial director has signed with Bully Pictures for exclusive commercial representation in the United States

LOS ANGELES— Morten Tyldum, director of Headhunters, the most successful Norwegian film of all time, has joined Bully Pictures for exclusive representation for advertising work in the United States. Tyldum, who recently signed with Vendome Pictures to direct his first American feature (What Happened to Monday?) is sought after internationally for his work in commercials. His spot work has garnered two Cannes Lions as well as numerous other creative awards.

more

DuArt Authors Joe Satriani’s “Satchurated: Live In Montreal” 2D & 3D Blu-Ray Release At For Cinemusica

NEW YORK, NY — Joe Satriani, widely recognized as one of the world’s top guitarists, has added to his legacy with the release of the new live-concert film, “Satchurated: Live in Montreal.” The HD film was authored for both 2D and 3D Blu-Ray release by DuArt, NYC’s full-service video and audio post facility.

"Satchurated" trailer

Filmed by GRAMMY and EMMY award-winning concert filmmakers Pierre & François Lamoureux of Cinemusica, Satchurated was captured live on December 12, 2010 during Satriani’s “The Wormhole Tour,” supporting his studio album “Black Swans and Wormhole Wizards” at the Metropolis in Montreal, Canada. “Satchurated: Live in Montreal” was released to select theaters throughout the country for a limited engagement in March.

Cinemusica captured the sold-out concert with a total of ten camera positions, recording Satriani’s musical best in both 2D and 3D HD formats, in 7.1 Surround Sound.

Randy Hudson, Director of Digital Media Post Production for DuArt, oversaw a meticulous 3D Blu-Ray authoring process at DuArt’s advanced facilities in midtown Manhattan. “This was an amazing project, and well deserving of the level of production necessary for making it available on 3D and Blu-Ray,” says Hudson. “You have a front row seat to every chord change, played by one of the world’s undisputed guitar masters.”

Working with his team in DuArt’s dedicated 2D/3D BluRay authoring suite, Hudson used the NetBlender encoding module, Panasonic multiscan displays, and his deep media production experience to help Cinemusica prepare Satchurated for 3D Blu-Ray release.

“Over 5,000 retail DVD and Blu-Ray titles have been collectively authored by the Disc Production team here at DuArt,” Hudson explains. “That helps us to fully understand the workflow and the final product that we’re working toward: knowing the intricacies of 3D subtitling and menuing, advising the client on how to simultaneously set up to playback in 2D for checking text or credits, and myriad other details are all factors in delivering the best possible product to the consumer.”

The complete post offerings available in DuArt’s 12 floor building on 55th Street and 8th Avenue provided Cinemusica with additional important benefits. “Along with the video assets, we can also handle full QC of the audio in a surround environment,” notes Hudson. “All the services at DuArt are available to the client for a fast, complete turnaround, no matter what the format is.”

About DuArt:
DuArt is a full service post facility in NYC, servicing the broadcast and film industries. Operating out of their 12-story building in midtown Manhattan, DuArt provides video editing, color correct, voice recording, casting, 3D editing, direction for animation, music scoring, sound design, film and audio restoration, production space, complete DVD, Blu-Ray, and 3D Blu-Ray disc media production services, and more. Since being established in 1922, DuArt has finished thousands of the world’s most loved feature films, documentaries, festival releases and television shows. For more information, please visit www.duart.com.

About CINEMUSICA:
Cinemusica was formed by brothers, Pierre & Francois Lamoureux. Their films have won a Grammy, two Emmy, two Juno, two Gemini, a multitude of industry and technical awards, sold millions of copies on BluRay and DVD and aired all around the world. Pierre & Francois Lamoureux have directed and/or produced concert films and music documentaries for Rush, The Who, Harry Connick, Jr., Slipknot, Rihanna, The Pretenders, Zappa Plays Zappa, Branford Marsalis, Pat Metheny, deadmau5, Cowboy Junkies, Collective Soul, Ben Harper, Willie Nelson, Deep Purple, The Stray Cats and others. For more information, please visit www.cinemusica.tv.

Web Resources:
Click here for more info about DuArt:
http://www.duart.com

Click here for more info about CINEMUSICA:
http://www.cinemusica.tv/

Click here for clips from “Satchurated”:
Trailer: http://youtu.be/bFwSf8zXWYU
“Satch Boogie”: http://youtu.be/3pexXLb66bI
“War”: http://youtu.be/-nlSGsQY_3o

Email This Post Email This Post

Related Topics: News |

Blackmagic Design To Host NYC Blackmagic Roadshow on May 24th

Blackmagic Design will host the Blackmagic Roadshow in New York on May 24th. The event will be held at the New Yorker Hotel from 11:00 am to 7:00 pm and will include Blackmagic Design’s complete range of products for broadcast, post production and live events, as well as presentations by Blackmagic Design partners and renowned editors and color artists.

The event, which is free to attend, will include hands on demonstrations and theater presentations of Blackmagic Design’s products, as well as the first demonstrations in New York of the new products announced at NAB 2012, including the Blackmagic Cinema Camera, DaVinci Resolve 9.0, Teranex 2D and 3D Processors, HyperDeck Studio Pro, UltraStudio Express, Universal Videohub Editing Interface and Battery Converters.

Theater presentations and hands on demonstrations will also be offered by Blackmagic Design partners Avid, Adobe, PNY Technology, Magma and PROMISE Technology.

Event Details:?Where: New Yorker Hotel, Ramada Plaza, Grand Ballroom, 481 Eighth Avenue, NYC?When: May 24th, 11:00 am – 7:00 pm

To attend the event, please visit http://invite.blackmagic-design.com/event2012.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s EmmyTM award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, United Kingdom, Japan, Singapore, and Australia. For more information, please check www.blackmagic-design.com.

Email This Post Email This Post

Related Topics: News |

KCET Selects Orad Virtual Studio for New Facility

May 9, 2012Orad announced today that KCET-TV, the largest publicly supported independent television station in the U.S., has purchased the Orad ProSet Virtual Studio system for one of its two new studios currently under construction in Burbank, California. The new state-of-the-art broadcast facility equipped with Orad virtual studio technology will enable KCET to transform itself into Southern California’s premier public media and production center.
 
With a strong focus on high-quality local programming, the station plans to collaborate with its world-class creative community and utilize the new facility to produce unique programming with a national and international appeal. KCET Vice President of Engineering and Operations Gordon Bell said, “We wanted one studio to have as much versatility as possible and Virtual seemed to meet all of our requirements, including a favorable ROI, quick changes for sets, no set storage, augmented reality elements – and, of course, the ability to create amazing looking sets. Virtual affords us many creative and economic opportunities not available to us previously.”
 
Bell added, “During the design and installation process, I’ve had to make many gut-wrenching decisions, but the decision to use Orad was not one I had to dwell on. Orad is the market leader; they’ve been doing virtual studios longer than anyone and they offer a turnkey solution in terms of hardware, software, and camera tracking.”
 
About KCET
On-air, online, and in the community, KCET plays a vital role in the cultural and educational enrichment of Southern and Central California. In addition to broadcasting the finest programs from around the world, KCET produces and distributes award-winning local programs that explore the people, places, and topics that are relevant to the region.
 
About Orad Hi-Tec Systems
Orad Hi-Tec Systems is a world-leading provider of real-time 3D broadcast graphic, video server, and media asset management solutions including news, channel branding, sports production and enhancement, elections and special events, virtual studios, and virtual advertisement. Orad’s compelling solutions streamline production workflow, enhance viewer experience, and improve production value. Founded in 1993, Orad is a public company listed on the Frankfurt Stock Exchange (OHT). More information is available at http://www.orad.tv/.
 
For further information contact:
Orad Hi-Tec Systems Ltd
Ofir Benovici
Vice President Marketing
ofirb(at)orad(dot)tv
 
####

FREE Barcode Plugin Released for Final Cut Pro, Motion and After Effects

Simulate and customize the EAN-13 barcode used worldwide for FREE with Yanobox Barcode, available through FxFactory
 
Boston, MA – May 9, 2012 – Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces Barcode 2.0 by Yanobox, available now for free through FxFactory. Barcode is a generator that simulates the European Article Number, also known as the EAN-13 barcode, used on products around the world every day. With the free generator, editors can customize and animate barcodes, adding a unique look to footage. With custom color modes and random digits, users can transform the classic barcode into an eye-catching motion graphic element. Barcode is supported in Final Cut Pro 6, 7 and X, Final Cut Express 4, Motion 3, 4 and 5 and Adobe After Effects CS4, CS5, CS5.5 and CS6.
 
Yanobox Barcode can be downloaded now for FREE
 
With Yanobox Barcode, editors can:
 
Customize – Play with the color module, change the font, or resize the bars to create a unique style
 
Animate – Use random digits and draw the elements progressively with the adjustable completion parameters to bring your barcode to life
 
Share – Create your own presets to use in the future and share with others among all supported host applications
 
More Information on Barcode
 
Barcode Promo Video
 
Yanobox Press Kit
Members of the press can download the Yanobox press kit
 
About Yanobox and Founder Jean Marc Noel
France native Jean Marc Noel established Yanobox after two decades of experience as an editor and compositor in professional post-production. He has created videos for high-profile European companies, including France Telecom, Oxbow and EADs, as well as interactive designs for Universal and Sony. Noel is also an instructor of compositing and motion graphics at ECV, the French school of visual communications. A consummate technologist, Noel has ventured deep into the world of digital signage and graphical programming.
 
About Noise Industries, LLC
Established in 2004, Boston, Massachusetts-based Noise Industries is an innovative developer of visual effects tools for the post-production and broadcast community. Their products are integrated with popular non-linear editing and compositing products from Apple and Adobe. For more information, please visit the Noise Industries website.
 
Press Contacts
Janice Dolan
Zazil Media Group
janice@zazilmediagroup.com
(p) 617.817.6595
(skype) janicedolan
 
Megan Linebarger
Zazil Media Group
megan@zazilmediagroup.com
(p) 617.480.3674
(skype) megan.zazil
 
####

Codex Powers ARRIRAW Workflow for “Riddick”

Montreal’s Michel Trudel introduces Codex Onboard recorders and Transfer Station to Eastern Canada.

LONDON—Michel Trudel Inc., operators of Canada’s largest production studio, supplied Codex recording and workflow technologies to the long anticipated sequel to Pitch Black and The Chronicles of Riddick, tentatively titled Riddick. Codex Onboard recorders were used to capture ARRIRAW data from two ARRI Alexa cameras. A Codex Transfer Station was used for on-set dailies processing, back-up and deliverables production.

more

QuietMan Dips into Full Arsenal for Baby Bottle Pops


QuietMan recently flexed its concept-to-completion bona fides with an animated/live-action hybrid spot promoting The Topps Company’s Baby Bottle Pops candy. The studio handled every visual element of the campaign, cranking out the live-action footage through their QuietContent division and handling the edit, postproduction and animation through their main studio.

The fast-paced spot features a trio of middle school-aged children who, in a cloud of glitter and smoke, transform into animated avatars after taking a dip from their Baby Bottle Pops. QuietMan’s engagement went so far as casting and wardrobing the actors, creating custom avatars for each actor in CG and directing their performances with the in-house motion capture system.

“Plenty of studios can handle multiple areas of production, but being able to shoot both live action and direct live animation is special,” stated Partner and Executive Producer Carey Gattyan. “Add that with our edit and post capabilities, and there really isn’t anything we can’t handle. This gives us a unique advantage with children’s products, especially, which often require some combination of reality and cartoon fantasy to appeal to kids’ rapidly changing sense of place in the world.”

Visit QuietMan
View Media

Credits
Client: The Topps Company
Spot Title: How Do You Dip?
Air Date: April 2012

Agency: UPROAR!
CD: Michael Anderson
ACD: Steven Block
Copywriter: Talia Rapp
AD: Javier Chacin
Producer: Nina Davenport

Production Co: QuietContent
Director: Johnnie Semerad
EP(s): Carey Gattyan, Bob Nelson
Producer: Brian Yeater

Post/Effects: QuietMan
About QuietMan
The brainchild of CD and Founder Johnnie Semerad and long-time collaborator EP Carey Gattyan, QuietMan is a high-end creative collective set in an innovative workshop atmosphere that fuels projects from concept to completion. A recently overhauled production department includes fully developed print, web and TV arms capable of producing multifaceted advertising campaigns with a specialty in high-quality, groundbreaking VFX.

More info: TRUST 646 452 3388 (NY) 310 451 5153 (LA) trustcollective.com

Email This Post Email This Post

Related Topics: News |

Headquarters Music Creates a Smooth Song For Google Play


Google Play has arrived, and more than five million people have already watched a retro oddball YouTube overview of the game/movie/book/app-sharing-and-shopping service. As cool as the capabilities of Google’s latest gadget may be, visitors seem equally impressed by the video’s pitch-perfect soundtrack – the work of Headquarters Music lead composers, The Gifted – demanding that the song “Touch Science” be converted into an extended downloadable track.

The eclectic, ambient song accompanies a narrator’s explanation of Google Play as a curious sequence of Rube Goldberg-esque hand cranks, levers, projectors and conveyor belts unfolds across a briefcase on the screen. Challenged by Director Jonathan Zames to create a song that sounded as though it emerged from the machine, Headquarters Music experimented with a range of textures and sounds to determine first what the objects in the box would sound like, then how to make them sound musical. “Our biggest obstacle was making what was happening onscreen – the cranks, hammers hitting out of time, telephone keys – sound both musical and sympathetic to the environment that Jon Zames created. I think in the end we did both,” said Lead Composer James Bairian. The studio experimented with various instruments and arrangements, finally bringing together a blend of synthesizers, tambourines, hand-claps, glockenspiel and found sounds that nailed the piece’s vibe.

“The track had to have an organic, mechanical sound to it, but at the same time, it had to be pretty and inviting, because they wanted people to feel comforted by the notion of this new service,” noted Headquarters Music EP Adam Levin. Lead Composer Louis Castle added, “It was important to select sounds from these disparate sources so that we could mirror the handcrafted quality of the machine. From there, it was easy to extend the piece into a full-length song at Google’s request.”

This Google Play spot is the latest in a long string of Google branding work for Headquarters Music. These pieces headline a portfolio that includes extensive branding work for Burger King and MTV’s spring break campaigns, multiple campaigns for McDonald’s, extensive work for Sony PlayStation, and recent spots from Maxwell House via mcgarrybowen.

This consistent success probably has as much to do with the incredible chemistry between the trio of company principals – EP Adam Levin and Lead Composers Louis Castle and James Bairian – as it does with their tremendous raw talent. “I often feel as though we’ve pulled off the crime of the century,” laughed Levin. “We get to come in here every day and make music with people we love working with, divorcing ourselves from the headaches of the music industry…and we get to take home a paycheck every month? I feel like we need to keep this a secret.”

Plenty of others have been getting paychecks through Headquarters Music as well, as the studio works with a sprawling corps of nearly 50 top freelance composers in specialties as diverse as string and horn arrangement, electronic music, songwriting, touring, production – an ensemble that ensures each client has access to their ideal musical accompaniment.

“We are laser focused on matching each client with their perfect musical counterpart. Maybe more than laser focused. Is there such a thing as a super-laser? We’re that.” noted Levin, whose massive web of connections was forged during his decade as an artist manager in the record industry. “As a business person who operates in the creative world, I’m very sensitive to artistic concerns – both from the agency creatives’ standpoint and the composers’. This ethos sets Headquarters Music apart in what can be a crowded and frantic industry and helps to explain why everyone who’s worked with us has returned.”

Visit

Credits
Client: Google
Spot Title: “Introducing Google Play”
Air Date: March 2012

Agency: Studio G
Writer/Director: Jonathan Zames
Producer Yovel Schwartz
Line Producer: David Dranitzke
AD: Garrett Lowe
DP: Adam Santelli
Cameraman/ Motion Control Operator: Simon Wakley
Lighting: Joe Mendoza
Product Marketing Manager Paola Veglio

VFX/Editing: HOPR

Fabrication/Practical Effects: White Room Artifacts
Practical Effects Supervisor/Lead Fabricator: Don Bies

Music: Headquarters Music
Composer: The Gifted
Music Mastering: Mike Bozzi, Bernie Grundman Mastering

Sound Design/Mix: Sound Lounge
Sound Designers: Marshall Grupp/Tom Jucarone
About
Headquarters Music is a custom music house working in the media of commercials, television and video games. We focus on working with composers who have found success outside the work-for-hire world as recording artists, record producers and songwriters, and bringing their expertise to the world of composition for hire.

More info: TRUST 646 452 3388 (NY) 310 451 5153 (LA) trustcollective.com

Email This Post Email This Post

Related Topics: News |

Saccenti and Click 3X’s Szumski Co-Direct EL-P Trailer


Cancer 4 Cure, the latest album from alt hip-hop artist EL-P, may drop May 22, but fans of the Brooklyn rapper’s hard-charging lyrics and industrial production aren’t exactly known for their patience. To sate their hankering for the brand new tracks, fans are being treated to a series of teaser videos created for each song on the upcoming release, each directed by Timothy Saccenti from @radical.media. And when it came time to produce the eye-popping mix of CGI and live-action footage for series highlight, Drone, Saccenti turned to director Mark Szumski and his team at Click 3X for help.

Drone is a provocative dystopian trailer set against a deceptively bright world of blue skies, red roses, and a white picket fence. When what appears to be an insect buzzes on to the screen, the camera zooms close to reveal that the object is actually a tiny but technologically advanced robot drone. The next instant, a bird swoops from the sky and shreds the machine with its beak as the sky transforms into a nightmarish red-and-black storm.

“The drone had to look like it emerged from some black-op lab constructed by paranoid NSA scientists,” said Szumski. “It couldn’t look too futuristic or alien so that it wouldn’t look out of place among the rest of the teasers. It was imperative that the drone had a tremendous amount of detail because it was going to exist in a brightly lit world and be eaten by a real bird. It had to be absolutely believable once it was in the mouth of the hawk.”

Szumski and his team spent two weeks designing the drone while preproduction took place, giving them time to toggle between a variety of designs to arrive at something incredibly detailed that did not too closely resemble an insect. Simultaneously, the CGI team, led by Anthony Filipakis, constructed a photoreal hawk to sweep the drone from the flower garden. The team carefully calibrated the post work with live-action plates of a swooping hawk, reconstructing the lower beak and the nearby feathers in CGI for the drone-chewing scene and seamlessly integrating the various plates to make the disintegration of the robot look fluid and natural.

Szumski and Saccenti have joined forces for numerous projects over the years. Saccenti believes that strong collaborative spirit allowed them to make Drone “fitting with the haunting pace of the greater campaign while keeping the simplicity of the original idea intact.”

Szumski agrees wholeheartedly. “When I work with Tim, I get the opportunity to develop creative concepts, rather than just being a VFX artist. When he approached me with this one, I was extra excited, because it meant the chance to work for an artist that I respect so much in EL-P.”

Visit Click 3X
View Media

Credits
Artist: EL-P
Title: Drone Trailer

Production Co: Starworks Group
Co-director: Timothy Saccenti
Director of Photography: Kevin Hayden
Producer: Brody Baker
Production Designer: Andrea Huelse

VFX: Click 3X
Co-director/VFX Artist: Mark Szumski
Executive Producer: Robert Meyers
Head of CGI: Anthony Filipakis
VFX Artist: Liz Berndt
CGI TD: Sung Kim
CGI Texture and Lighting Artist: Grace Hwang
CGI Artist: Jongmoon Woo

Sound Design: Heard City
Sound Designer: Brian Scibinico
MD: Gloria Pitagorsky

Editorial: Final Cut USA, Inc.
Editor: Michael Dart Wadsworth
Assistant Editor: Spencer Campbell
President: Stephanie Apt
Executive Producer: Lauren Bleiweiss
Senior Producer: Viet-An Nguyen
About Click 3X
Click 3X, its interactive division ClickFire Media, and the recently launched C3X Live create engaging film, TV, web, and branded content. Positioned at the intersection of entertainment, advertising, and technology, the studios work in tandem or autonomously. Click 3X shoots, edits, designs, animates and creates VFX; ClickFire brings those disciplines into the interactive space; and C3X Live delivers branded content in-house from conception to full-service production to distribution. Click operates a full service, 11,000 square foot state of the art studio in Manhattan outfitted with 60 fulltime staffers.

More info: TRUST 646 452 3388 (NY) 310 451 5153 (LA) trustcollective.com

Email This Post Email This Post

Related Topics: News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

May 2012
M T W T F S S
« Apr    
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication