Archive of the New Products Category

FOR-A Unveils LTO-5 High-Capacity, Tape-Based Video Storage Appliance at NAB 2012

Fort Lee, New Jersey – Building on its successful line of LTO-5 video archiving recorders, FOR-A will introduce the LTS-50 storage appliance at the 2012 NAB Show in Las Vegas, April 16-19 (Booth C5219). Using a network connection, it archives media files to LTO-5 high-capacity tape, regardless of file format.

The LTS-50 uses an LTFS (linear tape file system), which records video on tape as files and enables the reading and writing of files from a PC via FTP. It’s ideal for data backup that does not require video I/O, as well as archives of nonlinear editing materials that will be reused. Plus, it can create original and duplicate copies with the installation of an external LTO drive. The LTS-50 can be controlled through FOR-A’s optional LTR Browser software, and another optional proxy generator can be configured to automatically create low-resolution proxy files and thumbnails when archiving MXF files.

With this new storage device, FOR-A is building on its successful line of video archiving recorders that use LTO-5 tape. Both its LTR-120HS and LTR-100HS video archiving recorders will also be on display, along with the MBP-100MP multi-format player and MBP-100SX MXF clip server and baseband converter. The LTR-120HS provides “archive at ingest” for AVC-Intra/DVCPRO file-based workflows, while the LTR-100HS supports MPEG-2. Data from the LTS-50 is compatible with both recorders.

“LTO-5 is an established standard in data tape storage technology, and it’s an ideal option for creating archives that are reliable and cost effective,” said Pedro Silvestre, sales director for FOR-A Corporation of America. “The new LTS-50 is an excellent tool for broadcasters and other production facilities with file-based workflows.”

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

Singular Software Takes Its Award-Winning Audio/Video Synchronization Technology to the Cloud

New CloudEyes offering enables media collaborations among video producers from any location
 
Vancouver, British Columbia — April 2, 2012Singular Software™, a developer of workflow automation applications for video production, is pleased to introduce CloudEyes™, a cloud-based media synchronization technology that lets producers and contributors share and mine footage for remote video collaborations. CloudEyes, an online synchronization service based on the same multi-award winning technology that powers the popular PluralEyes® and DualEyes™ products, automatically syncs audio and video clips for multi-camera and dual-system audio applications.
 
“In the past few years, the tools and devices we use to record and edit video have surged ahead in incredible ways,” says Bruce Sharpe, CEO, Singular Software. “We can merge video from multiple sources, sync them automatically and create sophisticated multi-camera productions on the desktop. But until now, developers creating online applications haven’t been able to combine expertise, footage or other media elements easily. CloudEyes is one part hunting and gathering platform, one part community mash-up engine—through which everything from planned shoots to spontaneous, crowd-sourced recordings can come together and be turned from raw footage into compelling stories.”
 
The automatic synchronization technology of CloudEyes is used by producers thousands of times every day to create everything from wedding videos to commercials to indie films. Like Singular Software’s family of post-production tools, it removes the need for timecode and clappers, and automates the most time-consuming of workflow tasks—except now, all those production benefits have moved from desktop to cloud.
 
CloudEyes Availability
Developers interested in learning more about CloudEyes can find out more at http://www.singularsoftware.com/cloudeyes.
 
About Singular Software
Since 2008, Singular Software has pioneered workflow automation for audio and video professionals. The breakthrough innovations of PluralEyes and DualEyes automate and simplify multi-camera, multi-take and dual-system audio productions, and integrate with the industry’s most widely used video editing software. For more information about Singular Software, please visit: http://www.singularsoftware.com.
 
PluralEyes, DualEyes and CloudEyes are trademarks or registered trademarks of Singular Software Inc. All other trademarks, registered trademarks and products mentioned herein belong to their respective owners.
 
Press Contact
To schedule a press briefing or request a product review, please contact Janice Dolan at:
 
Zazil Media Group
Janice Dolan
(p) +1 617 817 6595
(email) janice(at)zazilmediagroup(dot)com

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Boxx Communications to Debut Meridian Lite and Meridian Tallis at NAB

(LOS ANGELES) Boxx Communications, the North America headquarters and official reseller for Emmy Award(r)-winning manufacturer Boxx TV, will unveil Boxx TV’s latest available technology, including the Meridian Lite and the Meridian Tallis, at its booth (C7219) at the NAB Show(r). The annual conference will be held in Las Vegas, Nevada, April 14-19. Boxx’s Meridian product line is used on a wide variety of projects from the upcoming James Bond film Skyfall, to the live Brit Awards, and Emmy Award-winning Modern Family, among others.

“Our demonstrations at NAB will illustrate the ongoing development and innovation in the product line,” notes Boxx Communications Owner Mark Walker. “The team at Boxx is constantly in the field, working events, in venues, and with broadcasters. Our understanding is derived from hands-on experience and drives us to continually evolve and improve our products. What Boxx offers is an incredible option for the industry in terms of functionality and affordability. In many, many tests, we have beaten head-to-head ratings with the more expensive, and in some cases more well-known, competitors.”

The Meridian Lite is an affordable, entry-level RF HD camera system with zero-delay transmission for live broadcast and videography. The less than $10,000 price puts the technology in reach of more budget-conscious users, and is upgradable to Boxx TV’s full-featured, high-end Meridian wireless RF HD camera system. With its lightweight, wireless transmitter, Meridian Lite supports full 4:2:2 video including all formats up to 1080/30p, and delivers uncompressed, artifact-free broadcast video and sound in synch.

Conference goers will also get their first look at the Meridian Tallis, an iris control and tally indicator accessory that provides tally and iris only control, and complements any brand of broadcast camera on a wireless rig or Steadicam. The product is small enough to mount on any camera and the control knob gives accurate high-resolution control to the iris. As Tallis only controls the lens, there is no black level or red/blue gain control, but at a price of around $3,500, it opens up a solution to productions where iris only control is sufficient.

“The Meridan Tallis solves the tricky problem of providing iris control for a variety of different manufacturers’ cameras by tapping directly into the lens to adjust the aperture,” explains Boxx TV co-founder Scott Walker. “There simply isn’t another solution as this price point to control the iris on wireless camera rigs. This enables you to match the brightness of the video from a wireless camera with other cameras.”

In addition to the Meridian Lite and the Meridian Tallis, Boxx will also be demonstrating the Meridian System which provides 4:2:2 uncompressed video with zero delay; the Cobalt system which offers an alternative to COFDM systems with a bi-directional packet acknowledgement protocol that offers extremely robust transmissions; the Cerulean which delivers the quality and reliability of full HD uncompressed fiber link in a cable-free, wireless environment; and a prototype of a lightweight h.264 HD system designed for UAV (unmanned aerial vehicles) including a quadcoptor.
For more information about Boxx Communications, visit www.boxxusa.com or call 310.287.1285.

About Boxx Communications
Boxx Communications is the Los Angeles-based headquarters and official North America reseller for Boxx TV, an Emmy Award(r)-winning manufacturer. Boxx Communications provides the broadcast industry with a wide range of innovative digital microwave systems for live broadcasts, as well as Steadicam, portable field, video assist and ENG applications. The Boxx product portfolio includes the Meridian System which provides 4:2:2 uncompressed video with zero delay; the Zenith Wireless system which is designed for HD live productions, big screens, helicopters, and reality shows where range and signal reliability are essential; and the Meridian Tallis, an iris control and tally indicator accessory that provides tally and iris only control, and complements any brand of broadcast camera on a wireless rig or Steadicam. Boxx is revolutionizing the industry with reliable, cost-effective, and groundbreaking technology. Continually innovating, constantly advancing, Boxx Communications offers impeccable solutions. For more information about Boxx Communications, visit www.boxxusa.com or call 310.287.1285.

# # #

Media Contacts:
ignite strategic communications
Sally Christgau (sally@ignite.bz / 415.238.2254)
Chris Purse (chris@ignite.bz / 818.303.8088)

FOR-A Debuts 1 M/E to 2 M/E Video Production Switcher at NAB 2012

Fort Lee, New Jersey – FOR-A Company Limited, a leading manufacturer of video and audio systems for the broadcast and professional video industries, today introduced the HVS-390HS, the latest in its line of compact, cost-effective switchers. Available in 1 M/E and 2 M/E versions, it includes 16 HD/SD-SDI inputs and eight outputs (expandable to 24 inputs and 13 outputs), with frame synchronizers for all inputs. The new video production switcher will be unveiled at the 2012 NAB Show (Booth C5219), which runs April 16-19 at the Las Vegas Convention Center.

“Multiple markets have enthusiastically embraced this product line, including broadcasters, educators, houses of worship, and corporate video producers,” said Pedro Silvestre, sales director for FOR-A Corporation of America. “The HVS-390HS maintains the compact footprint and operating style of our previous models, and improves the operation style with the addition of macros and pneumonic keys.”

Built-in resizing engines on four inputs allow HD, SD, and PC sources to be mixed within the same production. Four keyers per M/E are standard. The HVS-390HS includes two chroma keyers. All keyers have an independent 2D DVE channel, plus two 3D DVEs (for background and keyer) for each M/E. The HVS-390HS includes 100 2D and 68 3D wipe patterns, in addition to standard cut, mix, and wipe transitions on the M/E bus.

The HVS-390HS features a highly versatile input/output set up, including the ability to use the optional input/output boards from FOR-A’s HVS-300 switcher as well. It comes standard with 16 HD/SD-SDI inputs, eight outputs plus an HDMI output. With the addition of optional input/output boards, the system expands to 24 inputs and 13 outputs. Analog components, analog composite, DVI, and RGB can also be added.

The switcher is equipped with output video recording and playback functions. It includes an advanced video memory function that can simultaneously record fills and keys and saves consecutive stills when transferred from the user interface as video. Clips can be up to 240 frames long. And recorded clips and stills can be used for CG wipes.

Up to 100 events can be stored in memory and recalled with a single click during live applications. A built-in sequence function stores up to 100 sequences, with each parameter setting registered as a key frame. When used with FOR-A’s HVS-39GUI, information for each key frame in a sequence can be displayed on a timeline, so the correlation of action timings can be easily verified. Sequences and events can be assigned to any of the 12 user buttons on any of the switcher’s control panels.

Four still stores support JPEG, BMP, and TGA file formats, as well as animated logos. External video input and PGM output can be captured as still images, and data generated on a PC or other source can be loaded to the main unit via Ethernet or loaded via USB through the switcher’s control panel.

Three control panels are available for the HVS-390HS: the HVS-391OU (1 M/E), HVS-392OU (2 M/E), and HVS-392ROU (rack-mountable 2 M/E). The 3 RU main unit includes an enlarged fan and efficient exhaust process to guarantee silent operation, which is ideal when it is installed near the operator’s workspace in mobile production units or small control rooms. An optional redundant power supply is also available.

The built-in dual multi-view can display up to 16 split windows on either output, and different display patterns and sources can be set for each. Every multi-view window is equipped with title and tally display functions. Other built-in features include safety area and color bar displays, macro, color correction, and simultaneous switching (and output) of two L/R systems for 3D productions.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

PESA Expands Modular Audio DRS Solutions at 2012 NAB Show

Huntsville, Alabama – PESA, a leading U.S.-based custom design and build manufacturing company for professional audio and video signal distribution, today introduced its new DRS audio distributed routing system with Enterprise Data Exchange Engine (E-DXE) at the 2012 NAB Show (Booth SL9615), which runs April 16-20 at the Las Vegas Convention Center in Las Vegas, Nev. A full-featured 24-bit, 96 kHz routing system for audio and time code signals, DRS uses high-speed multiplexing technology for signal distribution, rather than a crosspoint matrix array, and its modular architecture makes it easy to tailor the system to fit specific configurations.

At the heart of every DRS is PESA’s DXE frame, where the actual signal routing function takes place. It provides all the essential signal processing features, including input sample rate conversion, input gain, and phase inversion. AES3, AES3id, time code, analog audio, and MADI (AES-10) signals can be processed within the same system without external converters, and each DRS can be sample rate adjusted to support 44.1kHz or 48kHz. Packetized data is routed over a gigabit Ethernet network between frames through the DXE to deliver desired input signals to desired output connections.

In addition to the traditional I/O audio remedies, input and output delay can be set independently on every I/O channel. With up to two seconds of delay available to every I/O, external audio delay systems are unnecessary.

Offered in three package sizes, DRS can accommodate a variety of audio requirements. The compact DRS Series-C uses an internal control card to support 64 mono I/O in a 1 RU frame, and two frames can be combined via an Ethernet port for 128×128 I/O (no DXE processor frame necessary). DRS Series-M supports small and mid-range routing needs with up to four 512×512 I/O frames, which combine to deliver up to 2048×2048 I/O. DRS Series-E systems, which accommodate enterprise-wide systems with E-DXE, support up to five 1536×1536 I/O frames to increase the I/O count to 7680×7680. All three packages are shipping now.

For Series-M and Series-E systems using the DXE or E-DXE processor frame, each 1 RU I/O frame provides 128 signal ports and can be located virtually anywhere within a facility – up to 300 feet away from the main processing frame (or more than six miles using optional fiber optic extender modules). Interconnections are made using common CATx cable and standard RJ-45 connectors. Stereo analog inputs as well as analog outputs are converted to digital using high performance 24-bit converters. Inputs may be switched as mono channels, stereo pairs, or up to 16 channels to support any audio environment.

“Whatever the application, DRS technology will dramatically reduce the complexity of your audio setup,” said Chuck Tillett, PESA president and COO. “With PESA’s unique signal processing technology, complex and cumbersome wiring schemes and cable routing are a thing of the past. And less complex wiring requirements with fewer cables keep signal quality high, which saves time and money in both installation and maintenance.”

Any DRS audio system using the DXE or E-DXE can be configured for complete system redundancy. A second interconnect allows for two parallel data paths in the event signals are lost on the primary path. Plus, each frame supports redundant power and control, as well as front load, hot-swappable logic cards. Frames are available in a variety of interconnect options, including BNCs, ELCO, or 6-pin pluggable connectors for analog, AES, and time code.

In addition to standard signal I/O frames, DRS includes two special purpose circuit cards for embedding and de-embedding digital audio, which marries the video routing capability of the Cheetah video matrix routers with the audio routing capability of the Cheetah DRS audio router. The Cheetah MUX-3G card provides 16 SDI video output channels and embeds any of up to 256 audio signals selected from DRS input sources to any of the HD or 3G video output signals. Any audio input signal to DRS – AES, embedded, MADI, or analog – can become the input source for the video MUX card for embedding onto a video output signal.

The Cheetah DEMUX-3G card provides 16 SDI video inputs and de-embeds all audio groups and channels from all video signals. Up to 256 de-embedded audio signals may be selected as input sources for the DRS channel group. In DRS system configuration, the DEMUX-3G card functions as a signal input frame, and the MUX-3G card functions as a signal output frame. Full digital signal processing and stereo remedies may be applied to embedded audio signals.

Both cards are compatible with SDI video signals up to 3Gbps and are compliant with SMPTE 259M, 292M, and 424M. Audio signals present on an incoming SD video signal are passed through to the output with no modification, even if the audio signals are de-embedded for use elsewhere. The cards are used in place of the HD/3G-SDI video input buffer and video output combiner cards in a Cheetah video router mainframe. The audio portion of each card integrates with a DRS channel group through an available DXE I/O port using common CATx cable, up to 100 meters in length.

About PESA

As a leading provider of audio/video connectivity, PESA offers a wide selection of routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, broadcast and mobile truck applications. PESA offers one of the widest ranges of AV products – from large scale fiber optic routing to single-point CAT-5 DVI extenders – each with the integrity and innovative high performance technology expected from PESA. Our products are available around the world from a leading team of channel partners offering local support and installation; and all of our products are supported by 24/7 technical support. To learn more about our technologies and services visit www.pesa.com. PESA is located in Huntsville, Alabama with regional offices throughout the United States.

All products mentioned herein are trademarked property of their respective owners.

FOR-A PROVIDES ‘CONTINUOUS INNOVATION’ AT NAB 2012

New Product Highlights Include Compact 2 M/E Video Switcher and File-Based LTO-5 Video Storage Appliance

Fort Lee, New Jersey – FOR-A Company Limited, a leading manufacturer of video and audio systems for the broadcast and professional video industries, will several new products at the 2012 NAB Show, which runs April 16-19 at the Las Vegas Convention Center. Designed around the company’s theme of “Continuous Innovation,” FOR-A’s NAB booth (C5219) will include a demonstration area as well as “islands” to showcase video switchers, processors, file-based products and specialty live demonstrations.

“NAB remains an excellent venue for us to showcase our latest products and technologies to broadcasters and other video professionals,” said Pedro Silvestre, sales director for FOR-A Corporation of America. “This year, we’ll unveil a new entry in our popular line of compact video switchers, as well as a new LTO-5 server that will set a new benchmark for LTO-5 file storage. Our innovative, new products, as well as some very dynamic technology demonstrations, will show our commitment to continuous innovation.”

Video Switchers

One of FOR-A’s most anticipated new products is the HVS-390HS video switcher. It maintains the functionality of FOR-A’s current switcher line, but is available in 1 M/E and 2 M/E versions. It includes 16 HD/SD-SDI inputs and eight outputs (expandable to 24 inputs and 13 outputs), with frame synchronizers for all inputs.

A new addition to the HVS-4000 Series, the HVS-4000HSA, offers support 3 M/E operation capability. The HVS-4000 Series offers a choice of M/Es and control panels, and is loaded with standard features to handle complex video productions. With 16 inputs and outputs standard (expandable to 48 inputs and 24 outputs), it includes a built-in multi-viewer, direct access to preset content, and integrated control of various devices. Additional switcher models will also be on display, including the HVS-350HS 1.5 M/E switcher, linked with a MFR-3232 routing switcher, and the HVS-300HS 1 M/E switcher, coupled with a LTG-50HS HD/SD logo/title generator.

File-Based Products

Building on its successful line of LTO-5 video archiving recorders, FOR-A will introduce the LTS-50 storage appliance at NAB. Using a network connection, it archives media files to LTO-5 high-capacity tape, regardless of file format. It’s ideal for data backup that does not require video I/O, as well as archives of nonlinear editing materials that will be reused. Options include LTR Browser software control and automatic creation of low-resolution proxy files and thumbnails when archiving MXF files. Both the LTR-120HS (AVC-Intra/DVCPRO) and LTR-100HS (MPEG-2) video archiving recorders will be on display as well, along with the MBP-100MP multi-format player and MBP-100SX MXF clip server and baseband converter. Plus, FOR-A will provide a technical demonstration of its new file-based frame rate converter.

Multi-Viewers

New for NAB, the MV-1620HS supports mixed inputs of HD-SDI, SD-SDI, and analog composite signals. The compact, cost-effective multi-viewer supports 16 inputs, includes embedded audio level display for up to 16 channels per input and title display of up to 16 characters per input, and features up to two clock displays, which can also be used for countdown and remaining time displays. Plus, the unit saves up to 16 layout patterns, selected from the front panel, and PC-based software makes it easy to create screen layouts.

The new MV-42HS is a four-channel HD/SD multi-viewer that supports mixed and asynchronous HD-SDI and SD-SDI inputs
(optional analog composite). It also features audio level metering and titling, and offers full screen, two split, and quad screen output. FOR-A will also showcase its MV-3200 Series, which provides customizable support for up to 32 inputs and four display outputs. The choice of input boards within its 2 RU frame provides support for various asynchronous HD/SD-SDI, analog composite, and DVI signals, as well as analog or AES audio, so control rooms don’t need to supplement their video walls with additional monitors.

Video Processors

Packaged in a compact form factor, the new FRC-30 HD/SD frame rate converter handles motion compensation and linear conversions. It also supports up/down/cross conversion of 1080i, 720p, NTSC, and PAL at a variety of frame rates for HD/SD-SDI and analog composite signals. The new modular UFM-30FRC frame rate converter, which can be installed in FOR-A’s UFM frame, also provides motion compensation, linear conversions, and up/down/cross conversion of HD/SD-SDI and analog composite sources at various resolutions and frame rates. FOR-A will also display its established FRC-8000 HD/SD frame rate converter and FA-9500 3G/HD/SD multi-purpose signal processor at NAB, as well as a prototype of its next-generation color
corrector.

Specialty Products

FOR-A will demonstrate ‘multi-angle, super slow motion’ shooting for the first time at NAB using nine of its award-winning VFC-7000 HD Variable Frame Rate (Super Slow Motion) Cameras shooting simultaneously and being controlled from one EVS controller. The VFC-7000 is well suited for sports broadcasting applications. Flovel, a company in partnership with FOR-A, will also display prototypes of its new 4K compact camera and HD ultra-high sensitivity camera.

FOR-A will also demonstrate its new SmartDirect all-in-one live production system. Powered by a Brainstorm graphics engine, it provides the ability to create programming, playlists, captions, and switch cameras. Optional features include: the VRCAM-S virtual studio, a video switcher link to connect with an external switcher for more elaborate wipes and effects, link to a clip server to control external servers, and a streaming interface to simultaneously encode and distribute video over the internet.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

GAME CREEK VIDEO RELIES ON STUDIO TECHNOLOGIES’ MODEL 46 DUAL 2-WIRE TO 4-WIRE INTERCOM INTERFACE

Unit Delivers Reliable Performance

HUDSON, NHGame Creek Video, a company providing remote sports and news event broadcasting production services for ESPN, ABC Sports, Fox Sports, the Yes Network, ABC News, NBC News and CNN, among many others, relies on Studio Technologies’ Model 46 Dual 2-Wire Analog Audio to 4-Wire Analog Audio Interface for party line intercom connections in nine of its remote OB trucks, one of the youngest fleets in the business. Game Creek Video chose Model 46 because of its extended feature set, signal monitoring, automatic nulling and rock-solid performance record for dependable install-and-forget-it performance. more

METRIC HALO RELEASES PRODUCTION BUNDLE FOR AAX, CELEBRATES WITH SALE

channelstrip-3.JPGMUSIKMESSE, FRANKFURT – MARCH 21, 2012: Today at Musikmesse, Metric Halo announced the release of the Metric Halo Production Bundle for Pro Tools 10. The software will be available starting on March 26, 2012 and consists of seven AAX plug-ins compatible with both Native and HDX DSP systems: ChannelStrip 3, Character, Haloverb, Multiband Dynamics, Multiband Expander, Precision DeEsser, and TransientControl. The software may be seen at the Audiologistik booth – Hall 5.1, Stand A85.

This bundle provides the all the tools necessary to sculpt a mix. Four of the plug-ins contain audio analysis tools from SpectraFoo, giving the user visual feedback of the plug-in’s processing. “We’re thrilled to release the Production Bundle for AAX,” said Allen Rowand of Metric Halo. “We wanted to do more than simply port our existing ChannelStrip plug-in to the AAX format. We wanted to release a suite of more

In full motion: FoveaHD makes NAB debut

See Calibre UK at NAB 2012, Booth N1817, 16-19 April 2012, Las Vegas

Cost-effective HD and SD motion compensated standards converter with real-time noise reduction and image enhancement

British video image processing hardware manufacturer, Calibre UK will introduce the new FoveaHD MEMC motion compensated frame rate converter into the broadcast marketplace at NAB 2012.

“The FoveaHD is a completely new motion compensated standards convertor designed for cost-effective and smooth SD and HD broadcasting. Typical applications for FoveaHD include newsgathering, mobile operations, outside broadcasting and live events to studio dubbing and satellite broadcast communications,” says Tim Brooksbank, Chairman at Calibre UK.

The convertor has multiple SD and HD inputs and outputs to enable upconversion, downconversion, cross conversion, as well as converting between all common frame rates. Adding to its functionality, the FoveaHD convertor is equipped with 3G-SDI and Analog I/O. FoveaHD provides motion compensated HD and SD standards conversion at the price of a standard linear video converter.

FoveaHD also has powerful image restoration capabilities for archive conversion, a valuable library asset.

VITC embedded time code is supported and includes automatic delay and correction.

The 2U rack system has control via Ethernet or front panel keyboard ensuring smooth integration.

“The introduction of FoveaHD follows the success of our VideoExcel series broadcast grade universal format converters and frame synchronizers, which will also be on show at NAB alongside the latest HQView530 video scalers, format convertors and scan convertors aimed at the professional video market,” adds Brooksbank.

Calibre UK will exhibit on booth N1817 at NAB 2012 at the Las Vegas Convention Center, Las Vegas, Nevada, USA between 16-19 April 2012.

www.calibreuk.com

projectiondesign® ships entry-level F21 professional projector

Unrivalled image reproduction, optics and performance for meeting and collaborative business usage

Advanced meeting room and collaboration users now have more choice when looking to upgrade or invest in new projection and display technology. They need look no further than the new F21 projector from projectiondesign®. The Norwegian projector manufacturer today announces that this entry-level projector is shipping.

“Renowned for having the world’s most advanced projector technologies, the F21 reproduces intense graphics reproduction and reliability with no compromise in image quality. The F21 meets the specific needs and expectations of professional corporate users and is available at an attractive price point,’ says Fredrik Brostrøm-Hansen, Product Marketing Manager at projectiondesign.

Designed in a breathtakingly stylish pearl white cabinet, the projector will grace any boardroom or meeting room environment. In saying this, it’s what’s on the inside that counts. The new high performance F21 single-chip DLP® projector comes with full HD native 1080p resolution. It incorporates a high quality zoom lens and a long life lamp.

The projector uses projectiondesign’s unique RealColor™ colour management suite for perfect picture, ideal for stand-alone or multi-channel blended environments. For greater accuracy, RealColor allows the user to define a desired white point, match the colours from the projector to the picture on the screen or a print for true colour imaging.

“Now that the F21 projector is shipping we are able to deliver an even stronger product offering for the important corporate meeting room and collaboration space. With the F21 what you see is what you get, and that is no less than the highest performing quality on-screen image!” adds Brostrøm-Hansen.

The F21 projector comes with projectiondesign’s standard 3-year 24/7 warranty which can be extended up to five years, all service inclusive.

- ENDS -

www.projectiondesign.com

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