New Silicon Valley Studio Puts Foothold on Content Creation Outside of Hollywood
(BURBANK, CA) Bexel, a unit of the Vitec Group's Services Division and a leading worldwide provider of broadcast services and solutions, collaborated with Zuckerberg Media on the launch of its new 12,000-square-foot production studio in Menlo Park, Calif., which recently began broadcasting original content, both live and streaming.
Zuckerberg Media, founded by CEO Randi Zuckerberg, brought Bexel onboard in the early planning stages to help design and outfit a state-of-the-art media production facility capable of broadcasting live around the world on television and the internet. After identifying the full range of needs for Zuckerberg Media, Bexel constructed plans and made recommendations on the best equipment selections.
"Bexel is at the top of the broadcast solutions game and came highly recommended to Zuckerberg Media," said Bradley Lautenbach, chief operating officer of Zuckerberg Media. "Bexel was able to work within our very aggressive startup timeline to deliver infrastructure that produces wonderful output-and we are delighted that they will be a partner to Zuckerberg Media as we continue to grow."
Bexel worked from the ground up with the general contractor and architect to assist in meeting codes, all with an eye on future scalability. Bexel was able to create smart solutions to help Zuckerberg Media achieve their goals for the new studio, which included production solutions "to conquer the world with content."
"Zuckerberg Media is an innovative, tech-driven entertainment company run by revolutionary thinkers," notes Bexel President and General Manager Halid Hatic. "It is an incredible opportunity for Bexel to support the vision of Randi and her team with pragmatic tools as well as a strategy for the future. We are enthusiastic fans of what Zuckerberg Media is creating, and we are excited to see what the 'next generation of media' brings."
Approximately 90% of the operational equipment found at Zuckerberg Media was purchased from Bexel. New assets were combined with post-Olympics (2012) gear to design a solution that was customized to the studio's unique needs and stayed within budget. Top-of-the-line equipment integrated into the studio included products from AJA, ASG Custom Audio Products, Blackmagic Design, Evertz, Sachtler, Sennheiser, TBC, Panasonic, LG and NewTek. Bexel outfitted the production facility with Sony EX3 Cameras, modified with monitors, teleprompters, and a proprietary data transfer system to ensure maximum flexibility and functionality. TSL Audio Monitoring was installed, and studio lights include the new Litepanels Sola 6 and Sola 4 LED Fresnels.
"From the very beginning, this was an honestly collaborative effort with the team at Zuckerberg Media," said John Root, Western region product sales manager, Bexel TSS. "From the integration of audio and video systems to helping them locate a talented lighting designer, from control room design to engaging in full testing and training, we supported their creation of a world-class facility. It was an intriguing assignment to help launch an environment where the future will unfold."
To learn more about Bexel, stop by their booth (#C6932) at the NAB Show in Las Vegas April 8- 11, or visit their Web site at www.bexel.com
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers - including producers of the biggest and most important televised events in the world. For more information, visit http://www.bexel.com.
About the Vitec Group
Capture the moment(tm)
For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.
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Archive for March 28th, 2013
New Silicon Valley Studio Puts Foothold on Content Creation Outside of Hollywood
Award-Winning Battery Replacement System will Materialize in North Hall, Booth N 921
Owslebury, UK – BHV Broadcast’s Video Ghost will appear at NAB 2013 in the North Hall, Booth N 921 sporting a sleek, sexy new look. The multi-award-winning phantom power system has shed its ordinary black shell in favor of a lustrous red transmitter and bright blue receiver. In addition to its new sturdy and brilliant housing, Video Ghost will be shown for the first time in the US using the V-lock universal mounting for camera battery replacement. This is one ghost camera operators will be happy to see!
Developed as a low-cost, reliable replacement for batteries, Video Ghost brings phantom power to the digital video world! The unit – recipient of TV Technology’s Mario Award, Broadcast Engineering’s Pick Hit AND IBC’s What Caught my Eye – now provides a hefty 65 watts of power at 12V for camera head-ends and remote monitors using the existing serial digital video coaxial cable. Equally at home with SD or HD signals, it can also be used to power composite to SDI converters at the camera, and so helping to avoid the signal degradation suffered by composite video over long distances.
See all of BHV’s award-winning products at NAB 2013. Click on email@example.com to schedule a visit!
About BHV Broadcast
BHV Broadcast is the manufacturer of award-winning compact and cost-effective equipment for production and post-production including a full range of rack-mount and portable digital switchers to accommodate any application where space is at a premium. The company also manufactures rate and format converters and video power systems. For further information: www.bhvbroadcast.com
BHV Broadcast contact: Martin Cook
+44 (0) 1962 777733 • sales@BHVBroadcast.com
Press contact: Harriet Diener / Desert Moon Communications
1-845-512-8283 • firstname.lastname@example.org
Earlier this month, “Vikings,” History Channel’s first full-length, scripted series premiered, arriving on the heels of the massively successful miniseries “Hatfields & McCoys,” starring Kevin Costner and Bill Paxton. To accompany such an insightful and engaging series, King and Country (K&C) designed a logo that captured the spirit of both the civilization and the show: embodying the different facets of “Vikings” in a way that is simple and memorable.
K&C used the letter “V” and elevated it to symbolic status by creating a logo that is bold and iconic at first glance, while also layered with great storytelling detail on closer inspection. The two sides of the letter utilize intricate, yet readable, designs that show the multiple dimensions of the characters.
The left side of the “V” tells us about the lesser-known aspect of Vikings: family and life. It seamlessly blends three key elements of their character: the upper section is efficient and almost scientific, denoting how technologically advanced they were, especially in ship-building expertise; the middle section is a graphic representation of brotherhood and unbreakable bonds, featuring art reminiscent of tribal emblems; the lower section is about growth and life, with an illustration that is similar to a section of weaving tapestry, taking visual cues from a family crest or coat of arms.
The right side of the “V” tells the story of war — and the violence, death and conflict that were big parts of Viking society. Shaped like the blade of a sword, small chinks are hacked out of what would have been fastidiously hand-forged steel weaponry, stained from blood of the fallen.
“Brand symbolism has become even more crucial in the age of digital marketing and online communities,” explains Rick Gledhill, K&C Director and Partner. “People want to know what something is about with a quick and clear visual. Which is why a landmark television series like ‘Vikings’ needed a recognizable icon that would appeal to a broad audience. The ‘V’ is that symbol, able to live on its own in a variety forms and places, engraved on a multitude of materials and easily incorporated into merchandising.”
For the show’s custom font, K&C delivered a typography that balanced modern and traditional styles. It is clean, precise and rigorous, with a handmade quality that reflects the intelligence and craftsmanship of the Viking people. Small textural details integrated into some of the letters further demonstrate their skill and meticulous nature.
“Vikings” builds on K&C’s ongoing relationship with History Channel, having worked together on the logo design for the much-lauded scripted drama “Hatfields & McCoys.” The three-part miniseries, about a true and legendary American family feud, premiered in summer 2012.
About King and Country:
Since its launch in 2006, Santa Monica-based production company King and Country (K&C) has earned international recognition for breakthrough projects spanning commercials, original promos for major networks, and much more. The innovative production foundry, established by directors Rick Gledhill and Efrain Montanez and executive producer Jerry Torgerson, elegantly unites A-list talents representing every facet of production and post, delivering impactful films that blend original live-action content, 2D and 3D animation and seamless visual effects into new artforms. Drawing upon its principals’ extraordinary creative capabilities, K&C takes deep pride in directing and producing spectacular projects from concept through completion, collaborating with others to add brilliant end-tags, visual effects and flawless finishing for any and all media platforms, and everything in-between.
Share of South American AV and digital cinema market expected to grow rapidly this decade
Christie®, a world leader in visual technologies, continued to expand its presence in South America with the opening of its first office and showroom in São Paulo, Brazil, which was celebrated with a reception attended by customers and business partners of Christie Digital Systems South America Ltda., and leading dignitaries of the Brazilian cinema exhibition industry. The opening is part of a wave of global expansion by Christie, which includes new subsidiaries and offices in South Africa, Australia and India during the past twelve months.
Jack Kline, president and CEO, Christie Digital Systems USA, Inc., said the opening of the São Paulo facility is critical in meeting the accelerating demand for Christie’s digital cinema, ProAV, visualization and simulation solutions and services throughout South America, especially in Brazil.
“The country of Brazil specifically is one of the world’s fastest-growing economies and São Paulo is the ideal central geographic location from which to increase our share of the South America market, and to provide in-region customer service and support, most notably in the digital cinema market, where we already have an established and growing customer base,” Kline added.
Bruno Tavares, general manager of Christie Digital Systems South America Ltda., said the new facility at Rua Gomes de Carvalho 1765, Suite 12, São Paulo, will initially be headquarters to a dozen sales and service staff, as well as showrooms and training rooms with many products, including the DCI-compliant Christie® Solaria One, which is ideal for community theaters in emerging markets such as South America.
Tavares told guests attending the opening ceremony: “Christie projectors and other solutions have been in use in theaters throughout South America for years, but with the move from film to the mandatory digital movie format, we fully expect Christie to become the digital cinema supplier of choice. As a consequence, we have an option to expand in this same location in anticipation of Christie and its South American partners capturing increased market share in the region.”
Among distinguished guests attending the opening ceremony and reception were national and local government dignitaries as well as blue chip representation from the Brazilian cinema industry, headed by Manoel Rangel, president of the Brazilian Motion Picture Agency (ANCINE).
The guest list also had a strong representation from Christie’s key customers in Brazil including Luiz Severiano Ribeiro Neto from Kinoplex; Marcos Araújo, Grupo Araújo de Cinemas; Adhemar Oliveira, Grupo Espaço de Cinema; Marcos Barros, Cinesystem; Gilmar Santo, Cineflix; and Toninho Campos, Roxy Cinemas.
Several Christie business partners also attended the opening and tour of the new facilities including Lorenzo Garcia from Kelonik; Francisco Severino da Silva and Thiago Pereira from Santa Clara Poltronas; and Guillermo Younger, Alex Younger and Guillermo Younger Jr., of CE+S.
Christie has been active in Brazil through partners for many years and has sponsored key film festivals and industry conferences, including the 6º Show de Inverno Campos do Jordão, on April 25-27.
TEAM MEMBERS WILL EXHIBIT AND PARTICIPATE IN PROFESSIONAL DEVELOPMENT SEMINARS
Northampton, MA – Myers – the highly respected developer of broadcast traffic, business, and content management software – today announced the company’s return as an exhibitor and Silver-level Sponsor at the Public Television Service’s Technical Conference (TechCon), held in conjunction with the National Association of Broadcasters’ mid-April convention in Las Vegas. Myers has actively supported and participated in the annual event since its inception.
Myers personnel will host a ProTrack Users’ session sponsored by the PBS Traffic Advisory Committee designed to give station staff a first-hand look at the company’s latest initiatives,
as well as product and service enhancements. The Myers team will share best practices and provide a forum for station users to share knowledge and exchange tips for streamlining workflow and getting the greatest benefit from their ProTrack broadcast management system. The company will also participate in a Q & A panel within the NRT Traffic Workflow session.
The seminar focuses on the integration of non real-time (NRT) content delivery within a station’s everyday workflow.
“We are exceptionally proud to continue our participation in, and sponsorship of this valuable public broadcaster’s conference,” said Crist Myers, president and CEO. “This annual PBS event offers us a great opportunity to share knowledge and ideas with our loyal end-users, as well as station management and industry partners; it inspires us to continue the development of new efficiencies, innovations and cost-effective solutions for the public media sector.”
ProTrack, Myers’ proven flagship suite, is available in both radio and television editions. It
offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.
Formerly known as Myers Information Systems, Inc., the company has been developing broadcast management software since 1989. Myers provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com
Myers Information Systems contact: Crist Myers
+1-413-585-9820 / email@example.com
Press contact: Desert Moon Communications / Harriet Diener
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FRANKFURT, Germany – HARMAN’s Soundcraft is taking its popular “Mixing with Professionals” (MwP) training to Prolight + Sound 2013 in Frankfurt. Hosting the sessions will be HARMAN’s Gert Sanner, FOH for Deep Purple for many years, and freelance engineer Mathias Lunau, who has worked with Peter Maffay, Howard Carpendale, Matthias Raul, Klaus Lage and most recently finished the Echo winning Tabaluga Musical Tour.
Sanner and Lunau will provide formal training and demonstrations on the new Soundcraft Si Expression consoles while discussing their experiences working with Soundcraft equipment in real-world applications.
“The MwP sessions in Frankfurt are the perfect opportunity for all engineers, beginners and interested Prolight + Sound attendees to get hands-on experience with Soundcraft consoles while learning from two of the most accomplished FOH engineers in the industry,” said Keith Watson, Marketing Director for Soundcraft Studer. “Anyone interested is encouraged to attend!”
The MwP sessions will be held on all four days of the show (April 10-13) in both German and English languages at the Harman booth F32 in Hall 8. Four time slots will be available from 10:00 to 16:00. The courses are free to attend but space is limited. More details are available at www.soundcraft.com/mwp/events.aspx
Photo Caption: Gert Sanner of HARMAN
HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.
Dalet Releases New Version of Dalet One Cut Editor at NAB 2013; Includes Video Editing and Is Designed for Multimedia Convergence
Fast-paced production tool with features that can be graduated from novice to expert will be available in standalone or integrated mode
Levallois-Perret, France – March 28, 2013 – Dalet Digital Media Systems, a leading developer of Media Asset Management (MAM) solutions, software and services for broadcasters, is releasing the second generation of the Dalet One Cut editor, which now includes video editing capability, at NAB 2013 (SL4524). Dalet One Cut was conceived as a multimedia editor that would encompass radio, TV, Internet and mobile content production. Designed on the principles of user accessibility, it is ideal for users who are not fully-trained video editors. It is very intuitive and perfect for fast-paced production in news and sports, and for many other tasks such as compliance editing.
The initial version of Dalet One Cut focused on audio production and was very well received with more than 5000 licenses in current use. This new version unleashes the full capability of the powerful media engine to now include multitrack video editing.
“The framework of Dalet One Cut makes it extremely fast and flexible. It’s a modular solution that can be customized to accommodate many different skillsets and scenarios with workspaces and templates that can range from simple to advanced. For instance, configurations can display only very basic functions like those needed for fast news editing and voice-over recording. Or, it’s possible to expose many and more intricate features for expert editors,” says Kevin Savina, director of product management, Dalet. “Dalet One Cut is all about providing editing workflows — whether for audio, video, web or multimedia — that work best for your operation. It’s also possible to create custom layouts or templates for specific tasks with a workspace that displays only the tools needed for particular tasks such as audio dubbing, video trimming design or manipulating audio tracks. Dalet One Cut provides real value as a single, multipurpose tool that can be used in many different ways within an organization.”
Dalet One Cut is a fast, nimble real-time audio and video editing tool. With its comprehensive range of codec support, it makes it easy to work with multiple tracks, mixed formats, real-time transitions and much more. It has also very powerful audio editing functions and includes support for VST plugins.
This version of Dalet One Cut is designed for use in standalone or integrated mode with the Dalet Galaxy platform. It is currently available in standalone mode and will be fully integrated into the new Dalet Galaxy platform later this year. Dalet is also offering a transition path for current customers operating on the Dalet Enterprise MAM platform.
If you’re interested in learning more about Dalet One Cut, please register for the Dalet Press Briefing at NAB 2013, which will be held on Monday, April 8th at 5PM in Room N242. Cocktail reception to follow immediately.
About Dalet Digital Media Systems
Dalet solutions enable broadcasters and media professionals to create, manage and distribute content to both traditional and new media channels, including interactive TV, the Web and mobile networks. Dalet combines into a single system a robust and proven Asset Management platform with advanced metadata capabilities; a configurable workflow engine, and a comprehensive set of purpose-built creative and production tools. This integrated and open environment enables end-to-end management of the entire News and Sport and Program content chain, and allows users to significantly improve efficiency, and to maximize the use and value of their assets.
Dalet’s solutions are delivered through a dedicated Professional and Integration Services Department to ensure the highest possible standards. Dalet systems are used around the world by many thousands of individual users at hundreds of TV and Radio content producers, including public broadcasters (ABS-CBN, BBC, CBC, DR, France TV, RTBF, RFI, Russia Today, RSR & TSR, RT Malaysia, VOA, WDR), commercial networks and operators (Antena 3, Canal+, FOX, eTV, Mediaset, Orange, Time Warner Cable, Warner Bros., Sirius XM Radio) and government organizations (Canadian House of Commons, The European Commission, Parliament of South Australia).
Dalet is traded on the NYSE-EURONEXT stock exchange (Eurolist C): ISIN: FR0011026749, Bloomberg DLT:FP, Reuters: DALE.PA.
For more information on Dalet, visit www.dalet.com.
Zazil Media Group
(p) +1 617-817-6595
Los Angeles—Bling Digital, a pioneering developer of today’s most innovative digital workflows, will discuss the emerging world of “Post On Demand” in a 20-minute technology demonstration as part of NAB 2013’s popular Post Pit series. Bling Digital Chief Technology Officer Chris Parker and Vice President of Creative Services Chris Jacobson will showcase new technologies that are enabling feature and television productions to save time and money by limiting their reliance on brick-and-mortar post production facilities. more
Company will Introduce Multi-Functional Signal Neutral Platform
Sandefjord, Norway – NAB 2013 will provide the backdrop for the introduction of Barnfind Technologies, a new company targeting all segments of the broadcast industry with a 1RU multi-functional, signal neutral transport platform. Wiggo Evensen, CEO, revealed from headquarters in Sandefjord, Norway that the Company plans to demonstrate the solution in the LVCC, North Hall, Booth N920.
“Following years of intense R&D, we’re delighted to present our amazing signal processing and transport solution,” said Evensen. “Barnfind’s 1RU chassis provides the same functionality usually requiring 3 to 6 RU. The small footprint not only saves customers valuable rack space; but its extremely low power consumption is exceptionally economical and environmentally friendly!”
Barnfind’s exhibit will center around its flagship product, BarnOne that provides up to 32 ports with either 32 x SFPs from various manufacturers offering different capabilities, or a mix with 8 or 16 BNC’s or HDMI/ DVI. The unit features a built in electrical and/or optical router with a flexible configuration of CWDM (8/16ch), DWDM (up to 40ch) or 10Gbit Ethernet trunks. A comprehensive functionality suite includes standard SDI conversion, routing, multiplexing, embedding, add/drop, crossover, distribution, IP to ASI/ASI to IP conversion, STM-1 Telco, MADI, AES etc., with more to come. All SFP+ cages are 10Gbit ready. BarnOne offers the end-user the unique ability to use any kind of SFP or SMART SFP, opening up a whole new set of options and advantages.
Ideally suited for the Television-Broadcast, Service Providers and Post Production markets, Barnfind products will also accommodate Oil & Gas, Digital Signage, Telemedicine/Healthcare, Education, Government, CCTV/Security, Defense, AV applications, and Entertainment and Sports Events.
About Barnfind Technologies AS
Barnfind Technologies, headquartered in Sandefjord, Norway, manufactures a multi-function, low power consumption platform that supports numerous signals in one frame. www.barnfind.no
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Barnfind contact: Wiggo Evensen
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STEELE Opens New Santa Monica Location with SuperBowl Spots, Feature Film, Stereo 3D Project for CI/Sony, and Mariah Carey Video for “OZ: The Great And Powerful”
Santa Monica, CA, March 28, 2013 — STEELE Studios, a leading creator and producer of visual content for Films, Commercials, Television, Broadcast, Music Videos and Online/Viral Media, has relocated its offices to 1131 Olympic Blvd., Santa Monica, CA, 90404. Ph: 310/450-0600. Jo and Jerry Steele, co-founders, STEELE Studios, made the announcement.
STEELE’s move coincides with the company’s contributions to four recent and very high profile projects. The STEELE Studios team performed 4K conform, online, color grading, beauty, compositing, titles, graphics, mastering and multiple conversions/deliverables for the Skechers “Relaxed Fit” 2013 campaign, for agency Siltanen and Partners in El Segundo, CA. The collaboration of STEELE and Siltanen produced several spots featuring Joe Montana, Mark Cuban, Tommy Lasorda and Ronnie Lott. The SuperBowl 2013 spot entitled “Robber,” which starred Joe Montana, can be seen here:
Also for Siltanen and Partners, STEELE Studios’ Jerry Steele provided the Voice Over narration for a second Skechers SuperBowl 2013 spot, entitled “Man Vs. Cheetah.” To view this spot, please see:
STEELE Studios more recently provided the conform, online, visual effects, beauty work, and additional color grading on Mariah Carey’s latest music video, entitled “Almost Home” – the title song to the hit Disney film “Oz: The Great and Powerful.” This video, featuring scenes from “Oz,” was directed by David LaChapelle and produced by HSI Productions. To see this music video: http://www.steelevfx.com/mariahCareyOz.html
On the feature film side, STEELE Studios recently provided dailies, 2K conform, online, color grading, VFX, compositing, beauty/retouching, main and end titles, subtitles, pan and scan, dust busting, 5.1 audio laybacks, and mastering for the feature film “Border Run.” The film, starring Sharon Stone and Billy Zane, was directed by Gabriela Tagliavini. “Border Run” tells the story of a female American reporter (Stone) who searches for her missing brother against the backdrop of
drugs, violence and human trafficking across the U.S./Mexican border.
In addition, STEELE recently provided complete 3D Stereoscopic Services for Conservation International (CI) and Sony for their international reel. STEELE’s work included Stereo transcoding, dailies, editing, color grading, conform/online, compositing, graphic design, S3D manipulation/convergence, S3D 2D to 3D conversion, S3D titles/graphics, rotoscoping, dirt removal, stereo 3D mastering, music composition/sound design with Confidence Head, multiple format mastering and deliverables. See: http://www.steelevfx.com/ci_sony.html
ABOUT STEELE STUDIOS:
STEELE Studios is an award winning Post Production Facility with over 23 years of experience and completion of over 2,000 projects for Films, Commercials, Television, Broadcast, Music Videos and Online/Viral Media. The company is internationally recognized for its innovation in post production techniques and stereoscopic technology, and industry renowned for its design and creation of compelling and memorable visual imagery.
STEELE’s diverse range of services include Stereoscopic 3D, 5K, 4K, 2K, HD, Digital Intermediate, Dailies, Color Grading, Online, Offline, Visual Effects, FX Supervision, Animation, Motion Graphics/Design, Titles and Beauty/Retouching/Age Regression.
Among the major advertisers for whom STEELE Studios has worked are Coca-Cola, Pepsi, Budweiser, Smartwater, Burger King, Gap, Old Navy, Microsoft, Dell, Nokia, Lexus, Cadillac, Nissan and BMW. The company’s corporate entertainment industry clients include 3net, Discovery, Sony Pictures Entertainment, Sony Japan, Sony Music, NBC, ABC, CBS, Showtime and Disney. STEELE has also provided its services to such international megastars as Jennifer Aniston, Lady Gaga, Beyoncé, Brad Pitt, Angelina Jolie, Mariah Carey, Jennifer Hudson, Mike Myers, Mary J. Blige, Alicia Keys, Usher, Kanye West, Rihanna, Katy Perry, Madonna, and Britney Spears, to name but a few.
STEELE Studios’ new headquarters is located at 1131 Olympic Boulevard, Santa Monica, CA, 90404, with affiliated partnerships worldwide. Phone is (310) 450-0600 and website is: www.steelevfx.com