Archive for January 29th, 2013

Cathedral of Faith Upgrades to Full HD Broadcast Capability with FOR-A Video Switcher

Fort Lee, N.J. – FOR-A Corporation of America, a leading manufacturer of video and audio systems for the broadcast and professional video industries, announces that San Jose, California-based Cathedral of Faith has implemented a FOR-A HVS-350HS video switcher as part of their HD overhaul. The church’s system was recently converted to HD in two phases and integrated by the Texas-based company Spectaveris.

Besides their main location in San Jose, Cathedral of Faith has seven remote locations around the San Francisco Bay area. Each week, the main church’s Saturday service is recorded, duplicated onto hard drives, and sent by car to each remote church. The sermon is then shown at each remote campus church using ProPresenter technology. Cathedral of Faith also broadcasts its services online at http://live.cathedraloffaith.org/ and has live HD feeds to the church’s outdoor pavilion every Sunday morning. All church services, which include five on the weekend, one midweek service, and a Spanish service on Sunday, are recorded. DVDs of the services are also available to the congregation for purchase.

Broadcasting since 1965, Cathedral of Faith first worked with Spectaveris to upgrade their system to standard definition six years ago. When called upon this year to convert the church to HD production, Spectaveris discovered some initial design challenges. First, they had to work around the church’s weekly broadcast schedule. The integrator also needed to consider that the vast majority of the church’s production staff were volunteers, so keeping a user-friendly workflow was crucial. There was also the usual challenge of delivering high-quality technology while keeping within the church’s budget.

Spectaveris began equipment selection for the church in April at the NAB 2012 show. Company representatives met with several vendors to choose the switcher that best fit Cathedral of Faith’s needs. After considerable competitive evaluation, Spectaveris found that FOR-A’s HVS-350HS solution met their criteria better than any other switcher on the market. Because they were able to implement the HVS-350HS with two control panels and two multiviewers, one FOR-A switcher replaced the two switchers that the church had been using.

“FOR-A’s HVS-350HS solution is the only switcher out there that offers such a high-quality, cost-effective product with flexible control panels and remote capability control,” said Dean Stone, President, Spectaveris. “Our installations frequently include FOR-A switchers. We continually find that our customers are extremely pleased with the performance of their switcher, and are confident that FOR-A will keep bringing high-quality, reliable solutions to the market.”

The FOR-A switcher was installed this past September during the first phase of the church’s upgrade. The second phase, which involved integrating and testing new cameras and reducing rack size, was executed a few months later. Other equipment installed includes: a Sony OLED picture monitor, Mutec video and digital audio sync master clock generator and a Dell UltraSharp LCD monitor. The project was completed mid-November, and Cathedral of Faith now has full HD broadcast capability. To view a video regarding the church’s upgrade with Spectaveris, please visit the following link: http://vimeo.com/57464828

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

32TEN Studios Hosts 2012 MMTB Awards Event, and Begins Indie Film Showcase; Studio Also Upgrades its Historic Theater with 2K/3D DLP Projector

San Rafael, CA, Jan. 29, 2013 – 32TEN Studios recently hosted the Movie Makers Throughout the Bay (MMTB) 2012 Annual Awards ceremony, which was held in the historic 32TEN Theater. In addition, the studio has also begun playing host to its new series of regularly held Indie Showcase Screenings, presenting a variety of independently produced films shot in and around the Bay Area.
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Founded by Elena Altman, MMTB is an organization designed to promote independent filmmaking in the Bay Area. Members gather each month at a venue to shoot a short film during the course of one day. One month later, the MMTB members then screen the finished product. On Jan 12th, four groups from MMTB shot at various locations around 32TEN Studios. That same evening, MMTB held its 2012 Annual Awards ceremonies at the 32TEN Studios screening room.
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NOTE: Caption for Photo Above:
Elena Altman (middle) presents an award to Arlynne Ramos (left) for “Best Comedy,” and to Genel Mejia (right) for “Best Actor,” during 2012 MMTB Award ceremonies held at 32TEN Studios
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Ms. Altman said, “”The beautiful 32TEN Theater, with its long film legacy, was the perfect place for our 2012 Awards Ceremony and Filming Event. We look forward to coming back.”
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32TEN Studios also hosted (Jan. 17th) the first in its newly launched series of Indie Showcase Screenings, held in its 135-seat screening room. Seventeen short films directed and produced by various indie filmmakers from the Bay Area, including many from the MMTB organization, were presented. The next such event to be held at 32TEN will take place on Feb 20.
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32TEN executives Tim Partridge and Greg Maloney said, “We launched 32TEN Studios with a determined commitment to encourage local filmmakers in keeping their work based in the Bay Area. By hosting a variety of screenings for these indie filmmakers, we are delighted to provide them with a state-of-the-art screening venue through which they are able to gain some exposure for their projects.”
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In addition, 32TEN Studios has upgraded its screening room by installing a 2K/3D DLP projector (Barco projector, Dolby server, Dolby 3D system.) 32TEN can now present Digital Cinema Packages in that historic theater, and is taking bookings for private screenings.
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About 32TEN Studios:
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Launched in early 2012 by longtime entertainment industry leaders Tim Partridge and Greg Maloney, 32TEN Studios is a production services company offering digital and practical FX, as well as stage rentals. The company provides its services to producers of major motion pictures, independent films, TV programs, commercials, industrials, web content and multi-media projects. 32TEN Studios is located at 3210 Kerner Blvd., San Rafael, CA, 94901. The phone is 800-717- 3210, and the website is: www.32ten.com
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Corporate Aviation Showroom Deploys First-Class 32-Monitor Matrox Mura-Powered Video Wall

Montreal, Canada, January 29, 2013 — Matrox Graphics today announced that Matrox Mura™ MPX Series controller boards were selected to power a corporate jet showroom’s 32-monitor video wall to display available aircraft to clients. The Jet Business, the first street-level showroom of its kind, had the visually stunning video wall designed by system integrator Candeo Vision. Built in collaboration with PSCo Technical Distribution, the 8×4 wall of NEC displays is driven by a Matrox-validated HP controller system and provides clients with an unparalleled shopping experience.

To read the complete story and view pictures, visit Matrox Mura MPX Series Gives Boost to The Jet Business. For more information, visit the Matrox Mura product pages or contact Matrox Graphics directly.

Butter Signs Grigorov

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Butter Music and Sound is pleased to announce the addition of West Coast Creative Director Mario Grigorov. Mario brings an impressive and diverse musical history to the company – In addition to scoring Shadowboxer, Tennessee, The Paperboy, and the Academy Award-winning Precious, Grigorov has also audio branded major campaigns for LEGO, Cymbalta, BMW, JCPenney, and more over the course of nearly a decade as the Owner and Creative Director of Los Angeles-based Siblings Music.

In addition, Grigorov has written and recorded volumes of original personal work, with a musical catalogue that includes Paris to Cuba, the hit billboard crossover Aria, and improvisational masterpiece Rhymes with Orange.

“Mario has an incredible understanding of how to communicate identity and narrative through music, and his work is as effective on feature-length movies as it is on :30 spots,” notes Butter EP Ian Jeffreys, adding “We are excited to have him on the team.”

About Butter:

Butter is a creative sonic collective committed to maximizing the impact and effectiveness of music and sound design for moving pictures and environments.

It is also tasty on a bagel.

Campaigns include Ragu, Mercedes, Keystone Beer, Kayak, Clinique, Allied Bank, Crown Royal, Dairy Queen, and Smart Car. Agency clients include Merkley + Partners, Saatchi & Saatchi, BFG 9000, Publicis Kaplan Thaler, Grey, DDB, and Havas. Awards include Clios, AICP’s, Pencils, LIAA’s, and Lions.

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Squint/Opera Finds Rendering Edge in PipelineFX’s Qube!

Render Farm Management Software Gives a Speed Boost to Content Creation Firm’s Architectural, Branding, Film, and Large Image Projects

Los Angeles, CA – January 29, 2012 – As the world’s appetite for content grows more and more insatiable, creative powerhouses like London’s Squint/Opera are finding their logistical edge in the most logical of places: pipeline management. With the help of PipelineFX’s render farm management software Qube!™, Squint/Opera has recently rewired their pipeline to put speed, performance and task order first – a move that has transformed an under-utilized system into a venerable powerhouse of its own.

This move to Qube! began after a company-modified version of Backburner couldn’t exceed the bar the studio sets for the litany of film, image, branding, interactive and architectural communications projects it works on. Qube!’s ability to automatically manage V-Ray’s distributed rendering service actually lured the company away from other options as it fulfilled Squint/Opera’s need to keep their machines constantly working on customized tasks, like rendering film sequences and stills side by side, even when they required varying degrees of automatic and sometimes non-complimentary adjustments.

“We don’t always use 3ds Max, NUKE or V-Ray in the standard ways,” said Ryan Lintott, Director of Technology at Squint/Opera. “PipelineFX’s support staff has been there throughout it all making sure that our desire for customization easily maps to an efficient render pipeline.”

And that pipeline works hard, as it’s asked to create everything from detailed graphic animations used to entice V&A patrons to explore the role of Hollywood costume design to large format 3D visualizations that helped the architects behind London’s Olympics stadium get the critical feedback they needed to get their design approved and built. Qube!, being highly compatible with all major forms of design software, became something of a hall monitor for these projects – actively directing and enhancing the speed at which a project gets from point one to done. “We use it on every project in the office,” added Lintott. “It keeps people away from rendering locally and wasting valuable time that could be used working on the next phase of a project.”

As profits are highly linked to rendering efficiency, Squint/Opera’s decision to employ a tool like Qube! adds up pretty quickly. “It’s easy to see the before and after with a product like Qube!,” says Lintott. “Our projects can be complex, so when you see new versions getting handed in faster and big declines in farm errors, you know something is working. That’s what we were looking for and that’s what we found.”

About Qube!™ and Smart Farming™

Qube! is an intelligent, mature and highly scalable render management solution that can be quickly integrated into any production workflow, and is backed by world-class technical support. Smart Farming delivers intelligence to production pipelines by providing business-critical insight into render pipelines, maximizing investment in rendering infrastructure and automating manual processes. Qube! works out of the box with all leading content creation applications and is truly cross-platform with all software components available on Windows®, Linux®, and Mac OS®X operating systems.

About PipelineFX:

As the leading provider of intelligent render farm management solutions for digital content creation, PipelineFX provides software, support, consulting and training services worldwide. Over 600 customers across film and visual effects, post production, broadcast, design, games and education include Arc Productions, BBC, Cinesite, Deluxe, Digital Domain, Electronic Arts, Google, HBO, L.M.U., Laika Studios, Lockheed Martin, Mackevision, Method Studios, NBC, NHK, Nvidia, Original Force, Pratt University, Procter & Gamble, ReelFX, South Park Studios, Target, and Technicolor. PipelineFX is headquartered in Los Angeles, CA, and has offices in London, Honolulu, Portland, Las Vegas, and Vancouver.

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iartists’ Danixa Diaz To Moderate “In Broadcast, Life’s A Pitch!” Panel At Style Frames Conference

– Updated Info: The Style Frames Conference was rescheduled for February 2013 due to Hurricane Sandy –

iartists' Danixa Diaz


On February 7th, iartists Co-Founder/Executive Producer Danixa Diaz will be moderating the “In Broadcast, Life’s A Pitch!” panel at the Style Frames New York, presented by Stash Media.

In this sure-to-be-stimulating “pitch therapy” session, the esteemed panelists will delve into the broadcast pitch process from the diverse viewpoints of creative studios and networks. The Q&A format will tackle such provocative issues as the pros and cons of pitch fees, the most effective pitch practices, how to control the escalating costs of pitching, and the role of competition and transparency during the pitch process.

Prior to the session, interested individuals – or those who can’t attend in person — can provide feedback, questions and concerns via a dedicated Linked In group called Pitch Therapy: http://bit.ly/pitch-therapy

After the conference, the goal is to continue the larger conversation through this Linked In group in a healthy and constructive way.

In Broadcast, Life’s A Pitch! Panel
Thursday, February 7, 2013
3:20 p.m. – 4:10 p.m.
The Great Hall
Fashion Institute of Technology Conference Center
West 28th Street at 7th Avenue
New York, NY

Moderator: Danixa Diaz, Co-Founder/Executive Producer of iartists

Panelists:
Elizabeth Kiehner, Principal of Thornberg & Forrester
Alex Moulton, Creative Director at Eyeball
Maria Pecoraro, Sr. Creative Director, Brand Creative Group at A&E
Niels Schuurman, Executive VP, Brand Marketing & Creative at Spike TV

Style Frames New York will bring together influential design, advertising and media professionals from both the client and creative sides of the industry for two days of inspiration, networking and insight.

The two-day event will present 40 speakers and panelists, showcase outstanding pitch art in the Style Frames Gallery, and celebrate with an event party. For more info: http://www.styleframes.tv/newyork/

About Danixa Diaz:
Danixa Diaz is the Co-Founder/Executive Producer of iartists, which represents a roster of international hybrid creative production and mixed-media companies, working in various disciplines, including advertising, film, broadcast, interactive and video games. Her main roster currently includes: Prologue, Superfad, and Iron Claw, while her international roster boasts the talents of Aparato from Uruguay, La Huella from Spain and Black Sheep from Argentina. Diaz has notably served on the PromaxBDA board, and is currently serving on the Title Design, Executive Committee for the Academy of Television and Sciences, EMMY Awards. http://www.iartists.tv

The Room Debuts New Finishing Facility inside Technicolor – PostWorks New York

With three finishing suites, facility targets independent films, documentaries and television.

NEW YORK—January 29, 2013— The Room, a boutique finishing facility servicing independent films, documentaries, long-form television and similar projects, has moved into a new, custom-built facility housed within Technicolor – PostWorks’ West Village location at 110 Leroy Street. The new site, which was designed by acclaimed architect Rafi Segal, includes three finishing suites, each anchored by Autodesk Flame Premium workstations, which feature tools for compositing, color grading, visual effects and graphics.

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Safeway Trades Paper for Elastic

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Elastic Director and Annecy International Film Festival winner Andy Hall has teamed with DDB Chicago to create “Paper,” a whimsical new :30 for Safeway’s “just for U” app. In “Paper,” Hall stays true to his charming stop motion animation techniques and neatly understated aesthetic to illustrate the hassles of keeping up with paper coupon clippings and endless grocery lists.

Credits:

Client: Safeway
Spot Title: “Paper”
Air Date: January 2013

Agency: DDB Chicago
Chief Creative Officer: Ewan Paterson
Group Creative Director: Jean Batthany
Creative Director: Perry Metz
Art Director: Anne Delaney
Copywriter: Parry Metz
Executive Producer: Brigette Whisnant
Director of Broadcast Production: Diane Jackson

Production Company: Elastic
Director: Andy Hall
Director of Photography: Tami Reiker
Live Action Producer: Ron Cosentino
Production Designer: Dave Wilson
Designers: Henry DeLeon, Tuna Bora, George Fuentes
Post Producer: Meredith Tomasulo
Executive Producer: Jennifer Sofio Hall
CG Supervisor: Max Ulichney
Nuke Compositor: Shahana Khan
3D Artists: Ian Ruhfass, Joe Paniagua, Frantz Vidal, Adam Carter, Lindsey Butterworth, Martin Furness
Colorist: Shahana Khan
Roto Artists: Maciek Sokalski

About Elastic:

With studios in Los Angeles and New York, Elastic is home to a group of filmmakers that have found their voice through years of experience across an impressive range of visual mediums. With the support of award-winning sister companies Rock Paper Scissors and a52 VFX, the directors at Elastic are unconstrained by technique and have the freedom to support their vision by tapping into the talents and unique resources that have made each of these companies excel. Every director brings with them a history and understanding that influences their work and defines their craft. For these directors, their years of experience and love for animation, editorial and visual effects have culminated in the creation of Elastic.

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Adorama Becomes the Newest Reseller of Verizon iPhone 5

Special discount offer for customers who purchase and activate when they buy at Adorama through February 2013
 
New York, NY – January 29, 2013 – Adorama, one of the world’s largest photography, imaging and electronics retailers, and a leading destination for iPhone photo specialty accessories, is now the newest reseller of the iPhone® 5 on Verizon’s 4G LTE Network.
 
The new announcement comes with an exclusive deal being offered for a limited time by Adorama; when customers purchase a new iPhone 5 with a Verizon contract, they will receive a $100 gift card. The card can be used at a later date, or at the point of purchase, effectively providing a deeper discount on the device and thus making it one of New York’s best deals on an iPhone 5. This valuable gift card offer is available at its retail location through February 28, 2013.
 
As the leading specialty photography and mobile imaging retailer in New York City, Adorama is perfectly situated to attract the incremental photo-enthusiast clientele, in whom both Verizon and Apple are interested. “Adorama has been known for providing unique product solutions that improve workflow,” says Ahron Schachter, Adorama’s director of business development and merchandising. “As device convergence evolves, we have seen a significant increase in demand from our customers for the iPhone. We’re now witnessing the next phase of iPhoneography as an accepted and trusted companion that supports professional work. Having the iPhone in our store allows us to continue to specialize in providing the best workflow solutions that photographers rely on.”
 
This new offering continues Adorama’s position as one of the leading retailers at the cutting edge of mobile imaging. Adorama was the first in the industry to offer professional video reviews of photo apps on its online video channel, AdoramaTV. The company recognized early on that mobile imaging would effectively complement professional photography. “In order to be a relevant imaging resource for customers of all skill levels, Adorama places a high priority in not just carrying a wide range of products, but in also introducing and teaching to both amateurs and pros the newest innovations in mobile imaging,” says Brian Green, vice president of marketing. Adorama’s popular iPhone Toolshed, featured on the front page of Adorama.com, offers a broad collection of the most unique and useful accessories for iPhoneography including tripods, cases, lenses and filter kits.
 
To recognize the amazing things that are being done with iPhone images and mobile imaging apps, Adorama will again offer its annual APPOS Awards and contest. This successful contest, created specifically to honor the achievements in both imaging apps design and in iPhoneography, allows customers to submit photos that have been created using both their iPhones and an imaging app. Awards and prizes are given to honor the best images and apps in several categories. Additional details on the APPOS Awards will be released February 4, 2013.
 
ABOUT ADORAMA
 
ADORAMA: More Than a Camera Store
Adorama is more than a camera store – it’s one of the world’s largest photography, imaging and electronics retailers. Serving customers for more than 30 years, Adorama has grown from its flagship NYC store to the leading online destination for photography, imaging and consumer electronics. Adorama’s vast product offerings encompass home entertainment, mobile computing and professional audio, while its services include an in-house photo lab, AdoramaPix, pro equipment rental at Adorama Rental Company and the award-winning Adorama Learning Center, which offers free education for photographers in video channels such as the popular AdoramaTV.
 
Adorama is listed as Forbes.com’s “Best of the Web” and in the Internet Retailers Top 100, and is the official Photo and Electronics Retailer of the NY Giants.
 
Visit ADORAMA at www.adorama.com.
 
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LOGAN and Conscious Minds Bring Calvin Johnson, Alex Morgan, Neymar Jr. and Allyson Felix into Animated Games for Nike+

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LOGAN plunges Nike+ users into a spectacular post-apocalyptic ice storm of a world with two 6:00, fully CG, stylized character-animated games featuring a cast of top athletes – NFL receiver Calvin Johnson, soccer players Alex Morgan and Neymar Jr., and sprinter Allyson Felix – and promoting a new line of weather-resistant clothing. LOGAN, which collaborated with Conscious Minds on the project, handled an incredible array of character design, modeling, matte painting, character and environment animation, dynamics and final compositing.

Players with a Nike+-activated device choose a mission and navigate the stages using one of the athletes as an avatar. Real-life challenges intertwine with the gameplay, creating a unique interactive experience between the player and the game. “We tried to make every shot and environment as engaging as we could so that the user felt compelled to go through with the physical challenge and see the whole story unfold,” stated LOGAN Art Director Ara Devejian.

LOGAN paid special attention to designing and animating the apparel and shoes, interpreting Nike’s references to a number of dramatic films framed comic book style to properly frame and stylize the game footage. In the same spirit, LOGAN took great care to design suped-up versions of the well-known athletes without rendering them unrecognizable.

“We worked back and forth to find a balance between the stylization and recognition of the characters, pushing the boundaries in collaboration with the agency, and then pulling them back to find a level that Nike and the athletes were comfortable with,” continued Devejian. “Once we got the look hammered out, we used a lot of low, wide, dramatic framings and tweaks in the apparel to play up their heroic qualities.”

Rapidly building four distinct worlds to house the games took a monumental collaborative effort across the studio. The VFX team, led by VFX Supervisor Julien Brami, created a system of matte paintings, camera projections and limited camera movements that cut production into a fraction of the time it would’ve taken otherwise. “Building four worlds quickly and concurrently was an incredible undertaking, but this is the sort of creative problem solving that guides everything we do,” stated LOGAN ECD Alexei Tylevich.

Touch Points:

  • LOGAN teams up with Conscious Minds, the creative agency who directed, wrote and produced NIKE FUEL MISSIONS, to design a pair of animated games for Nike+.
  • Game features NFL receiver Calvin Johnson, soccer players Alex Morgan and Neymar Jr., and sprinter Allyson Felix.
  • LOGAN handles all character design, modeling, matte painting, character and environment animation, dynamics and final compositing on the effort.

Credits:

Client: Nike
Title: “Nike Fuel Missions”
Date: January 2013

Agency: Conscious Minds
Director: Peter Cote, Blake Heal
Creative Director: Cameron Dearmond
Agency Producer: Jason Richardson
Writer: Jeremiah Lujan
Tech Supervisor: Scott Crozier
Music: Christian Christian Davis
Concept Art: Magnus Rex

VFX/Post-production: LOGAN
ECD: Alexei Tylevich
Executive Producer: Matthew Marquis
Head of Production: Lindsay Bodanza
Producer: Sascha M Flick
Art Director: Ara Devejian, James Wang
VFX Supervisor: Julien Brami
Editors: Jarred Buck, James Connelly
Character Rigging: Kiel Figgins
3D Character Animators: James Grow, Les Major, Ruel Smith, Vyacheslav Anishchenko, Ian Mankowski, Valerie Morrison, Champin Chen, Christian Argueta, James Lane, Sei Sato
3D Modelers/Artists: Diego Melgar, Jeffrey Wilson, Josh Cortopassi, Gath Dorsainville, Madeleine Charraud
3D Dynamics: Ben Lopez, Billy Koak, Jerry Weil, Raymond King
Lighting/Rendering Artists: Ryan Kirkwood, Dylan Nathan, Brad Hayes, Daesun Hwang, Benoit Vincent
Matte Painters: Annis Naeem, Tyler West Studio, Pete Pace
Compositors: Joseph Hayden, Scott Trosclair, Jon Sadonsky, Scott Crawford, Sean Loughran
Flame Artists: David Parker, Carl Edwards

Supervising Sound Designer: Charles Deenen
Sound Designer: Tim Gedemer
Sound Designer: Richard Adrian
Sound Editor: Bryan Jerden
Foley Artist: Greg Barbanell
Foley Recordist: Darrin Mann
Re-recording mixer: Myron Nettinga
Sound Facility: Sourcesound

About LOGAN:

LOGAN (www.logan.tv) is an award-winning New York and Los Angeles-based creative studio and production company specializing in groundbreaking content creation. Their team of producers, directors, creative directors, VFX artists, and animators excel at problem solving and helping clients bring their vision to life. Concepting, ideation, design, live-action production, 2D and 3D animation, VFX, editorial, and ?nishing take place under one roof, making work?ow a truly seamless experience.

Logan & Sons (www.loganandsons.com) acts as the live-action division of LOGAN and represents a broad spectrum of directorial talent.

Known for its iconic work for top brands, LOGAN helped create many memorable cultural moments, including commercial campaigns like the Apple’s iPod Silhouettes, viral hits like the Gymkana ?lms (over 165 million views), opening titles and sequences for ?lms like Zombieland, The Avengers, Premium Rush, and Gangster Squad, content and marketing campaigns for hit video games like Elder Scrolls: Skyrim, Call of Duty, Borderlands, Resistance, Metal Gear Solid, and many others.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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