Archive for April, 2012


PORTLAND, OREGON, APRIL 30, 2012 – Qualis Audio, a leading developer of professional audio measurement and monitoring instruments, with an emphasis on 5.1 surround sound, is pleased to announce today the appointment of Dx2 Broadcast as its newest U.S. sales representative. Dx2 Broadcast, a Texas-based manufacturer’s representative catering to both broadcast and non-broadcast customers, will support sales of Qualis Audio’s Sentinel Surround Sound Audio Monitor in the southwest region of the United States, further supporting the company’s expanding presence with new customers across the country.

Dx2 will handle sales for Qualis Audio in Arkansas, Louisiana, New Mexico, Oklahoma and Texas. Qualis Audio joins Dx2′s robust roster of products from top technology manufacturers, including AAdynTech, DSI RF Systems, Inc. and ViewZ USA.

“We are very happy to welcome Qualis Audio into our network of manufacturers,” says David Roberts and David Gerety, principals of Dx2 Broadcast. “Adding the Sentinel to our product line gives us an excellent solution for many of our customers working to comply with the recent CALM Act. We think it gives them an unequaled level of confidence and an evidentiary trail that documents compliance beyond a doubt.”

“We are thrilled to team up with one of the most dynamic representatives of quality tech products for the broadcast industry,” says Doug Ordon, director of U.S. sales, Qualis Audio. “Teaming up with Dx2 will allow Qualis Audio to reach new customers in the southwest region of the U.S. quickly, especially during such a crucial time for television audio. We believe the technology behind the Sentinel is an innovative solution for broadcasters seeking to navigate loudness control rules and regulations, as CALM Act compliance inches closer.”
In addition to Dx2, Qualis Audio proudly works with a highly respected group of representatives in the U.S. including DMC Broadcast Group; GMA, LLC; Serial Scene; Trock Media Solutions, LLC; Western Rep Associates and TFM, Inc.

About Dx2 Broadcast
Dx2 Broadcast, based in Dallas, Texas, is an elite rep firm catering to both broadcast and non-broadcast customers. Product lines, sold through a dealer network, include: AAdynTech, The Black Tank, DSI RF Systems Inc, ViewZ USA, Bel Digital, Skydreams, Photomart USA, KAE Corporation (manufacturers of unique mounting hardware for all things Macintosh and other computer equipment) and most recently, Glensound Electronics Ltd. Dx2 also handles specialty LED fixtures for broadcast and industrial applications. For more information visit or contact the company via email:

About Qualis Audio
Founded in 2008, Qualis Audio is a leading developer of professional audio measurement and monitoring instruments for the broadcast industry. With an emphasis on surround, loudness and QoE, Qualis Audio is the only company in the broadcast market focused on audio measurement with roots in test and measurement.
Its flagship product, the Sentinel, is a network-connected surround sound audio monitor capable of unattended operation. In broadcast applications, it provides comprehensive measurements for CALM Act loudness compliance and QoE analysis. In addition to intelligent monitoring and archival logging, the Sentinel delivers innovative forensic and reporting capabilities. For more information visit

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Calrec’s Artemis and Hydra2 Make MIRA Mobile’s New Production Truck the Most Flexible Yet

HEBDEN BRIDGE, U.K. — April 30, 2012 — Calrec’s Artemis Beam audio console has been chosen by outdoor broadcasting giant MIRA Mobile Television for its newest truck, M12HD. The combination of the highly configurable Artemis Beam console and the scalable audio networking and resource sharing capabilities of Calrec’s Hydra2 platform has allowed MIRA Mobile to build its most flexible production truck yet.

M12HD, the seventh in MIRA’s HD fleet of 53-foot expanding trailers, is scheduled to come into service in June. This fall, M12HD will become the primary A Level truck for the Pac-12 Networks, covering the network’s marquee college football and basketball match-ups.

“Pac-12 Networks loved the proposal we made, based on the new truck with the extra potential it offers,” said Bill Duncan, director of engineering for MIRA Mobile. “Although M12HD shares many similarities with our other six large HD trucks, the equipment on board is definitely next-generation technology. Artemis and Hydra2 are at the core — and we aren’t even taking full advantage of the potential yet. We’re excited about where we will be able to go with this technology.”

The Hydra2 system is designed to provide seamless, scalable audio networking and resource sharing. In previous units, Duncan explained, the input and output architecture was bound to the console, but the Hydra2 unit can be placed anywhere inside or outside the truck — for example in a B unit, in a separate installation, or in a second linked truck. “The massive routing capability that is part and parcel of the system offers enormous flexibility, and as a result we’ve changed our design philosophy by making the console the center of the truck’s audio infrastructure.”

The 64-fader Artemis Beam console provides a highly configurable environment that MIRA Mobile’s operators can set up easily to suit their own preferences, using settings stored on a USB stick. Settings can include control surface preferences and customized routing, so that operators can instantly configure much of the truck’s patching just by loading their settings into the console.

“It’s great to see such a long-standing customer as MIRA Mobile so energized by the potential of its fifth Calrec system,” said Dave Letson, U.S. regional director of sales at Calrec. “Artemis and Hydra2 really give mobile operations a lot of new flexibility that customers like MIRA can use to deliver an outstanding, innovative service.”

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About MIRA Mobile Television
MIRA Mobile Television is a remote television production company founded in 1982. MIRA currently operates nine mobile units (seven HD expandos, and two digital expandos). MIRA maintains offices and/or field shops in Portland, Ore., the San Francisco Bay Area, and Vancouver, BC. The company has been providing remote television production services for 30 years, covering regional and national sporting events, entertainment programming, corporate and other special events. MIRA Mobile Television is a partner in Alliance Productions, For more information, go to

About Calrec Audio, Ltd.
Calrec Audio, part of D&M Holdings Inc., is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for more than 40 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at and

Photo Link:
Photo Caption: The Calrec Artemis is the center of audio infrastructure for MIRA Mobile Television’s M12HD truck.

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Director Anniken Lien Joins The Joneses

Santa Monica, Calif.— Norwegian commercial director Anniken Lien has signed with The Joneses for exclusive representation in commercials. The award-winning, British- and American-educated director is excited to have renewed and vigorous representation in the United States. Her credits include work for such brands as Volkswagen, Nivea, Kraft, L’Oreal, Nestle and Lego in association with agencies and production companies across Europe.


WorldStage Helps Intel Catch The Wave at CES 2012

With the theme “Connect to Life,” Intel’s innovative booth at CES 2012 in Las Vegas featured a giant ecosystem of animated creatures whose interactions reflected the digital world in which Intel operates. Foghorn Creative created the live interactive display across “The Wave” with support from WorldStage, the new brand for Scharff Weisberg and Video Applications Inc., which designed and installed a very complex projection mapping system that offered maximum reliability for the multi-day exhibition.

At CES, Intel showcased their second-generation Intel Core processor-powered Ultrabook devices as well as several Intel Atom processor-based Intelligent Systems. Numerous other Intel-powered devices from leading manufacturers were also displayed, including Intel-based smart phones.

“Technology makes things exciting, but it’s how the whole digital world all works together that makes it interesting,” says Foghorn owner and creative director Don Richards. “That was Intel’s vision for their compute continuum. Each year they work with us to come up with something really cool so when you walk into the booth you are immediately in awe. For this show, we were tasked with creating an abstract visualization of that node of continuum, something with an immediate ‘connect to a richer experience of life’ theme.”

Foghorn devised live interactive content for an overhead wave-like screen, designed by 2LK, that was part of the booth’s organic-looking infrastructure. Visitors approached input stations where cameras scanned their hands or any other object, and seconds later they saw the scan generate an animated organism based on the scan outline. The organism, or creature, then became part of the intricate choreography of abstract creatures on the big screen.

“People created shapes that went on to have lives in The Wave – kind of a sky aquarium filled with bioluminescent-type creatures,” says Richards. “The shapes became part of a creature in front of you that was animated to fly or swim away, to chase prey or to seek mates. The visitor had a real ‘connect to life’ moment, and WorldStage was brilliant enough to make it all projectable.”

He notes that The Wave was mocked up full-scale months in advance of the show. “In conjunction with the booth producers, The Taylor Group, we created a full-scale mockup of the installation in advance to assure flawless execution. WorldStage took on a lot of the technical project management for the entire projection and the AV side of the project.”

The Taylor Group’s Benjamin Judah added, “The timelines for this project were very ambitious but the whole team was extremely efficient and effective and the mockup really made a difference.”

Joshua Weisberg, president of WorldStage, says, “This was one of the most complex mapping projects we’ve attempted, given the space limitations at the booth location and the unique shape of the structure – all of which had to support a live interactive application. The prep for this project included a lot of time translating the mapping configuration into shapes that the interactive system could approximate faithfully. Effective teamwork between us and the application developer, Stimulant, helped find a solution that worked for everyone.”

Spending a lot of time with the 3D model and a partial full-scale mock-up also enabled WorldStage “to come to the convention center with a good deal of confidence,” says Weisberg. “The install went very well with great results, thanks to an outstanding on-site team.”

He explains that the booth’s rear-projection surface was serpentine in shape and each portion of the surface was different from every other. A severe ceiling height limitation significantly reduced the options for projector placement and lensing, too. In addition, traditional mapping methods available through media server platforms were not practical since The Wave was a live interactive: None of the content was pre-produced.

WorldStage opted to run the interactive computers directly into the projectors, which kept the system relatively simple and very robust. This method also made use of the mapping capabilities of the projectors, rather than an external mapping device, which would have made the system more expensive and less reliable.

WorldStage did extensive computer modeling – Weisberg himself tallied more than 100 hours – to insure that the images could be crafted from the projector locations available. In some cases, the company had to jam projectors up into ceiling coves to create more lens throw.

In addition to projection, WorldStage equipped the interactive system with sound, installed the user kiosks and provided an NEC LCD monitor wall for a separate interactive automotive experience in the Intel booth.

“WorldStage was amazing and performed flawlessly,” Richards reports.

“Don’s creative was the best!” says Weisberg. “We had a really great team on this project. The guys from Stimulant, which developed the interactive software, were great. And rigging engineer Michael Chrisman did an amazing job getting all the gear up in the air.”

2LK London was the designer of the booth; Rick Voigt was executive producer. San Francisco-based Stimulant developed the interactive software under Darren David.

At WorldStage the executive systems designer was Josh Weisberg, the account executive Richard Bevan and the project manager James Sarro. Florian Mosleh was the mapping consultant and Terry Nakamura the projection engineer.

Judah concludes, “From an AV standpoint, this has been the most efficient group I’ve worked with. It was a very tough environment with a lot of challenges but everyone was always phenomenal to work with. They were always proactive, everything was on time and the booth was amazing.”

WorldStage Inc., the company created by the merger of Scharff Weisberg Inc and Video Applications Inc, continues a thirty-year legacy of providing clients the widest variety of entertainment technology coupled with conscientious and imaginative engineering services. WorldStage provides audio, video and lighting equipment and services to the event, theatrical, broadcast and brand experience markets nationally and internationally.

Wohler and RadiantGrid Win STAR Awards From Editors of TV Technology

SAN FRANCISCO — April 27, 2012 — Wohler’s iON and RadiantGrid(TM) New Media Automation Platform (v.7.2) are the recipients of the 2012 STAR (Superior Technology Award Recipient) Award. The recognitions come on the heels of Wohler’s acquisition of RadiantGrid Technologies, announced at the 2012 NAB Show last week.

The awards were presented by the editorial staff of TV Technology magazine at the 2012 NAB Show. Now celebrating its 12th anniversary, TV Technology’s STAR Award is designed to honor and showcase the outstanding technological innovations available to the broadcast industry. A panel of judges consisting of TV Technology editors, columnists, and industry experts reviewed a variety of products, examined the technical applications and their overall contribution to the industry, and then submitted their award nominees.

“The NAB Show serves as the launching pad for thousands of new products and services for audio and video professionals,” said Tom Butts, TV Technology editor-in-chief. “Our panel of judges walks the show floor in search of the most innovative technologies. The products and services that we select for the STAR Award make the cut — they demonstrate their ability to help advance the acquisition and distribution of entertainment and information across the media spectrum.”

Wohler iON meets current and future signal management and confidence monitoring needs, and it does so on a single platform that can be remotely accessed and controlled from Web-enabled devices. iON provides real-time streaming of audio, video, MPEG ASI, and metadata from locally installed, modular hardware platforms that manage all I/O connections at their source. Audio, video, captioning/subtitling, loudness, metadata, MADI, and MPEG monitoring and analysis can be performed from a single user-configurable software interface.

RadiantGrid’s New Media Automation Platform enables a more efficient solution for file-based creation and distribution of media while augmenting and integrating with traffic, rights management, linear automation, and business process management systems. At the heart of the platform is an enhanced, robust media transformation and parallel processing engine with an underlying content management fabric. Powered by this engine, RadiantGrid now manages everything from faster-than-real-time transcoding and audio processing to more complex processing such as faster-than-real-time standards conversion, mixed cadence correction, video optimization, and audio loudness conformance.

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About Wohler Technologies Inc.:
Wohler offers a comprehensive and award-winning range of audio, video, data monitoring, and captioning products designed to provide the highest quality solutions for facilities of all sizes and complexity. Founded in 1987, the San Francisco Bay-area manufacturer has grown to become the dominant provider of confidence monitoring and signal management solutions for the broadcast and pro audio/video markets. Originally inventing and defining the category of in-rack audio, video, and data monitoring products, the company has expanded its offerings to include solutions for captioning and loudness. More information about Wohler and its full range of solutions is available at

About RadiantGrid Technologies:
RadiantGrid Technologies is an independent software vendor which develops and markets the RadiantGrid(TM) Platform — a leading-edge media workflow services platform targeting Broadcast and Cable Operators, Content Owners, Advertising Vendors, Digital Cinema Companies, and User-Generated Content Portals. The RadiantGrid Platform provides media transformation capabilities including grid-enabled transcoding, multi-format transcoding, multi-track assembly, standards conversion, and closed caption extraction and upconversion, in addition to metadata management, storage management, and media publishing.

For more information about RadiantGrid Technologies, visit

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SANTA MONICA, Calif., April 26, 2012 – Faceware Technologies, Inc., a leading provider of 3D facial animation software for the video game, film, television and commercial industries, today announced that David Bennett will be head up sales efforts for the Company’s facial animation software in Europe and India, as well as build studio and channel relationships in those regions. Mr. Bennett is an award-winning artist who is recognized throughout the film and video game industry for his facial animation work on such films as “Avatar,” “The Adventures of Tintin”, “Rise of the Planet of the Apes”, and “Beowulf.”

“We began with a desire to bring on a highly technical animation talent capable of illustrating the full capabilities of our Faceware product line to our most demanding clients and coupled that with the need for a development manager well suited for European and Indian software markets,” said Ron Ryder, CEO of Faceware Technologies. “David’s achievements at WETA Digital and Animal Logic, along with his knowledge of facial-specific rigging and animation technology, mathematics, and algorithms, make him an excellent choice for this position.”

Before joining Faceware Technologies, Bennett was the Facial Motion Capture Manager at world-leading visual effects company WETA Digital in Wellington, New Zealand. During his five years with the company, he led his team in creating highly realistic facial animation for blockbuster movies and projects that include “Avatar,” “The Adventures of Tintin” and “Rise of the Planet of the Apes”.

Prior to WETA, Bennett was a Motion Capture Consultant for Sydney, Australia-based Animal Logic, a top design, visual effects and animation company. At Animal Logic, Bennett worked on “David Tench Tonight,” a successful real-time television talk show featuring an animated fictional character as host. Bennett also served as Lead Facial Motion Capture TD at Sony Pictures ImageWorks in Culver City, Calif., where he supervised facial data acquisition from sessions with actors working on movies that included “Beowulf,” “Monster House,” and “The Polar Express”. He also worked as a Motion Capture and Rigging Technician on PlayStation Games at Midway Games in Chicago, Ill.

In addition to receiving awards for his ideas and art, Bennett has spoken about digital face cloning at the annual SIGGRAPH Conference on Computer Graphics and Interactive Techniques, and authored two provisional patents. He received a master of fine arts from the University of Cincinnati, Ohio.

About Faceware Technologies
Santa Monica, Calif.-based Faceware Technologies Inc. (FTI), which spun off from Image Metrics in 2012, is dedicated to meeting the needs of professional animators in the video game, film, television, and commercial industries. The company’s Faceware product line has been utilized in the production of more than 50 AAA video game titles, feature films, music videos, and stage plays, and is the leading facial animation solution provider for clients such as Double Negative, Digital Domain, Blur Studios, Activision-Blizzard, Rockstar Games, Microsoft, 2K Sports, Electronic Arts, Ubisoft, Sega, Sony, Bethesda, Motion Theory and Moving Picture Company. The Faceware product line consists of the Faceware Retargeter, which allows users to create facial animation at a much faster rate than traditional methods; Faceware Analyzer, which allows clients to analyze and process their own videos without IP or content going offsite; and the Faceware Head-Mounted Camera (HMC), the 5th generation facial performance capture hardware, which is the result of seven years of development.

For more information, please visit:

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Indonesia’s Largest Exhibitor Selected Christie For Digital Cinema Solutions

Christie® announced today at CinemaCon that Cinema 21, Indonesia’s largest cinema chain, has ordered 300 Christie DLP Digital Cinema® projectors including the Christie Solaria® CP2220, Christie CP4220 and Christie CP4230 models.
Almost 100 units purchased are Christie’s 4K digital cinema projectors. “Our experience with Christie has been a positive one. Almost 90 percent of the installation has been done and Christie provides fast and reliable technical support. The projectors also produce very high-quality and sharp images and they are very reliable in terms of technology,” said Suryo Suherman, president, Cinema 21.
Working together with Christie’s Indonesian partner, PT Megatech Engineering, the installation is expected to be fully completed by June this year in the entire country. “We’ve been working with Christie for more than five years and the company has always been a technological leader with groundbreaking advancements such as the Christie 4K projectors as well as high frame rate (HRF) projection development. Through Christie, we hope to bring the latest technologies to the audience in Indonesia,” commented Rudy Susanto, president, PT Megatech Engineering.
“Christie, as the pioneer of digital cinema projection technology, and also the first to present digital solutions based on 4K, is committed to deliver the best cinema projection solution and service to our customers. We are very happy to establish this new relationship with Cinema 21. With the cinema industry experiencing such vigorous growth in Indonesia, we are confident we will be able to continue serving film operators like Cinema 21 with the same level of commitment and dedication that we always have,” said Lin Yu, vice president, Christie Asia Pacific.
Founded in 1987, Cinema 21 is celebrating its 25th anniversary this year in commemoration of its dominance in the Indonesian entertainment industry. It will soon be presenting an enhanced cinematic viewing experience with its newly-built large-screen movie theaters in Indonesia. The first one is scheduled to open on May 4, 2012, to coincide with the premiere of “The Avengers.” It currently operates a total of 575 screens spanning over 122 locations across Indonesia. Its theaters are expected to be 100 percent digital by June 2012.

HARMAN’s Studer Announces Free Studer Broadcast Academy Certification Events in Northridge

NORTHRIDGE, California – HARMAN’s Studer is continuing its free Studer Broadcast Academy certification events with two new dates at the HARMAN International campus in Northridge, California. The sessions will include Vista Foundation and Vista Intermediate modules for training aboard the Soundcraft Studer Truck.

The Studer Broadcast Academy sessions will offer attendees the opportunity to learn on Studer’s flagship Vista 9 console, as well as the new Vista 5 22-fader console. Vista Foundation modules will be held on Tuesday, May 15, 9 AM-noon and repeated 2 PM-6 PM. Vista Intermediate modules will be held on Wednesday, May 16, 9 AM-noon and repeated 2 PM-6 PM.

The Vista Foundation introductory module provides a unique opportunity to work with Studer factory experts to learn the basic operating philosophy and signal flow of the Vista mixing system and provide an overview of the surface. It includes plenty of hands-on time with the consoles to enable students to get comfortable with the renowned Vistonics(tm) user-interface, the layout and operation. Attendees will also learn the role of each segment of the Vista system, from the point of entry at a mic pre, following the signal flow through to bringing that mic to a channel on the surface. This is a perfect module for those completely new to the Vista consoles and even audio, and also for those needing a basic refresher course.

Pushing deeper into the Vista operation and feature set, the Vista Intermediate module takes what has been learned in the Foundation module and applies it to broadcast-specific scenarios. Sessions on the I/O, DSP allocations, and Core technology go those extra steps for engineers looking to fully understand the operation of each and every card and section of the back-end operating system. The Vista Intermediate module will also go much further into the nuances and functions of the Studer software patch-bay.

Those interested can sign up online by clicking the date they wish to attend at:

The HARMAN International campus is located at: 8500 Balboa Blvd, Northridge, CA, 91329.

For more information, please email or contact Katy Templeman-Holmes at 818-920-3295.

If interested parties can’t make one of these dates but would like to attend, please contact Studer and request the Studer Broadcast Academy On Demand, and schedule your own private session on the truck for you and or your colleagues.

HARMAN ( designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

re:think studios Hikes the Ball to modo for ESPN NFL Draft Promos

Animated Primetime Spots Completely Rendered with modo 601; Alembic I/O Tools Used for Material Transfer

MOUNTAIN VIEW, Calif., April 27, 2012, Whether it’s in joy or frustration, The NFL Draft makes people want to shout from the rooftops. This year, re:think studios brought their own ideas sky high when they turned promos for ESPN’s 2012 NFL Draft broadcast into rooftop reels for the nation’s top football prospects. And since primetime spots for the nation’s biggest sports channel means game time for graphics; re:think turned to Luxology®’s modo® 601 and its lightning-fast renderer to make all those bright lights, and brighter talents stand out.

Starting from colorful storyboards created in tandem with The Vault NYC – an advertising agency that also helped with the concept – re:think brought a CGI world full of a run-and-gun passing, swift rushes, neon letters, ESPN analysts, and the NFL Draft logo to life. To provide a dynamic look to the fast-moving sequences, each non-video set piece was rendered with modo, which helped since they were working on a production schedule that needed to be even quicker than the players.

“We needed a software package that would render like the wind,” said Brian Bullock, Founder and Head of CGI at re:think Studios. “modo is definitely the right tool for high-quality, flicker-free animation.”

Having already employed modo’s rendering engine on past projects, re:think Studios knew it could be used to render out multiple EXRs reliably without any fuss or extra coding. This allowed them to focus on the artistic aims of the project, instead of worrying over technical details. And with Alembic-based file transfer tools, re:think artists were able to move back and forth through their favorite 3D software programs with ease.

“Without modo, we’d probably still be rendering frames right now,” added Bullock. “We rely heavily on its photo-realistic engine because we can put our trust in the output. It has delivered excellent results quickly, time after time. And time, in this industry, is money.”

The spot can be seen now on ESPN or online at:

About modo
modo 601 is an innovative 3D modeling, painting, rendering, and animation software designed to accelerate the creation of world-class designs and ultra high-quality renderings. modo’s modern workflow and advanced toolset easily deliver enhanced productivity for design visualization, game development, film/broadcast, package design, and graphic arts. A favorite tool among many designers and artists, modo’s flexible toolset offers one of the fastest paths to content creation on the PC and Mac.

About Luxology
Based in Mountain View, Calif., Luxology® LLC is an independent technology company developing next-generation 3D content creation software that enhances productivity via artist-friendly tools powered by a modern underlying architecture called Nexus®. Founded in 2002, by Allen Hastings, Stuart Ferguson and Brad Peebler, Luxology is home to some of the top 3D engineering expertise in the industry. More information on the company, its licensable Nexus technology, its flagship product modo® and a gallery of images from the active modo community is available online at

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Blackmagic Design To Host LA Blackmagic Roadshow on May 16th

Blackmagic Design To Host LA Blackmagic Roadshow on May 16th

Fremont, CA – April 27, 2012 – Blackmagic Design will host the Blackmagic Roadshow in Los Angeles on May 16th. The event will be held at the Burbank Airport Marriott from 11:00 am to 7:00 pm and will include Blackmagic Design’s complete range of products for broadcast, post production and live events, as well as presentations by Blackmagic Design partners and renowned editors and color artists, as well as a keynote presentation by DigitalFilm Tree’s CEO, Ramy Katrib.

The event, which is free to attend, will include hands on demonstrations and theater presentations of Blackmagic Design’s products, as well as the first demonstrations in California of the new products announced at NAB 2012, including the Blackmagic Cinema Camera, DaVinci Resolve 9.0, Teranex 2D and 3D Processors, HyperDeck Studio Pro, UltraStudio Express, Universal Videohub Editing Interface and Battery Converters.

As part of the event, Ramy Katrib of DigitalFilm Tree will discuss new workflows and tools used at his LA based post production house. In addition, he will discuss the DaVinci Resolve workflow used by DigitalFilm Tree on the nationally acclaimed television show NCIS: Los Angeles, as well as new studio projects being completed with Teranex standards converter processors.

Theater presentations and hands on demonstrations will also be offered by Blackmagic Design partners Avid, Adobe, PNY Technology, Magma and Promise Technology.

Event Details:
Where: Burbank Airport Marriott Hotel, Academy Ballroom 2 & 3, 2500 Hollywood Way, Burbank
When: May 16th, 11:00 am – 7:00 pm
To attend the event, please visit

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, United Kingdom, Japan, Singapore, and Australia. For more information, please check

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