Archive for January 25th, 2012

Moog Slim Phatty Receives Outstanding Technical Achievement Award During TEC Foundation Ceremony

ANAHEIM, Calif. – January 25, 2012 – Moog Music has announced that it has won an Outstanding Technical Achievement award from the TEC (Technical Excellence & Creativity) Foundation in recognition of its Slim Phatty analog synthesizer, launched in 2011. Mike Adams, CEO/President; Cyril Lance, Chief Engineer and Steve Dunnington, Product Development Specialist of Moog Music were all on hand to accept the award during a special recognition ceremony held at the 2012 NAMM show in Anaheim, CA on Friday evening.

“It is an honor to be recognized with an Outstanding Technical Achievement award by the TEC Foundation,” commented Mike Adams. “The Slim Phatty is an enormously flexible and expressive instrument and is of course a direct descendant of the Iconic Minimoog Model D.”

Massive Moog Sound in a Small Package
Based on the powerful Little Phatty sound engine, the Slim Phatty features the classic Moog Ladder Filter, the touchstone of analog sound design. In addition to shaping the sound of its on-board oscillators, the Slim Phatty’s filter is a valuable production tool that can be used to process external audio, or to sweeten a variety of audio sources with everything from smooth analog warmth through wet, resonant filter sweeps.

The Slim Phatty’s convenient size makes it an ideal voice expander for existing gear, with two oscillators of massive Moog sound that are always just a MIDI cable away. A new Tuning Scale feature and editor allows easy exploration of alternate scales and tunings. Microtonal, just intonation, quarter-tone, world music scales and more make the Slim Phatty suitable for international travel.

In addition to the world of MIDI and USB gear, the Slim Phatty’s Control Voltage inputs give it unlimited realms of expression and sound design possibilities. “Modular synth” style patching with Moogerfooger effects processors, the CP-251 Control Voltage Processor and other Moog synths creates soundscapes previously available only on large modular systems. Connecting to the Etherwave Plus Control Voltage Theremin adds unique and intuitive new modes of expression.

For more information on the Slim Phatty, visit http://www.moogmusic.com.

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MASTERSFX Supervises and Creates Lycans and Vampires for “Underworld Awakening,” Marking First Time a New Creature Shop has been Retained for this Film Series

Los Angeles and Vancouver, Jan. 25, 2012 – Currently celebrating its 25th anniversary year, full-service character effects company MASTERSFX has supervised and created Lycan, vampire, and Creature FX that are prominently featured in “Underworld Awakening,” from Screen Gems and Lakeshore Entertainment, in association with Sketch Films. “Underworld Awakening” opened Jan 20, 2012. This project marks the first time that Lakeshore Entertainment employed a new Creature FX team for the “Underworld” series, while concurrently representing the first 3D project to which MASTERSFX has made a significant contribution. Todd Masters, Founder, MASTERSFX made the announcement.

Todd Masters and his team at MASTERSFX produced several full scale animatronic Lycan character FX suits, as well as the rest of the practical creature FX featured within “Underworld Awakening.” Throughout the course of production of this film, Masters and his team regularly consulted with original “Underworld” contributors Patrick Tatopoulos, Creature FX Designer/Supervisor, and Steve Wang, Creature FX Designer.

Said Masters, “Although Patrick Tatopoulos was in the midst of his work as Production Designer for ‘Total Recall,’ it was amazing to us the amount of effort and care he was nevertheless able to lend us during our pre-production on ‘Underworld Awakening.’ He not only assisted us in continuing the classic design style he established for the Lycan creatures, but he also somehow found time to knock-out several amazing illustrations of the new characters which first appear in this film: the ‘Tunnel Lycan’ and the ‘Uber.’”

Masters continues, “From there, Steve Wang took Patrick’s illustrations on a few of these new characters, and transformed them into these incredibly detailed maquettes – just beautiful. I’ve been fortune to know Patrick and Steve for nearly two decades now, and have always enjoyed their art. But this project was a real treat for me, and it was still amazing to watch these two creature

‘maestros’ work out such intricate designs. Their brilliance made it so much easier for our Vancouver team to then create these critters in full-scale.”

To view some of MASTERSFX’s “Making Of/Behind the Scenes” video for this project, please see LINK HERE… https://rcpt.yousendit.com/1339647974/e3eb3afe9265bb47fd4cd9a21f6213b9

Regarding MASTERSFX’s contributions to “Underworld Awakening,” James McQuaide, the films’ Visual Effects Supervisor and Executive Producer, said, “’Underworld Awakening’ is by far the most creature intensive of the UW movies. And to make it even more of a challenge, the picture was shot in 5K and in stereo, which demanded that everyone up their game a notch or three. Many of the tricks that we have all come to rely on simply no longer work, the image now being so unforgiving, leaving absolutely no margin for error. The work that Todd Masters and his team at MASTERSFX delivered was exactly what this way of working required – perfection.”

“Underworld Awakening” also represents the first 3D project to which MASTERSFX has made a significant contribution. Masters adds, “Since this was our first major 3D project, we had to discipline ourselves into a quick learning curve, while we figured out just exactly how our practical FX work was going to appear on-screen. This process involves such an amazing level of data, every detail of our work was going to be suspect—it was like looking at our work under a magnifying glass. Every detail was heightened, and we even had to modify the coloring and design of some of our creatures to satisfy the discerning eyeball of the 3D camera.”

Masters concludes, “Even before confronting the 3D issues, we knew that we were the ‘new kids on the block’ in the ‘Underworld’ series, and, as such, couldn’t just deliver work that was ‘as good’ as what came before. We had to deliver work that was better than ever. So, right at the start of this project, the bar was extremely high, and adding the 3D aspect made this task even more challenging. It certainly elevated our game in the delicate art of monster-making.”

ABOUT “UNDERWORLD AWAKENING:”
“Underworld Awakening” in 3D was released on Jan 20, 2012. The film is from Screen Gems and Lakeshore Entertainment in association with Sketch Films. Storyline: When human forces discover the existence of the Vampire and Lycan clans, a war to eradicate both species commences. The vampire warrior “Selene” (played by Kate Beckinsale) leads the battle against humankind. The film was directed by Mårlind and Stein, based on characters by Kevin Grevioux and Len Wiseman & Danny McBride, with story by Len Wiseman & John Hlavin.

The screenplay is by Len Wiseman & John Hlavin and J. Michael Straczynski and Allison Burnett. To view the trailer, please see: http://www.entertheunderworld.com/
ABOUT MASTERSFX:
Currently celebrating its 25th anniversary year, MASTERSFX, founded in l987 by Emmy Award winner Todd Masters, is a full-service Character Effects company headquartered in Los Angeles, CA, with an additional studio in Vancouver, BC, Canada. The company has designed, created and produced prosthetics, animatronics, and character effects for many hundreds of motion pictures, television programs, and commercials.
In addition to “Underworld Awakening,” MASTERSFX has also recently provided creature and prosthetic FX for such high profile feature films and television series as “True Blood,” “Falling Skies,” “Super,” “Slither,” “The Haunting in Georgia,” “Big Love” and “Fringe.” Historically, the company has contributed FX to such other hits as “Stargate SG1,” “The Horse Whisperer,” “Star Trek: First Contact,” “Buffy the Vampire Slayer,” both “Addams Family” films, “Six Feet Under,” “Tales from the Crypt,” and many more.

MASTERSFX is the winner of numerous entertainment industry awards, including an Emmy, a Saturn and a Gemini. Todd Masters and MASTERSFX are also the founders of the annual “Aliens to Zombies” Convention, held in Hollywood each October.

MASTERSFX’s Los Angeles office can be contacted by phone at 818/834-3000. The web is www.mastersfx.com and Facebook is:

http://ml-in.facebook.com/home.php?sk=group_44541534226

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RTW DELIVERS TWELVE TM9 TOUCHMONITOR UNITS TO PROSIEBENSAT.1 PRODUKTION

Ultra-flexible Metering Systems to be installed in all Four HD Control Rooms and Eight ProTools Edit Suites of the TV Service Provider

MUNICH, GERMANY, 25 JANUARY 2012 – RTW, a leading manufacturer and distributor of professional audio metering and control devices for studio recording and radio and TV broadcast applications, is pleased to announce the recent installation of the company’s TM9 TouchMonitor at ProSiebenSat.1 Produktion GmbH. Based in Unterföhring near Munich, Germany the station is one of nation’s top TV producers. A subsidiary of ProSiebenSat.1 Media AG, the production location will equip its four HD control rooms and eight edit suites with a total of 12 TM9 units to meet the EBU R128 loudness requirements.

Pictured (left to right) are: Joachim Hentschel, solution architect of media-based systems at ProSiebenSat.1 Produktion with RTW’s Technical Director, Mike Kahsnitz.

more

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3D Bullet Rig with Panasonic HPX250 & Canon XF305 cameras

New 3D BULLET RIG shown with Panasonic HPX250 and Canon XF305 cameras, is the most affordable, modular 3D beam-splitter available today. It features adustable IO (3.5?), convergence (0-2 deg), XYZ axis, camera elevation and mirror angle (44 to 46 deg) for perfect image alignment in every situation. Fits easily on Steadicam, in handheld mode (shoulder mount incl), with EasyRig, on a jib and any tripod. Weighs just 15 lbs. and is 15? wide. Accomodates Red Epic, Scarlet, Sony EX3, F3, Canon XF305, XF105, 5D, Si-2K, & many other professional cameras. For more information visit www.3DFilmFactory.com

3D BULLET RIG – for 3D Shoots on the Go !

3D Film Factory's new 3D Bullet Rig

New 3D BULLET RIG shown with Panasonic HPX250 and Canon XF305 cameras, is the most affordable, modular 3D beam-splitter available today. It features adustable IO (3.5″), convergence (0-2 deg), XYZ axis, camera elevation and mirror angle (44 to 46 deg) for perfect image alignment in every situation. Fits easily on Steadicam, in handheld mode (shoulder mount incl), with EasyRig, on a jib and any tripod. Weighs just 15 lbs. and is 15″ wide. Accomodates Red Epic, Scarlet, Sony EX3, F3, Canon XF305, XF105, 5D, Si-2K, & many other professional cameras. For more information visit www.3DFilmFactory.com

Earl Girls Theatrical Equipment Places First Order for grandMA’s MA onPC Command Wing

Earl Girls Theatrical Equipment in Egg Harbor City, New Jersey has become the first dealership to place an order for grandMA’s new MA onPC command wing, which paves the way for mobile use of the highly flexible and powerful grandMA2 control system. Earl Girls submitted its purchase order the day the product was announced and leads such strong pre-sales for the command wing that MA Lighting expects the first production run to be sold out before it hits the street. A.C.T Lighting is the exclusive distributor of grandMA in North America.

“We love the grandMA line of products; we have them in our rental inventory and in installations all over Atlantic City, including the Borgata Hotel Casino & Spa and many other resorts,” says Robert Thorpe, Earl Girls’ lighting designer and consultant who does a lot of design work on installations. “The grandMA console line is rock solid and dependable. But a huge part of its success is due to A.C.T Lighting, which offers outstanding customer support. They know the product inside out.”

When Earl Girls held a meeting about planning its next big purchase, rental shop manager Ted Oponski and programmer Greg McGeary reported they were getting frequent requests for grandMA consoles. “The majority of the large touring shows that come to Atlantic City ask for grandMAs,” Thorpe notes. “We needed more and we needed back ups. That same afternoon I saw the announcement for the MA onPC command wing and realized it was exactly what we were looking for. Usually, I suggest waiting for a product to be out a while before we invest in it, but not in this case. grandMA is so solid that we were ready to make the leap.”

Designed as the perfect hardware complement to the free grandMA2 onPC software, the MA onPC command wing emulates the look and feel of the command section of a grandMA2 console as closely as possible. It provides a portable 2,048-parameter control solution that may be used in nearly any location – and for an affordable price.

Via a simple USB connection between the MA onPC command wing and a computer running the grandMA2 onPC software, all inputs and outputs of a grandMA2 console are available to the user. DMX, MIDI, timecode and analog remote are all directly on hand. If more than 2,048 parameters are required, the MA onPC command wing can be further expanded by one of the existing MA 2Port node options. An MA 2Port node onPC will furnish another 512 parameters and an MA 2Port node onPC PRO will add 1,024 parameters.

Due to its compact size, the MA onPC command wing is perfect to use when traveling – it can be carried as hand luggage – or wherever it’s physically difficult to use a grandMA2 console. However the MA onPC command wing is not only designed for tours. It is also ideal for smaller shows and clubs, for programming in a theater auditorium as well as for pre-programming tasks. It’s also the perfect choice for any MA enthusiast entering the world of MA Lighting.

“The MA onPC command wing is the right thing at the right time for us,” says Thorpe. “It offers so many parameters and has a phenomenal price point. I know we’ll use it and we’ll sell it. And if we ever have any issues A.C.T Lighting will be there instantly with amazing support for the product.”

Jampro Acquires Alan Dick Broadcast Ltd

COMBINED COMPANY OFFERS UNPARALLELED RANGE OF SERVICE, SOLUTIONS AND DELIVERY OPTIONS

Sacramento, CA — JAMPRO Antennas, Inc., the oldest broadcast antenna company in North America, has acquired the Alan Dick Broadcast (ADBL) Division of ADC UK Ltd. Located in the UK,ADBL is one of the oldest names in Europe for broadcast antennas, combiners / filters, towers and broadcast infrastructure service . Alex Perchevitch, Jampro’s president, made the announcement from headquarters in Sacramento, CA.

The acquisition combines two industry leaders, both accomplished in the development and implementation of exceptional engineering solutions, to form a powerful, global organization poised to address the growing global need for digital TV (DTV) products. Founded in 1954, Jampro – an early and key player in the emergence of digital TV – has grown to become one of the largest international suppliers of radio and TV antennas and associated radio frequency (RF) equipment, transmission line and components. Based in Cheltenham, UK, ADBL has served as a major provider of communications infrastructures in Europe, the Middle East and Africa for over three decades.

Jampro is known for its pioneering in antenna technology, combiners / filters, towers, and RF components that address nearly every application in the broadcast industry. The Company has installed thousands of broadcast systems since its inception in 1954, each designed and built to address the specifications of the end-user. Winner of multiple Queens Awards for industry, Alan Dick offers a high-quality portfolio of station equipment, towers, and antennas derived from extraordinary and innovative engineering solutions. ADBL’s credits include supplying a large number of broadband multi-channel systems to the BBC – Arqiva for the UK DSO (Digital Switch Over). The systems were installed on large face towers resulting in a successful solution for an exceptionally difficult and challenging application.

“ADBL is a true pioneer in the world-wide broadcast industry bringing numerous innovations to market ahead of their time,” commented Perchevitch. “Our united efforts and product lines will benefit our customers with stronger R&D across all ranges, improved delivery capabilities, and reduced shipping costs. We couldn’t be happier to welcome the entire staff into the Jampro family and look forward to a successful future filled with expanded opportunities for our combined client base.”

Added Rob Fisher, CEO of ADC UK “Alan Dick has been a major player in the worldwide broadcast market for several decades and has built up an enviable reputation for the quality and robustness of its products and services. I am pleased that Jampro will take the Alan Dick broadcast products into its portfolio and continue to market them as apart of an expanded Jampro offering. Jampro will work closely with a number of Alan Dick companies, including Alan Dick Middle East, to ensure that their local product and service capabilities can be combined with the expanded Jampro offering to provide an outstanding turnkey solution for broadcast customers.”

ADBL will remain in the UK and operate as a division of Jampro Antennas with the same management, engineering and production staffs.
# # #

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems.

Additional information on JAMPRO can be obtained at www.jampro.com.

Jampro Contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

ADBL Contact: Barry Sugden
+44 1242 537734 • barry.sugden@alandick.com

Press Contact: Desert Moon Communications • Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

Sound Devices to Expand Operations with Purchase of New Facility

REEDSBURG, WI, JANUARY 25, 2012 — Sound Devices, makers of production sound and video products for field production, announce the purchase of a new facility for its U.S. headquarters in Reedsburg, WI. The company is expected to relocate and settle into the 27,000-square-foot facility in the first half of 2012, where it will continue to manufacture audio mixers and recorders, and video recorders for feature film, episodic television, documentary, news, and acoustical test and measurement applications.

“This move is part of Sound Devices’ continued commitment to our customers, our community and to the marketplace,” says Jon Tatooles, managing director, Sound Devices. “It gives us the necessary room to grow, and to have all departments, including engineering, manufacturing, and sales, under one (much larger) roof. We look forward to continued success in our new home this year and beyond.”

Equipped with state-of-the-art technology, the new facility will enable Sound Devices to continue its focus on designing and building new, innovative field-production products.

In addition to the improvements to logistics and operations, the newly renovated facility, which sits on 27 wooded acres, can accommodate training meetings for its sales representatives and distributors. It also has space for permanent product setups to assist in product training.

Sound Devices new facility is located at 7556 State Highway 23/33 in Reedsburg.

Sound Devices, LLC designs and manufactures portable audio mixers, digital recorders, portable video recorders and related equipment for feature film, episodic television, documentary, news-gathering and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

ROYER LABS SCORES A WIN AT TEC AWARDS

*** Royer Labs' John Jennings ***

Burbank, CA … Royer Labs, recognized globally for its high quality ribbon microphones used by leading studio professionals, is pleased to announce that the company’s R-101 Mono Ribbon Microphone won the coveted TEC Award during the recent 2012 TEC (Technical Excellence & Creativity) Awards show. The awards program, hosted during the Winter NAMM trade show, honors outstanding achievement in a variety of categories that encompasses both creative and technical areas. more

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DIGITAL FILM TOOLS BRINGS THE MAGIC OF FILM TO NEW FILM STOCKS PLUG-IN

New Film Stocks photo and video/film plug-in simulates the look of analog film stocks
 
Los Angeles, CA – January 25, 2012 – Digital Film Tools, developer of visual effects software, today announced the release of Film Stocks with plug-in support for Adobe® Photoshop®, Adobe Photoshop Elements, Adobe Photoshop Lightroom®, Adobe After Effects® CS5 and up, Adobe Premiere® Pro CS5 and up, Apple® Aperture®, Apple Final Cut Pro® 6 and 7, and Avid® editing systems. Film Stocks offers artists simulations of 288 different color and black and white photographic film stocks, motion picture film stocks, and historical photographic processes. “The new Film Stocks plug-in draws on our experience creating visual effects for hundreds of feature films and our expertise with film scanning and recording techniques. We have laboriously researched and analyzed different film stocks to come up with a set of interesting analog photographic, motion picture and vintage looks that will serve any project requiring that special analog film stock simulation,” comments Marco Paolini, founder and president, Digital Film Tools.
 
Film Stocks offers a wide range of preset looks as well as the necessary controls to create analog film stock presets from scratch, including color correction, curves, colored filters, sharpness, diffusion, vignetting and film grain. Apply one of the many presets and customize the settings, or create your own interesting looks and simulations and save them as presets to use in the future or share with colleagues.
 
Film Stocks Feature Highlights
• 288 analog photographic film presets
• Select from Agfa®, Fuji®, Ilford®, Kodak®, Polaroid® and Rollei® color and black and white film stocks
• Choose from a wide range of historical photographic processes
• Get the skewed color look of cross processing
• Apply Lo-Fi photographic looks from Lomo and Holga toy cameras
• Age your images with the look of faded films
• Create your own film stock presets
• Layering system for multiple film stock application *
• Sophisticated but easy to use masking tools *
• Add a vignette to any preset
• Modify images with presets or sliders
• Quickly search for presets
• 8/16 bit image processing
• Multi-processor acceleration
* Photo plug-in versions
 
Availability and Pricing
The Film Stocks photo plug-in is available now for 95.00 USD and is compatible with the following applications: Adobe Photoshop, Adobe Photoshop Elements, Adobe Photoshop Lightroom and Apple Aperture. Users can download the Film Stocks photo plug-in from http://www.digitalfilmtools.com/filmstocks/download.htm
 
The Film Stocks video/film plug-in is available now for 195.00 USD and is compatible with the following applications: Adobe After Effects CS5 and up, Adobe Premiere Pro CS5 and up, Apple Final Cut Pro 6 and 7, Avid Symphony™, Media Composer®, Newscutter® and Xpress Pro®. Users can download the Film Stocks video/film plug-in from http://www.digitalfilmtools.com/filmstocks/download.htm
 
For more information, examples and downloads please visit: http://www.digitalfilmtools.com/filmstocks/
 
Digital Film Tools is currently investigating Film Stocks compatibility with FCP X for a future release.
 
About Digital Film Tools
Digital Film Tools brings together the unbeatable combination of superior software
designers, motion picture visual effects veterans, video editors and photographers. Add three Emmy Awards and experience in creating visual effects for hundreds of feature films, commercials and television shows and you have a recipe for success.
 
Press Contacts
Zazil Media Group
Janice Dolan
(m) 617.817.6595
(e) Janice(at)zazilmediagroup(dot)com

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