Archive for September 28th, 2011

Apologue Founder Tali Krakowsky Curates Week of Creative Projects for AIGA’s Design Envy Blog

Los Angeles, CA — (September 28, 2011) — Recently, AIGA’s Design Envy blog, which features the best in design today, invited Apologue’s Founder Tali Krakowsky to curate a week of creative projects that are envy-invoking.

Apologue Founder Tali Krakowsky

Tali wrote about wearable computing in the form of a Solar Bikini by designer Andrew Schneider (http://designenvy.aiga.org/solar-bikini-andrew-schneider/), an inflatable mobile music hall by artist Anish Kapoor (http://designenvy.aiga.org/ark-nova-anish-kapoor-and-arata-isozaki/), a media installation in the round by designer Ron Arad (http://designenvy.aiga.org/curtain-call-ron-arad/), a physical children’s book that integrates an iPhone by Mobile Art Lab (http://designenvy.aiga.org/phonebook-mobile-art-lab/) and a speculative Augmented Reality concept piece for the future of driving by Michael Harboun with Dassault Systems (http://designenvy.aiga.org/the-aeon-project-michael-harboun/).

Obsessed with all things immersive, Tali is the founder of the Experience Design firm Apologue, Inc. Having spent the last decade more

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Mother and MPC Digital Create the Echo Temple, an Interactive Sound Installation for the Virgin Mobile FreeFest


MPC Digital launches in the US with an Interactive Sound Installation that allowed users to play virtual musical instruments by moving their bodies in front of motion-tracking cameras. The unique musical experience conducted by the audience, was concepted by Mother New York, and was the centerpiece of Kyocera’s activation at Virgin Mobile’s FreeFest, a full-day music festival featuring Cee Lo, Patti Smith, etc. attended by 50,000+ people.

The Echo Temple included six monolithic speaker towers with motion tracking cameras encircling a central tower including subwoofers. Participants standing in front of the monoliths were able to manipulate a different melodic instrument’s volume, pitch or unique audio effect by moving their body and waving fans branded with special symbols. The central tower produced the core of the mix: drums, bass, drones and the main harmonic progressions, and had architectural bamboo that could be tapped to trigger more

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HARMAN Studer Broadcast Academy Continues at SBE 22 Expo

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VERONA, New York – HARMAN’s Studer Broadcast Academy rolls into October as its demo truck will be onsite at the Society of Broadcast Engineers Chapter 22 Broadcast and Technology Exposition at the Turning Stone Casino in Verona, New York on October 5, 2011. Studer will be hosting an open house session for SBE 22 Expo attendees.

The 73-foot Studer truck is outfitted front-to-back with state-of-the-art Studer digital mixing consoles and broadcast products, along with a selection of HARMAN gear from Soundcraft, JBL, AKG and others.

“Our Studer Broadcast Academy open house will give attendees an opportunity to get some hands-on time with the latest broadcast equipment from Studer,” said Katy Templeman-Holmes, Studer Broadcast Academy. “We’ll have the Studer team onsite to give walk-through demonstrations on Studer’s entire range of products for the broadcast market.”

The SBE 22 Expo more

University of Washington and VISIONS’11 Set Sail with Blackmagic Design’s ATEM Production Switcher

Blackmagic Design today announced that the University of Washington’s School of Oceanography used Blackmagic Design’s ATEM 1 M/E Production Switcher, Micro Videohub and OpenGear Converter Audio to SDI products as part of the ocean going VISIONS’11 Expedition. The University relied on the Blackmagic Design products to capture, route and stream footage from the ocean floor, 400 kilometers offshore, back to the University and online at www.ooi.washington.edu/visions11/live.

VISIONS’11, a cooperative effort between the University of Washington and the National Science Foundation’s Ocean Observatories Initiative (OOI), commenced on August 11 in Seattle, Washington, aboard the 274 foot Research Vessel Thomas G. Thompson. The purpose of the expedition was to continue to prepare for, survey and assess the ongoing installation of the OOI’s high power and high bandwidth cabled ocean observatory. For the expedition, the University of Washington provided technical support for video operations and management of a number of cameras on more

Myers ProTrack Makes Work Flow At The Vacation Channel

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BRANSON, MISSOURI SPECIALTY CHANNEL ADDS SOPHISTICATED
TRAFFIC, SALES & SCHEDULING MANAGEMENT

Northampton, MA – Myers Information Systems – a leading developer of broadcast traffic, business, and content management software – today announced a successful implementation of the company’s flagship ProTrack suite by The Vacation Channel. Based in Branson, Missouri, TVC offers a mix of news, weather and information focused on the lifestyle and rich variety of entertainment options available in and around Branson with coverage to some 50,000 in-home and hotel/motel room viewers.

“For the last couple years, we’ve searched for a traffic system that would provide the right kind of tools,” said Gary Leach, the channel’s director of operations. “We have very specific and unique operating needs; the more we saw of ProTrack’s diversity and flexibility, the more we knew we’d found the more

131st AES Convention Posts Lunchtime Keynote Events

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NEW YORK: “This year’s Lunchtime Keynote events will offer attendees options designed to appeal to a wide range of interests,” states Convention Chair Jim Anderson. “Our guest speakers run the gamut from mp3 innovator Karlheinz Brandenburg to celebrated jazz bassist Ron Carter and noted broadcast journalist/engineer and futurist Skip Pizzi. Each is guaranteed to provide an information-packed respite from the busy Exhibition Hall and crowded Event Presentations. Attendees are reminded to ‘bring their own lunches.’” The 131st AES Convention will be held at NYC’s Javits Center October 20-23. Lunchtime Keynotes are set for 1:15 – 2:15PM Fri.-Sun.

LUNCHTIME KEYNOTES:

KARLHEINZ BRANDENBURG, THE MP3 STORY: One of the original developers of mp3, Brandenburg has been researching digital audio compression since 1977. The Internet’s evolution from text-based medium to major carrier for sound heralded dramatic payload changes and, new dangers more

Southpaw Technology Tackles Digital Signage Management with KB Media

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Toronto, Canada – September 28, 2011 – Southpaw Technology announced today that KB Media, a Toronto-based media company, has licensed Southpaw’s production asset management system TACTIC and leveraged its flexible architecture to simplify the management of digital signage campaigns. KB Media is now using the system to more efficiently manage multiple campaigns across hundreds of advertising venues throughout Canada.

KB Media specializes in the creation of backlit and digital mirrors and the placement of advertising on those mirrors in venues throughout Canada. The campaigns that KB Media manages for its large client base vary in length, size, audience, creativity, and value. In addition, KB Media’s mirrors include patented motion sensor technology that tracks consumer interaction with the mirrors so advertisers know exactly how many consumers engaged with their ad and for how long. To more efficiently manage all of this information in one place, KB Media more

B-Reel Films Launches London Office With New EP Philippa Allen

B-REEL FILMS LAUNCHES LONDON OFFICE AND TAPS PHILIPPA ALLEN AS NEW EXECUTIVE PRODUCER

Philippa Allen, new B-Reel Films Executive Producer

LONDON, U.K. – September 28, 2011 – International film production company B-Reel Films (www.b-reelfilms.com), announced today the formation of a new office in London in order to fortify its U.K. presence. To helm B-Reel Films’ operations here, the company tapped Philippa Allen as Executive Producer. With the new office, B-Reel Films now features four offices spanning the globe, including Los Angeles, New York City and Stockholm. B-Reel Films works in close collaboration with digital production company B-Reel (www.b-reel.com).

“The best creatives are to be found in London, and of course we want to be where the best work is,” said Johannes Ahlund, managing director B-Reel Films. “We also see that the need for integrated productions in the U.K. continues to grow and as a global brand it’s critical to establish more

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Waves Audio Unveils Bass Rider

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KNOXVILLE, TN, September 27, 2011 — Waves Audio, the industry-leading developer of professional audio digital signal processing technologies and the recipient of a 2011 Technical GRAMMY® Award, unveils its Bass Rider, an innovative, easy-to-use plugin that rides bass levels automatically. A companion to Waves’ popular Vocal Rider plugin, Bass Rider delivers perfect bass levels, without changing the natural sound of users’ bass. Optimized especially for the frequency range and envelope characteristics of bass instruments, Bass Rider covers all the “basses”: DI, amplified, acoustic, synth, upright, etc.

A real timesaver with dedicated studio and live components, Bass Rider keeps bass levels in check and solid throughout a mix. Unlike a compressor, Bass Rider works note by note, without disturbing their inner dynamics, so they sustain and decay naturally. Best of all, since Bass Rider keeps levels steady with automatic gain adjustment, now users can more

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The Sound of “Drive”

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Soundelux Creates “Emotional Truth” for Nicolas Winding Refn’s Cerebral Action Film

Hollywood— Drive, the new film from FilmDistrict and Danish director Nicolas Winding Refn, tells the story of a Hollywood stunt car driver (Ryan Gosling) who moonlights as a wheelman and discovers there is a contract out on him following a robbery gone bad. The movie is violent, yet stylish and emotionally gripping, and is being hailed by critics for its brashness and its brilliance.
For the film’s sound team, led by Supervising Sound Editor/Designer Lon Bender and Supervising Sound Editor Victor Ennis from Soundelux, Drive presented many unusual sonic challenges. Although tacitly an action tale, the film is also highly cerebral, alternating between moments of intense realism and surreality as the audience is drawn into the main character’s head.

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The relationship more

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