Archive for November 12th, 2010

TRANSAUDIO GROUP INTRODUCES THE NEW DAKING MIC PRE 500

micpre_500.JPGLAS VEGAS, NEVADA – NOVEMBER 2010: Geoff Daking and Company, Inc. launched the new Mic Pre 500 single-channel microphone/instrument preamplifier module at the 129th AES Convention in San Francisco. Derived from the company’s Mic Pre One freestanding unit, the Mic Pre 500 is designed for installation in 500 Series format equipment. The new mic pre features switchable phase, 20 dB mic input pad, +48V phantom power, and a selectable quarter-inch line/hi-z instrument input.

Like the Mic-Pre One, the Mic Pre 500 shares the gain structure and Class A, fully-discrete transistor circuitry design of Daking’s popular Mic Pre IV. The front panel controls include a variable high-pass filter (0-200 Hz) as well as continuously variable input gain. It also includes an eight-segment tri-color LED meter with simultaneous VU and Peak is included.

Made in the USA, the Daking Mic Pre 500 has an more

METRIC HALO’S CHANNELSTRIP PROCESSING BENEFITS EVERY DEETOWN PRODUCTIONS SCORE AND SONG

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HOPEWELL JUNCTION, NEW YORK: DeeTown Entertainment is the brainchild of prolific contemporary composer and musician Ali Dee Theodore. In less than a decade, DeeTown has risen to prominence in the American film industry, turning out a seemingly limitless number of chart-topping scores and songs for a huge number of films and musicians, including Hannah Montana: The Movie, The Jonas Brothers, Hot Tub Time Machine, Transformers, Mary J Blige, Daredevil, Mr. & Mrs. Smith, Ghost Rider, and Iron Man, among many, many others. The rise of Ali Dee and his crack team of writers, producers, musicians, and engineers has been compared to the heyday of Tin Pan Alley, when Irving Berlin, George Gershwin, Cole Porter, and their contemporaries ruled New York City. Indeed, DeeTown’s recent move to an upgraded facility in Manhattan makes the analogy all the more apt. From more

API ANNOUNCES 1,000th A2D CUSTOMER

chris_cundy.JPGJESSUP, MARYLAND – NOVEMBER 2010: Chris Cundy of Bozeman, Montana, was recently identified as the 1,000th customer of API’s highly regarded A2D. In the four short years since its introduction, the A2D has become one of the most popular and decorated products of the company’s offerings.

“It’s the ideal mix of the old and the new. The solid-state heritage of API with two reference quality 312 mic preamps in combination with the cutting-edge application of today’s technology in a superb A/D section is what makes the A2D such a hit,” said Larry Droppa, president of API. “It is our one and only product with a digital output and it’s great to have it become one of our best-selling products.”

Cundy is part of the team at The Shed, a production, tracking, mixing, educational and rehearsal facility in Bozeman. The Shed consists of more

TUBE-TECH CELEBRATES 25 YEARS OF ANALOG WARMTH

tube_tech_25th.JPGCOPENHAGEN, DENMARK – NOVEMBER 2010: For twenty-five years, engineers and producers the world over have associated the no-nonsense blue faceplate and white typeface of TUBE-TECH analog processors with the lush, dimensional sound they impart to any audio that flows through them. After 25 years in business, TUBE-TECH president John G. Petersen continues to craft their equipment with simple, elegant circuitry using only premium-grade components. From the start, Petersen designed TUBE-TECH gear using only vacuum tubes in the active signal path and only transformers on the inputs and outputs. Since the first the design of the first Program Equalizer PE 1A in 1985, over 15,000 TUBE-TECH units have shipped from the headquarters of parent company Lydkraft in Denmark. Because their lifetimes are measured in decades, almost every one of those units is still helping make the music of today sound much better than it would more

Thomson Reuters Uses Brick House Video’s Callisto Production Switcher To Cover The Chilean Miner Story

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San Jose Mine, Chile (11 November 2010) – As the world watched, Thomson Reuters brought the plight and rescue of 33-trapped Chilean miners to audiences around the globe with the help of Brick House Video’s Callisto-RC Production Switcher. Thomson Reuters, the world’s largest international news agency, relied on Callisto’s mixed transmission ability every day from its arrival on October 2nd until October 13th as the last miner was lifted to safety from 2050 feet (625 metres) underground.

“Callisto survived my two-day journey comprised of multiple flights and ground transportation over rugged, unpaved roads,� said George Johnson, Technical Coordinator for Reuters. “It switched on perfectly when I arrived at the mine, and performed flawlessly on a generator as temperatures ranged from below zero to approximately 40 degrees Celsius (104 degrees Fahrenheit).�

Callisto, a broadcast specification (SMPTE-259M) 270 more

Hollywood Post Alliance Award Winners Announced

Kudos for Hollywood’s Post Production Community and Industry Innovators Bestowed At November 11th Show

(Los Angeles, CA) Last night at a gala celebration at the Skirball Cultural Center in Los Angeles, The Hollywood Post Alliance presented the Fifth Annual HPA Awards. The HPA Awards honor the best of the best talent working behind the scenes in motion pictures, television and commercials. A number of special awards for Engineering Excellence, Lifetime Achievement and Creativity and Innovation were handed out during the event, the special awards had been announced earlier.

The winners of the 2010 Hollywood Post Alliance Awards are:

Outstanding Color Grading using a DI process – Feature Film
“Alice in Wonderland”
Stefan Sonnenfeld // Company 3

Outstanding Color Grading – Television
“The Pacific – Episode Five”
Steve Porter // Riot

Outstanding Color Grading – Commercial more

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