Archive for May 3rd, 2010

OLD LYME, Conn. – May 3, 2010: The U.S. subsidiary of headphone and  microphone manufacturer Sennheiser names Southern California Sound Image its 2009 dealer of the year for excellent sales, customer support and comprehension of Sennheiser’s diverse line of installed sound systems and components. more

SF/LA – (May 3, 2010) – DAVID-INC, a creative editorial boutique located in San Francisco and Los Angeles, has welcomed Editor Stephen Berger to the company. An incredible and versatile talent, Stephen joins DAVID-INC Co-Founders and creative team: Editor Jay Herda and EP Janie Ford. The new addition allows DAVID-INC to introduce Stephen’s editorial talent to the San Francisco creative community, while solidifying its presence in the Los Angeles market. more

Hollywood, CA, May 3, 2010 – Renowned musician and composer DJ Unwind has licensed 18 original tunes to two of the entertainment industry’s leading music library companies, Black Toast Music and Songs To Your Eyes. Through these deals, these eclectic tunes will now be available for license to television, film, videogame, and other, multi-media projects.

Based in Minneapolis, and with representation in Hollywood, CA, DJ Unwind composes, produces, and plays all of his own music, across the specialized genres of Trip-Hop, Down-Tempo, Lounge, Electronic, and Urban. more

Hollywood, CA, May 3, 2010 — Hollywood Production Music, a leading provider of original, library and production music and sound effects for television, film and multimedia applications, has released fresh new music as part of its online production music library
(www.hollywoodproductionmusic.com)

This latest release includes 25 new CDs containing hundreds of music tracks (instrumental / vocal / sound effects). This new music is consistent with the high quality, hand picked music approach initially adopted by the HPM staff. New titles have been added to over 30 musical genres and styles, and over 40 instruments and dozens of musical usages. more

Directed by Stardust’s Jake Banks, TV and Cinema Spot for Team Detroit Fuses Seductive Camera Work and Aggressive Type Treatments

Bi-coastal creative production studio Stardust was tapped by ad agency Team Detroit to launch the new Ford 2011 Mustang with a gorgeously cinematic spot for TV and cinema. Stardust’s Jake Banks directed the live-action commercial, titled “_PG.� The spot highlights the 2011 Mustang’s speed, bold lines and fuel efficiency through seductive camera work, motion type and an authentic aesthetic. The :30 version aired Wed., April 28th during American Idol on FOX, while the :60 premiered in cinemas on April 30th. more

Production company Mothership announced today that director Aladino Debert has joined its roster. Mothership operates as a sister company to Digital Domain. As such, Debert will also wear the hat of creative director with Digital Domain’s commercial division, leveraging his many years’ experience as a CG and VFX supervisor. more

West Los Angeles, CA — Cast yourself, family and friends in the music video for the chart topping song “Nothin on Youâ€? by Atlantic Records artist B.o.B featuring Bruno Mars. The hip hop video, directed by Ethan Lader, is an eye-catching piece that cleverly integrates B.o.B and Mars with animated collages of torn-out photographs and a magazine-style, tear sheet look. The production company behind the video, Kleiner Inc., challenged post boutique Therapy to develop an original interactive experience using the video, that would create buzz for the upcoming album release. more

When Nice Shoes began work on a series of financially challenged independent films last year, they approached the projects in a unique way: as creative partners fiscally invested in the films’ success as executive producers. Rather than agreeing to take on any available project, Nice Shoes CFO/COO Julia Kisla would identify promising films and negotiate a revenue-sharing agreement, essentially trading their creative services for a share of profits at a later date. The process proved so successful that Nice Shoes – which continues to focus primarily on high-end, big-budget projects done under more traditional contracts – has now created an exciting, new revenue stream. more

Bent Image Lab’s unique CG animation for “The Right Blend,” TRIS3CT’s spot for Scott Naturals paper products, has attracted quite a bit of attention in recent months.

Created at BENT’s Portland studio, the :30 commercial consists of one continuous camera shot that takes audiences through an animated world seemingly made of hundreds of layers of paper towel. These distinctive visuals have won recognition from advertising and animation professionals alike, earning it two Silver Telly Awards and acceptance to high-profile festivals such as the Annecy International Animation Festival.

The spot’s style is based on a paper cutout animation technique called Stratastencil, explained Nando Costa and David Daniels, who co-directed the spot at BENT.

“This is the first time anyone has completely recreated Stratastencil using 3D computer-generated animation,” said Costa. “More than just remaking a great idea, we used CG to go beyond the limits of the more

MOUNTAIN VIEW, Calif. – May 3, 2010 – World-renowned SEGA® of America, Inc., the powerhouse behind the upcoming Iron Man 2: The Video Game, recently brought together a talented team to create realistic and detailed characters by implementing Luxology®’s award-winning 3D modeling and rendering application, modo® 401, into the company’s creative pipeline. Using modo allowed John Hayes, lead artist at game developer SEGA Studios San Francisco, to create authentic and relatable characters that accurately mimic the characters in the Iron Man® franchise, bringing users a new and interactive level of gameplay.

Iron Man 2: The Video Game is a console-based action game that gives players full access to the Iron Man suit and weapons as they battle new and old enemies in a storyline written exclusively for the game. To create the game’s character suits, which required a great amount of realistic surface detail, Hayes used modo more