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Martin Scorsese

Editor Thelma Schoonmaker on How She Got Into Her 'Incredibly Rewarding Profession'

In her own words, editor Thelma Schoonmaker describes how she accidentally got into film editing and then got the lifelong gig of becoming Martin Scorsese's editor. She says, "Once I understood that editing is crucial to how a film is made, I was hooked. Imagine: placed in your hands is fantastic raw footage (if you work for Scorsese) that 250 people have created during shooting. You and the director are then allowed to sculpt this raw material into something that has structure, rhythm and pace, that builds characters, that creates dramatic peaks and lows and that hopefully has a good ending. Editing is an incredibly rewarding profession."

Read more here on The Huffington Post.

Thelma Schoonmaker Talks Scorsese and Michael Powell

The BBC talks to editor Thelma Schoonmaker about her thirty-year professional relationship with Martin Scorsese and her current efforts to restore the classic films of her late husband Michael Powell.

Ang Lee Says His 3D Learning Curve on 'Life of Pi' Was Huge

At an event at last week's CinemaCon, director Ang Lee spoke candidly about grappling with the decision to film Life of Pi in 3D. Explains Lee about having to change his directing style to accomodate the new medium, "I'd have to go back to [lead actor Suraj Sharma] and bring his performance down because [3D] just enhanced it so much more. It's like a new film language."

Read more here on the LA Times.

Martin Scorsese's 'Hugo': Perspective, Post, Pipelines ... and Other Stereoscopic Topics

The newest stereo 3D film sensation promises to be Martin Scorsese's Hugo, which arrives just in time for the holidays. The film, the director's first 3D venture, is based on The Invention of Hugo Cabret, a children's graphic novel written

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