HDNet Photo Gallery

Edit Three inside HDNet’s Denver broadcast center is wheremost of the station’s nonlinear online and off-line editing isdone. The room consists of two Apple Final Cut Pro systems running onPinnacle’s CineWave HD board. Photo by Cody Holt.

In the basement of HDNet’s Denver facility, Alan Burnhamperforms regular maintenance on the station’s 16 high-def Sonycameras, including this HDW-700 portable camcorder. Photo by CodyHolt.

Glenn Moore, tech manager of HDNet’s broadcast center,monitors a live broadcast of a Major League Baseball game with the helpof a Sencore server running EVS playlist software. Photo by CodyHolt.

Charles Minow, an Avid editor who uses Apple Final Cut Pro runningon Pinnacle’s CineWave HD board to edit high-def programs forHDNet, builds an off-line edit of the regularly appearing HDNetWorld Report. Photo by Cody Holt.

Although HDNet’s two mobile trucks may stay of the road forweeks at a time capturing live sporting events, routine maintenancestops are scheduled at the Denver broadcast center, a converted airportthat includes several hangars. Photo by Cody Holt.

The replay area of the production room on one of HDNet's twospecially configured mobile trucks--HD2--just prior to a baseballtelecast from Dodger Stadium earlier this summer. Photo by TonyDonaldson.

www.tdphoto.com

Mobile unit, HD2, including its satellite dish, ready for action inthe parking lot at Dodger Stadium during a baseball telecast. Photo byTony Donaldson. www.tdphoto.com

Video engineer Carlos Lopez performs color correction, mainlyadjusting to improve focus, in HD2 during the Dodgers-Blue Jaysbroadcast. Photo by Tony Donaldson.

www.tdphoto.com