January 2012 Digital Video Online Index

January 2012 Digital Video | Online Index

update

• Lipsync Finishes We Need to Talk About Kevin

• Gotham Girls Roller Derby Goes Live

• Ingenuity Engine Serves Up Effects for Harold & Kumar

• TriCaster Raises Money with Laughs

• Big Film Design Creates 3D Titles for Hugo

• Pixomondo Crafts Magical Effects for Hugo

• LOOK Effects Stages A Muppet Reunion

• Sony and Cinedeck Team on Goodnight Lane

• "The Kinect Effect"

• Digital Domain Constructs Off-Kilter World

• RED SCARLET, Canon C300 and the Paradox of Choice

• Why 4K+ Is the Future of Media Production and Consumption

• motion504 Animates the Undead for Remains

• Cherry Blossom Blooms at Picture Head

• Broadway Video Posts Mark Twain Prize

• Clinton Global Initiative Gets Heard

• Sports Highlights Go Online

feature

• The Girl with the Dragon Tattoo: What It Took to Make the Feel-Bad Movie of the Year
  • David Fincher and Jeff Cronenweth Explore Darkness and Light, by David Heuring
  • Tackling the Edit: The Post Pipeline for The Girl with the Dragon Tattoo, by Oliver Peters
  • Conforming and Compositing The Girl with the Dragon Tattoo, by Assistant Editor Tyler Nelson, GDT Editorial

look

• Mid-Century Modernists: Production on Eames: The Architect and the Painter, by Jennifer Wolfe

• The XDCAM X Factor: Shooting the FOX Show's Weekly Live Telecasts, by John Merli

• "L.A. Light": Colin Rich Considers the Art of the Time-Lapse Video, by Jon Silberg

• Stock Footage | After Hours: Recapturing Club Life for Billy Corben's Limelight, by Joy Zaccaria

lust

• Review | DaVinci Codes (and Nodes): Resolve 8.1 Brings Color-Correction Capabilities to Any Desktop, by Oliver Peters

• Review | Bolt of Lighting: Testing Switronix's TorchLED Bolt On-Camera Fixture, by Jay Holben

• Review | Staying on Track: Making Moves with Kessler Crane's Philip Bloom Pocket Dolly, by Mitch Aunger

• Review | Viewfinder View: Zacuto's EVF Elevates the Capability of Your Camera, by Jon Silberg

• Toolkit
  • Roland Systems Group VR-3 AV Mixer
  • Boris FX Continuum Complete 8 AVX
  • Blackmagic Design DaVinci Resolve Lite 8.1
  • NewTek 3PLAY 425
  • Grass Valley 3D Support in EDIUS, STORM 3G
  • Matrox Video Products Group MC-100

  
  

listen

• The Roaring '20s: Ambient Audio Post for HBO's Boardwalk Empire, by Blair Jackson

• Pearl Jam Twenty: Mixes, Multitracks and Memories for the Cameron Crowe Documentary, by Blair Jackson

• Puerto Rican Reverie: Recording and Remixing for The Rum Diary, by Matt Hurwitz

learn

• Animal Kingdom: Shooting in 3D on Safari with Sony's HXR-NX3D1U, by Buck McNeely

• The Practicalities of 3D Production: On Location with Vertical Ascent, by Sean MacGowan and Iain Kennedy of Vertical Ascent

• DSLR Cameras and Color Management: In A Place Post Finishes the Documentary Dragonslayer

• Workflow | Learning about S-Log: Shooting, Viewing and Grading S-Log Footage from Sony's PMW-F3, by Ned Soltz

• Options for Sony's F3: New Rig Gets the Camera Going, by Ned Soltz

• Lighting for Live Production: LED Setups on American Idol, Dancing with the Stars and America's Got Talent, by Claudia Kienzle

• Tips to Clip: January 2012, by Dick Reizner

• Instant Expert | Live Production Systems: Shoot It Now, See It Now, Stream It Now, by Ned Soltz

• DV101 | Delving Deeper: How to Achieve A "Filmic" Depth of Field, by Jay Holben

• Production Diary | L.A. Is A Great Big Freeway: Pan and Zoom with Dave, by Stefan Sargent

• Editor's View | Louie, by Cristina Clapp