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'My Life as a Zucchini' Director on Making a Kid's Film That Blends the Bleak with the Hopeful

Feb 24, 2017 - Director Claude Barras's Oscar-nominated stop-motion animated film My Life as a Zucchini tells...  More

The Difference Between Cinematography and Visual Effects

Feb 24, 2017 - The Dolby blog speaks to cinematographer Daryn Okada (Mean Girls; Let's Be Cops) who explains the...  More

How Big Data Will Transform the Editing Process

Feb 24, 2017 - In the below 30-minute video presented by LACPUG, Misha Tenenbaum, CEO of EditStock.com, explains...  More

NEC’s Color-Critical Displays Bring Accuracy to Chicago Nonprofit Digital Arts Lab

Feb 24, 2017 - When the 1990s-era monitors at a digital arts lab in Chicago began to fail, the staff knew they...  More

Buyer's Brief: Monitors

In this Buyer’s Guide we examine a number of versatile options for video monitoring.DelvcamDELV...

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New York's Public Art Fund Presents a 'Commercial Break' of Video Art Throughout the City

Feb 16, 2017 - New York's Public Art Fund has commissioned 23 artists to create platform-specific pieces of...  More

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Technicolor's Peter Doyle Offers Insight on How HDR Brings New Creative Options for Moviemakers

Feb 22, 2017 - High Dynamic Range (HDR) technology enables movies to be projected — in cinemas and in the home —...  More

Is HDR Worth It?

Wolfcrow's Sareesh Sudhakaran writes a post explaining what HDR is in detail, how it affects...

Accelerate the UHD and IP Broadcasting Workflow

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15 Things You Can't Miss at the 2017 NAB Show

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How to Apply NDI Technology in a Production Workflow

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Virtual and Augmented Graphics in the Camio Universe

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'Godzilla' Director Gareth Edwards Reveals Inspiring Secret to Success

Godzilla director Gareth Edwards, who started out in visual effects and made his first film...