Added by Sarv Kreindler--Creative Planet Network,01/28/14 02:01:54 PM
Jason Ankeny of Entrepeneur profiles the work of Aerial Media Pros, who are making high-quality helicopter drones capable of capturing some spectacular shots. He writes, "Look, up in the sky! No, it's not a bird. Not a plane, either. It's a state-of-the-art digital video camera attached to a remote-controlled drone--and it could revolutionize filmmaking by capturing flyovers, 360-degree panoramas, chase scenes and other 'How did they do that?' action sequences at a fraction of traditional production costs." Read the full story here.
Added by Sarv Kreindler--Creative Planet Network,01/24/14 01:01:13 PM
Produced by Seattle-based Mindcastle, the short film “From 1994” was shot entirely using Freefly Systems’ MoVI camera stabilizer and an ARRI Alexa M camera. “I’ve shot with cranes and jibs and things like that. Once you set them up, you can only try shots you can reach from where the base is set,” says the film’s co-director, Casey Warren. “But with MoVI, the base can be anywhere.”
Added by Sarv Kreindler--Creative Planet Network,01/24/14 01:01:24 PM
Santa Monica post facility Prehistoric Digital graded the music video for Lorde’s new single, “Team,” on Blackmagic DaVinci Resolve 10. Directed by Young Replicant, the video features two contrasting looks to demarcate the two-part narrative of the story. Kevin Cannon, colorist on “Team,” says he wanted the color grade to preserve the mystery for both scenarios and keep many of the details just visible through the haze.
Added by Sarv Kreindler--Creative Planet Network,01/21/14 06:01:43 PM
Andy Shipsides of AbelCine reports on the gear and gadgets he saw at CES that he thought would have the most impact for filmmakers. He writes, "Last week I visited the Consumer Electronics Show in Las Vegas, which features millions of electronic gadgets that would make any geek smile. I went with purpose though, touring the massive halls looking for new gear and technology that might have an impact on filmmakers. It was tough sifting through all the cellphone accessories and headphone booths, but I think I found some key trends in the mix." Read the full story here.
Added by Sarv Kreindler--Creative Planet Network,01/21/14 05:01:14 PM
Olly Lambert, the director of British television documentary Syria: Across the Lines, discusses what it's like to film in a combat zone. A young boy is consoled in 'Syria: Behind the Lines.' He says, "As a filmmaker, I am not remotely interested in war or conflict. War is usually very dull, and at best slightly comic, and then occasionally painful and tragic. What I am interested in is how ordinary people’s lives are affected by vast, external events."
Added by Sarv Kreindler--Creative Planet Network,01/21/14 05:01:21 PM
See winter unfold in glorious 4K in Henry Jun Wah Lee's "Fathom," shot in Yellowstone National Park. He explains, "'Fathom 4K' is a journey into Yellowstone, Grand Tetons and the Wyoming wilderness. It is a film about the stories told by nature through the natural world: clouds, stars, trees, rivers, geysers, mountains and more. In our everyday lives, it is difficult to observe these stories being told. To the casual eye, our world appears to be static and unchanging. But these stories are seldom told on the human scale. They are often told on the scale of cosmic or geologic time. Years, centuries, millennia and eons." The film was shot on a Canon 1-DC and 5D Mark III. Watch below.
Added by Sarv Kreindler--Creative Planet Network,01/21/14 04:01:32 PM
Cinematographer Den Lennie recently took part in a Facebook chat about the Sony HXR-NX3 and Notes on Video has some of the highlights. Says Lennie about his favorite feature of the camera, "For me it's stunning image quality and great looking IAuto features combined with terrific ergonomics. This camcorder packs a big punch for the money." Read more here.
Added by Sarv Kreindler--Creative Planet Network,01/21/14 04:01:02 PM
Joseph Oxford's labor-intensive, stop-motion short film "Me + Her" was shot with a Blackmagic Cinema Camera and Pocket Cinema Camera. The film took over 6 years to make and was created out of sculpted cardboard. Writes Fstoppers, "The form factor for each camera was a huge advantage because they were filming in such confined spaces (think shooting from ten inches off the ground rather than the normal six feet). It doesn’t hurt that it shoots raw and the quality of the footage is outstanding." Read more here.
Added by Sarv Kreindler--Creative Planet Network,01/21/14 02:01:21 PM
Marco Solorio of OneRiver Media shot the below short video with a beta version of Blackmagic Production Camera 4K. Writes RedShark News, "This footage looks razor sharp. And well it might, because it's come from a 4K Blackmagic Production camera - and one running Beta software... we have to say that this is very well produced and graded - and completely shows what potential this has as a documentary camera. It's going to be an interesting year with this camera arriving at a very low cost and 4K resolution, and the Arri Amira - another "documentary" camera that is essentially HD but with a proven, and sought-after - sensor." Read the full story here.
Added by Sarv Kreindler--Creative Planet Network,01/21/14 02:01:35 PM
In the below scene from BBC nature documentary Penguins -- Spy in the Huddle, a camera disguised as an egg goes on an unexpected adventure to capture rare, unique footage of a colony of penguins. Watch below. (via The Verge)
Added by Sarv Kreindler--Creative Planet Network,01/21/14 01:01:11 PM
Justin Bachman of Businessweek explores how resolution technology may soon supersede the capabilities of the human eye. He writes, "At what point do the capabilities of the technology outpace those of our eyes? Farhad Manjoo, writing in the Wall Street Journal, declared that we’re almost there: 'Nobody’s eyes are good enough to appreciate resolution above 4K.'" Read the full story here.
Added by Sarv Kreindler--Creative Planet Network,01/17/14 03:01:39 PM
Vimeo has partnered with crowdfunding sites Indiegogo, Kickstarter and Seed&Spark to provide a wider distribution platform for independent filmmakers who are able to successfully complete their films. Vimeo will select from films that have raised at least $10,000 on those sites and offer an exclusive premiere window on Vimeo on Demand. The filmmakers will receive free Vimeo Pro accounts and aid in project promotion. Said Greg Clayman, Vimeo's General Manager of Audience Networks, "Vimeo is committed to empowering filmmakers with the world’s best platform for direct distribution. While crowdfunding has changed the game in getting films made, Vimeo is taking the next step supporting filmmakers to get their work seen and purchased on Vimeo and across the web.” (via Filmmaker Magazine)
Added by Sarv Kreindler--Creative Planet Network,01/17/14 03:01:03 PM
Music video director Young Replicant goes in-depth on the production of his projects, talking about everything from location scouting, to color palettes, and the perennial budget problem.
Added by Sarv Kreindler--Creative Planet Network,01/16/14 05:01:19 PM
Peter Baxter, the co-founder of Slamdance, talks to The Hollywood Reporter about the 20th anniversary of his festival, originally conceived as counter-programming to Sundance.
Added by Sarv Kreindler--Creative Planet Network,01/16/14 03:01:14 PM
Affordable helicopter camera drones are responsible for the stunning surfing video found below from filmmaker Eric Cheng. Cheng used a DJI Phantom quadcopter; a GoPro HERO3 Black Edition camera; a Rotorpixel HERO3 gimbel; a ReadyMadeRC FPV transmitter, receiver, and remote monitor; and a modified DJI Phantom radio. The film is comprised of 7 four-minute flights and was cut in Final Cut Pro X. Watch below. (via Filmmaker Magazine)
Added by Sarv Kreindler--Creative Planet Network,01/16/14 03:01:42 PM
Adobe will be live-streaming its Sundance panel entitled Engaging Story, Brilliant Visuals, Low Budget--The Changing Face of Independent Film. The panel will consist of up-and-coming filmmakers Kyle Patrick Alvarez, Hasraf HaZ Dulull, and Jim Mickle discussing the independent films they've made on micro-budgets. They will discuss the latest technology trends for budget-conscious independent filmmakers, including cameras and integrated software. The panel is taking place on Friday, January 17th from 2-3:30 PM PT. Read more and register here.
Added by Sarv Kreindler--Creative Planet Network,01/16/14 12:01:11 PM
A dramatic series set in the highest levels of U.S. government, ABC’s Scandal centers on the crisis management firm run by Olivia Pope (Kerry Washington), who knows how to fix everyone’s life but her own.
Added by Sarv Kreindler--Creative Planet Network,01/16/14 11:01:07 AM
Set in the near future, director Spike Jonze’s Her follows a lonely man whose only connection to the world is through his computer. Captured in ARRIRAW format on an ARRI Alexa Studio camera by cinematographer Hoyte Van Hoytema, Her anticipates the future but presents a familiar world based on today’s reality.
Added by Sarv Kreindler--Creative Planet Network,01/15/14 12:01:00 PM
Phil Rhodes of RedShark News writes about the longtime rolling shutter problem of many cameras and wonders if all future cameras--no matter the price point--will come with global shutters.
Added by Sarv Kreindler--Creative Planet Network,01/14/14 04:01:16 PM
Stillmotion provides some tips for shooting with mobile rigging system MoVI, writing, "The MoVI is an incredible tool that changes the way we as storytellers can communicate with our audience. One of the biggest questions filmmakers often have is about how approachable the rig is. Does it take a long time to learn? Do you need a large crew? This post is all about our tips and tricks on how to maximize the MoVI when you’re shooting solo." Read the full story here.