"I Am Los Angeles:" Seeing the City Through the Eyes of a Transplant
Dutch documentarian Joris Debeij's web series "I Am Los Angeles" features compelling portraits of some of the city's unsung residents, from a record shop owner to an ambassador for the sport of cricket.
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| Joris Debeij |
We spoke to Debeij about how his documentary project came to be.
How did "I Am Los Angeles" come about?
I started working more as a journalist here in L.A., where I've been living for three years. I'm from the Netherlands. After a while, you start noticing a different side to the city and I wanted to share that different side with the Europeans.
But it turned out that people here in L.A. thought that another perspective on the city was a cool thing.
Do you feel you have an outsider perspective looking in?
More or less. It's also me starting to get to know the city more and the project evolves a little bit from that too. I mean, L.A. is a city of many transplants. I guess everybody discovers it at their own pace. I think it's cool to show what I come across and what I see and share that with other people through the project.
How did you find the subjects of your films?
Very randomly. Sometimes I'm just interested in a theme. For example, when I came to L.A., I noticed there's a lot of homelessness. So that was something I was interested in and I looked for a story there. And I found this story on the Skid Row Housing Trust-- this thing where they have ambassadors, people who talk to the public about what it's like to be homeless. So I thought that was interesting. [Watch it below.]
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| Josh Koslow, one of the subjects of "I Am Los Angeles." |
But sometimes you also come across interesting graffiti and you wonder who made it. Or sometimes someone says, "I know somebody who might be an interesting person to discover a little bit more." So it goes many different ways, how you find a subject.
What do you shoot on?
I shoot mostly everything with Canon DSLRs from the 5D Mark III to the 7D and use Sennheiser microphones, a shoulder rig and a [Korg] Nanopad.
It's all me shooting mostly. Sometimes it's a friend who tags along and has a second camera or an interview camera. But for the most part, it's me. With a set-up like that, it's easy to travel around and you don’t need many hands to carry stuff around.
What do you edit on?
I started with Final Cut Pro 7 but I wasn't completely happy with it. And then Final Cut Pro X came out and I did two [webisodes with it] and the magnetic timeline drove me crazy. A friend of mine knew somebody at Adobe and he hooked me up with Premiere Pro CS6 and I've been using it ever since.
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| Gregory Bojorquez, another subject of Debeij's web series |
So that's what I work on now. I think Premiere is great. The workflow is really easy also, combining it with other [tools] like [Adobe's] After Effects and Photoshop. It's more of a complete package than Apple has. Because Final Cut Pro X, I think, is a little bit of a miss. I mean, I liked a lot of things about it but it wasn't complete to me. Therefore I made the switch. But I keep an eye on [Final Cut Pro] X anyway so if they come up with good improvements…
What's next for you?
I'm working on a few short documentaries. One will be released early 2013 and I'm about to shoot a new documentary here in L.A. I've also been working on some commercials for the Netherlands. It's really a little bit of everything.
"I Am Los Angeles" can be seen here.







